An innovative examination of the forces - both destructive and dynamic - which have shaped twentieth-century South Africa. This book provides a stimulating introduction to the history of South Africa in the twentieth century. It draws on the rich and lively tradition of radical history writing on that country and, to a greater extent than previous accounts, weaves economic and cultural history into the political narrative. Apartheid and industrialization, especially mining, are central theme, as is the rise of nationalism in the Afrikaner and African communities. But the author also emphasizes the neglected significance of rural experiences and local identities in shaping political consciousness. The roles played by such key figure as Smuts, Verwoerd, de Klerk, Plaatje, and Mandela are explored, while recent historiographical trends are reflected in analyses of rural protest, white cultural politics, the vitality of black urban life, and environmental decay. The book assesses the analysis of black reactions to apartheid, the rise of the ANC. The concluding chapter brings this seminal history up-to-date, tackling the issues and events from 1994-1999 - in particular the success of Mandela and the ANC in seeing through the end of apartheid rule. It also looks at the chances of a stable future for the new-found democracy in South Africa.

This book addresses emancipatory narratives from two main sites in the colonial world, the Indian and southern African subcontinents. Exploring how love and revolution interrelate, this volume is unique in drawing on theories of affect to interrogate histories of the political, thus linking love and revolution together. The chapters engage with the affinities of those who live with their colonial pasts: crises of expectations, colonial national convulsions, memories of anti-colonial solidarity, even shared radical libraries. It calls attention to the specific and singular way in which notions of ‘love of the world’ were born in a precise moment of anti-colonial struggle: a love of the world for which one would offer one’s life, and for which there had been little precedent in the history of earlier revolutions. It thus offers new ways of understanding the shifts in global traditions of emancipation over two centuries.

This unique history highlights South Africa's complex and dynamic attempt to build a developmental state; an attempt that ultimately faltered.

A pioneering account of how South Africa's three leading cities were fashioned, experienced, promoted and perceived.

For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.

Murder Along the Cape Fear is the story of Fayetteville and Fort Bragg, North Carolina, during the twentieth century. Seen through the eyes of a native son, this is the tale of one - a distinguished historian - who lived through some of it and heard about much of it from friends and relatives. In this hundred-year journey the town was profoundly impacted by the establishment of Fort Bragg 10 miles to its west. Throughout this hundred-year history, murder seems to be the scarlet thread that stitched the town into infamy. The book demonstrates that Fayetteville was by no means innocent prior to the coming of Fort Bragg. Nor did all of the crime and evil emanate from Fort Bragg after 1918. As for murder, there was an abundance of killing that had no connection with Fort Bragg, but the most sensational murder case of the century involved Jeffrey MacDonald, a Green Beret Army captain and physician who received three life terms in federal prison for killing his pregnant wife and two daughters. While many other Fort Bragg soldiers were involved with murders along the Cape Fear, murders were also committed by transient civilians and local citizens like the famous inventor of the M-1 carbine, Marshall "Carbine" Williams, and Velma Barfield, who poisoned her mother and three other people. In all, about two dozen murder cases-some highly publicized and some not-are woven into this story about a North Carolina town in the twentieth century. Engagingly told, this book is a wonderful blend of history, lore, and murder.

The history of a radical group of intellectuals who founded the New Era Fellowship, which shaped human rights precedents and social justice policy in South Africa In 1937 a group of young Capetonians, socialist intellectuals from the Workers’ Party of South Africa, embarked on a project they called the New Era Fellowship (NEF). In doing so they sought to disrupt and challenge not only prevailing political narratives but the very premises – class and ‘race’ – on which they were based. In different forums – public debates, lectures, study circles and cultural events – the seeds of radical thinking were planted, nurtured and brought to full flower. Taking a position of non-collaboration and non-racialism, the NEF played a vital role in challenging society’s responses to events ranging from the problem of taking up arms during the Second World War for an empire intent on stripping people of colour of their human rights to the Hertzog Bills, which foreshadowed apartheid in all its ruthless effectiveness. In subsequent narratives of liberation their significance has been overlooked, even disparaged, and has never been fully understood and acknowledged. By shining a contemporary light on the NEF and locating its contribution in current sociological and political discourse, educationist Crain Soudien shows how its members were at the forefront of redefining the debate about social difference in a racially divided society.

People Apart: 1950s Cape Town Revisited offers a rich and fascinating insight into South Africa at the brink of the apartheid through Bryan Heseltine's previously unpublished photography of the 1940s and 50s. The photographs offer a unique glimpse into the lives of South Africans who would feel the full force of apartheid through the 1950s and beyond, showing some of the dreadful housing conditions that existed on the periphery of the city, but also testifying to the vibrancy of social and cultural life, including the work of street craftsmen, beer brewing, music and dance. People Apart offers an intimate insight into the diverse styles and identities of Cape Town's inhabitants during this period, both through intimate portraits as well as unique documentations of the shack dwellings, which dominated the urban landscape. The collection also significantly demonstrates an early attempt to find a visual language with which to represent apartheid South Africa to a British Public. Author Darren Newbury contextualizes Heseltine's photographs through extensive biographical, and socio-historical research and views this body of work both within its contemporary context as well as asking what these images offer today, in the post-apartheid era. Contributions from Vivian Bickford-Smith and Sean Field probe questions such as the nature of memory and identity, as well as the place of photography in the documentation and the active 'making' of history.

With nearly two hundred and fifty individually signed entries, the Encyclopedia of Twentieth-Century African History explores the ways in which the peoples of Africa and their politics, states, societies, economies, environments, cultures and arts were transformed during the course of that Janus-faced century. Overseen by a diverse and distinguished international team of consultant editors, the Encyclopedia provides a thorough examination of the global and local forces that shaped the changes that the continent underwent. Combining essential factual description with evaluation and analysis, the entries tease out patterns from across the continent as a whole, as well as within particular regions and countries: it is the first work of its kind to present such a comprehensive overview of twentieth-century African history. With full indexes and a thematic entry list, together with ample cross-referencing and suggestions for further reading, the Encyclopedia will be welcomed as an essential work of reference by both scholar and student of twentieth-century African history. Choice Outstanding Academic Title 2004