The history of the modern U.S. Capitol, the iconic seat of American government, is also the chronicle of America's most tumultuous years. An award-winning journalist has captured with impeccable detail the clash of personalities behind the building of the Capitol and its extraordinary design and engineering.

Philip Reid was an enslaved African American who volunteered to work with the delicate plaster mold needed to create Freedom, the statue that stands atop the capital building in Washington, D.C.

Progressives in Washington have big plans. Plans to take over every part of the U.S. economy and manage Americans' lives. Embracing the Green New Deal, abolishing the electoral college, promoting late term abortion, and implementing socialism are just a few of the progressives' latest attempts to remake America. In the process, they abandon the Constitution and our individual liberties. Congressman Ken Buck argues that every American should rediscover our nation's unique freedom story. This book tells the story of how our nation’s founders carefully designed a political system that would guard against tyranny and protect individual liberty. Using the Capitol and its features as the backdrop, Buck shows how our heritage as a free people is woven into every institution in America, and how progressives are attempting to undermine individual liberty. The book offers clear recommendations for steps liberty-minded Americans can take to reverse the progressives’ damaging course. For all who are willing to listen, the Capitol speaks, showing how conservatives can halt the progressives' plans, preserve our remaining freedoms, and reclaim what we’ve lost.

The racist legacy behind the Western idea of freedom The era of the Enlightenment, which gave rise to our modern conceptions of freedom and democracy, was also the height of the trans-Atlantic slave trade. America, a nation founded on the principle of liberty, is also a nation built on African slavery, Native American genocide, and systematic racial discrimination. White Freedom traces the complex relationship between freedom and race from the eighteenth century to today, revealing how being free has meant being white. Tyler Stovall explores the intertwined histories of racism and freedom in France and the United States, the two leading nations that have claimed liberty as the heart of their national identities. He explores how French and American thinkers defined freedom in racial terms and conceived of liberty as an aspect and privilege of whiteness. He discusses how the Statue of Liberty—a gift from France to the United States and perhaps the most famous symbol of freedom on Earth—promised both freedom and whiteness to European immigrants. Taking readers from the Age of Revolution to today, Stovall challenges the notion that racism is somehow a paradox or contradiction within the democratic tradition, demonstrating how white identity is intrinsic to Western ideas about liberty. Throughout the history of modern Western liberal democracy, freedom has long been white freedom. A major work of scholarship that is certain to draw a wide readership and transform contemporary debates, White Freedom provides vital new perspectives on the inherent racism behind our most cherished beliefs about freedom, liberty, and human rights.

In this luminous portrait of wartime Washington, Ernest B. Furgurson–author of the widely acclaimed Chancellorsville 1863, Ashes of Glory, and Not War but Murder--brings to vivid life the personalities and events that animated the Capital during its most tumultuous time. Here among the sharpsters and prostitutes, slaves and statesmen are detective Allan Pinkerton, tracking down Southern sympathizers; poet Walt Whitman, nursing the wounded; and accused Confederate spy Antonia Ford, romancing her captor, Union Major Joseph Willard. Here are generals George McClellan and Ulysses S. Grant, railroad crew boss Andrew Carnegie, and architect Thomas Walter, striving to finish the Capitol dome. And here is Abraham Lincoln, wrangling with officers, pardoning deserters, and inspiring the nation. Freedom Rising is a gripping account of the era that transformed Washington into the world’s most influential city.

From its 1790 founding until 1974, Washington, D.C.--capital of "the land of the free--lacked democratically elected city leadership. Fed up with governance dictated by white stakeholders, federal officials, and unelected representatives, local D.C. activists catalyzed a new phase of the fight for home rule. Amid the upheavals of the 1960s, they gave expression to the frustrations of black residents and wrestled for control of their city. Bringing together histories of the carceral and welfare states, as well as the civil rights and Black Power movements, Lauren Pearlman narrates this struggle for self-determination in the nation's capital. She captures the transition from black protest to black political power under the Lyndon Johnson and Richard Nixon administrations and against the backdrop of local battles over the War on Poverty and the War on Crime. Through intense clashes over funds and programming, Washington residents pushed for greater participatory democracy and community control. However, the anticrime apparatus built by the Johnson and Nixon administrations curbed efforts to achieve true home rule. As Pearlman reveals, this conflict laid the foundation for the next fifty years of D.C. governance, connecting issues of civil rights, law and order, and urban renewal.

Few images of early America were more striking, and jarring, than that of slaves in the capital city of the world’s most important free republic. Black slaves served and sustained the legislators, bureaucrats, jurists, cabinet officials, military leaders, and even the presidents who lived and worked there. While slaves quietly kept the nation’s capital running smoothly, lawmakers debated the place of slavery in the nation, the status of slavery in the territories newly acquired from Mexico, and even the legality of the slave trade in itself. This volume, with essays by some of the most distinguished historians in the nation, explores the twin issues of how slavery made life possible in the District of Columbia and how lawmakers in the district regulated slavery in the nation. Contributors: David Brion Davis, Mary Beth Corrigan, A. Glenn Crothers, Jonathan Earle, Stanley Harrold, Mitch Kachun, Mary K. Ricks, James B. Stewart, Susan Zaeske, David Zarefsky

The first book of its kind, with comprehensive up-to-date details Historic sites along the Mall, such as the U.S. Capitol building, the White House and the Lincoln Memorial, are explored from an entirely new perspective in this book, with never-before-told stories and statistics about the role of blacks in their creation. This is an iconoclastic guide to Washington, D.C., in that it shines a light on the African Americans who have not traditionally been properly credited for actually building important landmarks in the city. New research by a top Washington journalist brings this information together in a powerful retelling of an important part of our country's history. In addition the book includes sections devoted to specific monuments such as the African American Civil War Memorial, the real “Uncle Tom's cabin,” the Benjamin Banneker Overlook and Frederick Douglass Museum, the Hall of Fame for Caring Americans, and other existing statues, memorials and monuments. It also details the many other places being planned right now to house, for the first time, rich collections of black American history that have not previously been accessible to the public, such as the soon-to-open Smithsonian Institution National Museum of African American History and Culture, and the Martin Luther King, Jr., National Monument, as well as others opening over the next decade. This book will be a source of pride for African Americans who live in or come from the D.C., Maryland, and Virginia area as well as for the 18 million annual African American visitors to our nation's capital. Jesse J. Holland is a political journalist who lives in the Capitol Hill neighborhood of Washington, D.C. He is the Congressional legal affairs correspondent for the Associated Press, and his stories frequently appear in the New York Times and other major papers. In 2004, Holland became the first African American elected to Congressional Standing Committee of Correspondents, which represents the entire press corps before the Senate and the House of Representatives. A graduate of the University of Mississippi, he is a frequent lecturer at universities and media talk shows across the country.

The inspiring story of an 18th-century New England slave who emancipated himself

The subject matter and iconography of much of the art in the U.S. Capitol forms a remarkably coherent program of the early course of North American empire, from discovery and settlement to the national development and westward expansion that necessitated the subjugation of the indigenous peoples. In Art and Empire, Vivien Green Fryd's revealing cultural and political interpretation of the portraits, reliefs, allegories, and historical paintings commissioned for the U.S. Capitol, the reader is given an enhanced appreciation for the racial and ethnic implications of these works. This latest contribution to the United States Capitol Historical Society's Perspectives on the Art and Architectural History of the United States Capitol series provides an affordable and accessible insight into one of our most visited, viewed, and revered national buildings. Professor Fryd demonstrates how the politics of our history is written in stone and painted on the walls of these hallowed halls.