A Choral Worship Cantata in SATB with ATB Soli voicing, composed by Johann Sebastian Bach.

Shows the growth of an English village from a medieval clearing to the urban congestion of the present day as seen from the same viewpoint approximately every hundred years.

This last in a two-volume study examines Bach's musical compositional development in his later years, including his time at Cðthen and Leipzig.

A German composer, organist, harpsichordist, violist, and violinist of the Baroque era, Johann Sebastian Bach is now generally regarded as one of the greatest composers of all time. Celebrated as the creator of the ‘Brandenburg Concertos’, ‘The Well-Tempered Clavier’, the ‘Mass in B Minor’ and countless other masterpieces of church and instrumental music, Bach’s sublime skill was his ability to adapt and perfect the principal styles and forms of previous generations. Delphi’s Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the masterworks of each composer, these interactive eBooks include links to popular streaming services, allowing you to listen to the pieces of music you are reading about. Evaluating the masterworks of each composer, you will explore the development of their works, tracing how they changed the course of music history. Whether a classical novice or a cultivated connoisseur, this series offers an intriguing overview of the world’s most famous and iconic compositions. This volume presents Bach’s masterworks in succinct detail, with informative introductions, accompanying illustrations and the usual Delphi bonus features. (Version 1) * Concise and informative overview of Bach’s masterworks * Learn about the classical pieces that made Bach a celebrated composer * Links to popular streaming services (free and paid), allowing you to listen to the masterpieces you are reading about * Features a special ‘Complete Compositions’ section, with an index of Bach’s complete works and links to popular streaming services * Includes six biographies - explore Bach's intriguing musical and personal life Please visit www.delphiclassics.com to browse through our range of exciting eBooks CONTENTS: The Masterworks Toccata and Fugue in D Minor, BWV 565 Violin Concerto No. 2 in E Major, BWV 1042 Cello Suite No. 1 in G Major, BWV 1007 Brandenburg Concerto No. 1 in F Major, BWV 1046 The Well-Tempered Clavier, Book 1, BWV 846 Concerto for Two Violins in D Minor, BWV 1043 Herz und Mund und Tat und Leben, BWV 147 Violin Concerto in A Minor, BWV 1041 Singet dem Herrn ein neues Lied, BWV 225 St. Matthew Passion, BWV 244 Orchestral Suite No. 3 in D Major, BWV 1068 Wachet auf, ruft uns die Stimme, BWV 140 Christmas Oratorio, BWV 248 Concerto for Violin and Oboe in C Minor, BWV 1060R Harpsichord Concerto No. 4, BWV 1055 Goldberg Variations, BWV 988 Great Eighteen Chorale Preludes, BWV 651-668 Mass in B Minor, BWV 232 Complete Compositions Index of Bach’s Compositions The Biographies Johann Sebastian Bach: His Life, Art, and Work by Johann Nikolaus Forkel Bach by Reginald Lane Poole Bach by C. F. Abdy Williams The Culmination of German Protestant Music: Johann Sebastian Bach by Edward Dickinson John Sebastian Bach by Harriette Brower Johann Sebastian Bach by Louis C. Elson Please visit www.delphiclassics.com to learn more about our wide range of exciting titles

Bach’s Operas of the Soul is the first introduction to Bach’s sacred cantatas for the general music lover. In clear and accessible language, Mark Ringer examines this vast output of masterpieces as the great musical dramatic creations that they. Bach’s sacred cantatas represent an almost superhuman artistic and spiritual achievement, arguably the richest investment by a great composer within a single genre. But outside of a handful of pieces, they remain a closed book to a majority of serious listeners already familiar with Bach’s large-scale religious works. Nevertheless, the same musical-dramatic genius of Bach’s Passions is fully evident in virtually all of the composer's sacred cantatas. Ringer approaches the sacred cantatas as sermons in musical-dramatic form, un-staged operas, planned for each occasion of the church year. Bach’s era relished dramatic contrast, and his use of the human voice offers a constantly changing pallet of vocal colors. The singers play ‘roles’ throughout the cantatas from penitent sinner, to ardent believer, to Christ himself. This book is accompanied by online audio tracks of select Bach canatatas from the Naxos music library. It will be of use to readers interested in opera and vocal music who have already come to love Bach’s Passions and who want to familiarize themselves with this wide array of masterpieces.

Updates volumes published in the Music-in-print series

The German church cantata of the eighteenth century was the culmination of a long tradition of Lutheran "sermon music" that used the proclamation, amplification, and interpretation of scripture to teach and persuade the listener. Bach's cantatas also served this didactic purpose and typically incorporate numerous allusions to scriptural passages or themes in their librettos. Unfortunately, many of these passages remain obscure to the twentieth-century musician because they demand a much closer familiarity with the Bible than is common today. The Handbook to Bach's Sacred Cantata Texts identifies scriptural references for the wording, imagery, and themes that Bach's listeners would have known. In addition, the religious or literary theme of each text is summarized within the specific context of the cantata as a whole. With interlinear translations and a full complement of indexes.

Bach's Johannine Theology: The St. John Passion and the Cantatas for Spring 1725 is a fertile examination of this group of fourteen surviving liturgical works. Renowned Bach scholar Eric Chafe begins his investigation into Bach's theology with the composer's St. John Passion, concentrating on its first and last versions. Beyond providing a uniquely detailed assessment of the passion, Bach's Johannine Theology is the first work to take the work beyond the scope of an isolated study, considering its meaning from a variety of musical and historical standpoints. Chafe thereby uncovers a range of theological implications underlying Bach's creative approach itself. Building considerably on his previous work, Chafe here expands his methodological approach to Bach's vocal music by arguing for a multi-layered approach to religion in Bach's compositional process. Chafe bases this approach primarily on two aspects of Bach's theology: first, the specific features of Johannine theology, which contrast with the more narrative approach found in the Synoptic Gospels (Matthew, Mark, Luke); and second, contemporary homiletic and devotional writings - material that is not otherwise easily accessible, and less so in English translation. Bach's Johannine Theology provides an unprecedented, enlightening exploration of the theological and liturgical contexts within which this music was first heard.