A gorgeous combination of photographs, original art, and descriptive text that celebrates the wild and seldom-visited canyonlands of the Texas Plains. Exploring an environment largely unknown to even native Texans, both writer and artist take the reader on an intimate and compelling visit to an unforgetably beautiful corner of Texas.

The inspiration for the Netflix film Rez Ball—produced by Lebron James The moving story of a Navajo high school basketball team, its members struggling with the everyday challenges of high school, adolescence, and family, and the great and unique obstacles facing Native Americans living on reservations. Deep in the heart of northern Arizona, in a small and isolated patch of the vast 17.5-million-acre Navajo reservation, sits Chinle High School. Here, basketball is passion, passed from grandparent to parent to child. Rez Ball is a sport for winters where dark and cold descend fast and there is little else to do but roam mesa tops, work, and wonder what the future holds. The town has 4,500 residents and the high school arena seats 7,000. Fans drive thirty, fifty, even eighty miles to see the fast-paced and highly competitive matchups that are more than just games to players and fans. Celebrated Times journalist Michael Powell brings us a narrative of triumph and hardship, a moving story about a basketball team on a Navajo reservation that shows how important sports can be to youths in struggling communities, and the transcendent magic and painful realities that confront Native Americans living on reservations. This book details his season-long immersion in the team, town, and culture, in which there were exhilarating wins, crushing losses, and conversations on long bus rides across the desert about dreams of leaving home and the fear of the same.

“A convincing case for Powell’s legacy as a pioneering conservationist.”--The Wall Street Journal "A bold study of an eco-visionary at a watershed moment in US history."--Nature A timely, thrilling account of the explorer who dared to lead the first successful expedition down the Colorado through the Grand Canyon—and waged a bitterly-contested campaign for sustainability in the West. John Wesley Powell’s first descent of the Colorado River through the Grand Canyon in 1869 counts among the most dramatic chapters in American exploration history. When the Canyon spit out the surviving members of the expedition—starving, battered, and nearly naked—they had accomplished what others thought impossible and finished the exploration of continental America that Lewis and Clark had begun almost 70 years before. With The Promise of the Grand Canyon, John F. Ross tells how that perilous expedition launched the one-armed Civil War hero on the path to becoming the nation’s foremost proponent of environmental sustainability and a powerful, if controversial, visionary for the development of the American West. So much of what he preached—most broadly about land and water stewardship—remains prophetically to the point today.

Running more than 1,200 miles from headwaters in eastern New Mexico through the middle of Texas to the Gulf of Mexico, the Brazos River has frustrated developers for nearly two centuries. This environmental history of the Brazos traces the techniques that engineers and politicians have repeatedly used to try to manage its flow. The vast majority of projects proposed or constructed in this watershed were failures, undone by the geology of the river as much as the cost of improvement. When developers erected locks, the river changed course. When they built large-scale dams, floodwaters overflowed the concrete rims. When they constructed levees, the soils collapsed. Yet lawmakers and laypeople, boosters and engineers continued to work toward improving the river and harnessing it for various uses. Through the plight of the Brazos River Archer illuminates the broader commentary on the efforts to tame this nation’s rivers as well as its historical perspectives on development and technology. The struggle to overcome nature, Archer notes, reflects a quintessentially American faith in technology.

The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. Members of bands like the Byrds, the Doors, Buffalo Springfield, the Monkees, the Beach Boys, the Turtles, the Eagles, the Flying Burrito Brothers, Frank Zappa and the Mothers of Invention, Steppenwolf, CSN, Three Dog Night and Love, along with such singer/songwriters as Joni Mitchell, Judy Collins, James Taylor and Carole King, lived together and jammed together in the bucolic community nestled in the Hollywood Hills. But there was a dark side to that scene as well. Many didn’t make it out alive, and many of those deaths remain shrouded in mystery to this day. Far more integrated into the scene than most would like to admit was a guy by the name of Charles Manson, along with his murderous entourage. Also floating about the periphery were various political operatives, up-and-coming politicians and intelligence personnel – the same sort of people who gave birth to many of the rock stars populating the canyon. And all the canyon’s colorful characters – rock stars, hippies, murderers and politicos – happily coexisted alongside a covert military installation.

The inspiration for the upcoming Netflix film Rez Ball—produced by Lebron James The moving story of a Navajo high school basketball team, its members struggling with the everyday challenges of high school, adolescence, and family, and the great and unique obstacles facing Native Americans living on reservations. Deep in the heart of northern Arizona, in a small and isolated patch of the vast 17.5-million-acre Navajo reservation, sits Chinle High School. Here, basketball is passion, passed from grandparent to parent to child. Rez Ball is a sport for winters where dark and cold descend fast and there is little else to do but roam mesa tops, work, and wonder what the future holds. The town has 4,500 residents and the high school arena seats 7,000. Fans drive thirty, fifty, even eighty miles to see the fast-paced and highly competitive matchups that are more than just games to players and fans. Celebrated Times journalist Michael Powell brings us a narrative of triumph and hardship, a moving story about a basketball team on a Navajo reservation that shows how important sports can be to youths in struggling communities, and the transcendent magic and painful realities that confront Native Americans living on reservations. This book details his season-long immersion in the team, town, and culture, in which there were exhilarating wins, crushing losses, and conversations on long bus rides across the desert about dreams of leaving home and the fear of the same.

Matthew Harken discovers he has terminal cancer. Ill-prepared to meet his end, he makes a pilgrimage to the scene of the suicide of his dearest friend, Anna. He has the irrational hope that by investigating her death, he may be able to see into the world of the dead. VISIONS OF ANNA is a sometimes funny, sometimes disturbing work of contemporary American magic realism. It's a story of sex, psychology, art, Hollywood, the Holocaust, reincarnation and love. Book One of THE AFTERLIFE TRILOGY, VISIONS OF ANNA is followed by SHE PLAYS IN DARKNESS by Fern Chertkow and the play ANNA IN THE AFTERLIFE by Richard Engling.

Writer Annette McGivney explores the controversy and the history of water politics in the American Southwest through the lens of the re-emergence of Glen Canyon due to an ongoing drought. More than 125 large images by photographer James Kay capture the beauty of the legendary canyons of Glen Canyon as they emerge into the light of day for the first time in nearly 40 years. Each chapter opens with a journal excerpt that personalizes the Glen Canyon story, and the book concludes with a list of recommended hikes in the area that will draw outdoor enthusiasts to reemerging attractions. Throughout her account, McGivney stresses the need for a new model of living in the American West -- the U.S. Department of the Interior must shift its water policy to meet changing needs and Americans must live more sustainably, especially in the arid West. Resurrection eloquently demonstrates why Americans should stand behind the renewal of Glen Canyon and accord it protection as a national park-both to honor the area as a national treasure and to preserve it for future generations. * Published in partnership with Glen Canyon Institute, an NGO with a membership of 3,000 dedicated to making Glen Canyon a national park * Includes an appendix of recommended hikes

Walden Pond. The Grand Canyon.Yosemite National Park. Throughout the twentieth century, photographers and filmmakers created unforgettable images of these and other American natural treasures. Many of these images, including the work of Ansel Adams, continue to occupy a prominent place in the American imagination. Making these representations, though, was more than a purely aesthetic project. In fact, portraying majestic scenes and threatened places galvanized concern for the environment and its protection. Natural Visions documents through images the history of environmental reform from the Progressive era to the first Earth Day celebration in 1970, showing the crucial role the camera played in the development of the conservation movement. In Natural Visions, Finis Dunaway tells the story of how visual imagery—such as wilderness photographs, New Deal documentary films, and Sierra Club coffee-table books—shaped modern perceptions of the natural world. By examining the relationship between the camera and environmental politics through detailed studies of key artists and activists, Dunaway captures the emotional and spiritual meaning that became associated with the American landscape. Throughout the book, he reveals how photographers and filmmakers adapted longstanding traditions in American culture—the Puritan jeremiad, the romantic sublime, and the frontier myth—to literally picture nature as a place of grace for the individual and the nation. Beautifully illustrated with photographs by Ansel Adams, Eliot Porter, and a host of other artists, Natural Visions will appeal to a wide range of readers interested in American cultural history, the visual arts, and environmentalism.

During the mid-nineteenth century, a quarter of a million travelers—men, women, and children—followed the “road across the plains” to gold rush California. This magnificent chronicle—the second installment of Will Bagley’s sweeping Overland West series—captures the danger, excitement, and heartbreak of America’s first great rush for riches and its enduring consequences. With narrative scope and detail unmatched by earlier histories, With Golden Visions Bright Before Them retells this classic American saga through the voices of the people whose eyewitness testimonies vividly evoke the most dramatic era of westward migration. Traditional histories of the overland roads paint the gold rush migration as a heroic epic of progress that opened new lands and a continental treasure house for the advancement of civilization. Yet, according to Bagley, the transformation of the American West during this period is more complex and contentious than legend pretends. The gold rush epoch witnessed untold suffering and sacrifice, and the trails and their trials were enough to make many people turn back. For America’s Native peoples, the effect of the massive migration was no less than ruinous. The impact that tens of thousands of intruders had on Native peoples and their homelands is at the center of this story, not on its margins. Beautifully written and richly illustrated with photographs and maps, With Golden Visions Bright Before Them continues the saga that began with Bagley’s highly acclaimed, award-winning So Rugged and Mountainous: Blazing the Trails to Oregon and California, 1812–1848, hailed by critics as a classic of western history.