The author uses first-hand life experiences to lay bare enduring truths. Four remarkable stories of evolutionary change are woven into a single journey down the river of time; One, a vision-filled canoe trip through Pennsylvanias Allegheny Forest; Two, a dramatic sequence of dreams documenting the saga of an Indigenous Caribbean family; Three, the 260-century evolutionary trek of global humanity envisioned by ancient Native wisdom; Four, the authors personal 65 years of life experiences in the modern-day Taino Indigenous Resurgence movement.

"The Hills confront far more than what is 'sayable' in terms of Mexicano grammar; they deal with what is actually said, with the relationship between Spanish and Mexicano as resources in the community's linguistic repertoire. . . . One of the major studies of language contact produced within the past forty years."—Language "The genius of this work is the integration of the linguistic analysis with the cultural and political analysis."—Latin American Anthropology Review

Offers information on traveling in South America including how best to get around, culture and etiquette, and a variety of accomodations.

This memoir chronicles the history of my family. It is a historical account derived from personal knowledge. The historical account includes interesting stories that I heard while growing up on a farm near the impoverished town of Fabens, Texas but also while I lived in Fabens as an adolescent. The remainder of the history transpired while living in Horizon City near El Paso, Texas. The memoir presents interesting early life experiences of my father starting from his childhood days. The memoir describes my father’s and mother’s migration to the United States from Mexico that occurred when my father signed up for the “bracero” program which was designed to recruit farm workers from Mexico to work in the United States. The memoir then goes on to present my life experiences starting from the days when I lived on a farm as a child in an adobe/stucco building that was located adjacent to the railroad tracks.

Copper Creek is the life story of Martin E. Tew, war hero, poet, rescue hero of two downed pilots, philanthropist for Greek war survivors, owner of Copper Creek mine in Arizona, owner of Monte Bonito Ranch in Arizona, attorney and he also spoke languages. It includes facts about the mysterious Sibley Castle and everyday life in Copper Creek.

"The Canoe Theory compares an organization and its members to a canoe and its crew. Like canoes, businesses need every member to "paddle" together for greater success. Today, more than ever, employers and employees feel disconnected from one another. The Canoe Theory provides solutions to difficult challenges business leaders and employees alike face and details how to bridge the gap and "paddle" together. This short yet powerful book lays out the seven simple principles of The Canoe Theory and how implementing them equals organizational success. Business leaders from across the country from organizations such as The Irvine Company, DuPont, and Steelcase (just to name a few) practice "The Canoe Theory." Evaluate your organizational needs, read this book, and turn your business or organization into a dynamic force with The Canoe Theory!" -Amazon.com editorial review "The Canoe Theory captures the essence of the type of corporate culture which produces best in class results. It is a must read for anyone in management."-Patricia Cochran, CFO of VSP, the nation's largest specialized health plan for vision care, which has been listed on Fortune magazine's "100 best companies to work for" list for the past six years. A fifteen-year corporate research study indicated a major disconnect between management and employees in 87 percent of the organizations surveyed in the U.S. (1989-2004). The Canoe Theory helps you bridge this gap and offers simple answers to complex issues in the corporate world.

In this second volume of the groundbreaking survey, Michael J. Pfeifer edits a collection of essays that illuminates lynching and other extrajudicial "rough justice" as a transnational phenomenon responding to cultural and legal issues. The volume's European-themed topics explore why three communities of medieval people turned to mob violence, and the ways exclusion from formal institutions fueled peasant rough justice in Russia. Essays on Latin America examine how lynching in the United States influenced Brazilian debates on race and informal justice, and how shifts in religious and political power drove lynching in twentieth-century Mexico. Finally, scholars delve into English Canadians' use of racist and mob violence to craft identity; the Communist Party's Depression-era campaign against lynching in the United States; and the transnational links that helped form--and later emanated from--Wisconsin's notoriously violent skinhead movement in the late twentieth century. Contributors: Brent M. S. Campney, Amy Chazkel, Stephen P. Frank, Dean J. Kotlowski, Michael J. Pfeifer, Gema Santamaría, Ryan Shaffer, and Hannah Skoda.

In Looking for Mexico, a leading historian of visual culture, John Mraz, provides a panoramic view of Mexico’s modern visual culture from the U.S. invasion of 1847 to the present. Along the way, he illuminates the powerful role of photographs, films, illustrated magazines, and image-filled history books in the construction of national identity, showing how Mexicans have both made themselves and been made with the webs of significance spun by modern media. Central to Mraz’s book is photography, which was distributed widely throughout Mexico in the form of cartes-de-visite, postcards, and illustrated magazines. Mraz analyzes the work of a broad range of photographers, including Guillermo Kahlo, Winfield Scott, Hugo Brehme, Agustín Víctor Casasola, Tina Modotti, Manuel Álvarez Bravo, Héctor García, Pedro Meyer, and the New Photojournalists. He also examines representations of Mexico’s past in the country’s influential picture histories: popular, large-format, multivolume series replete with thousands of photographs and an assortment of texts. Turning to film, Mraz compares portrayals of the Mexican Revolution by Fernando de Fuentes to the later movies of Emilio Fernández and Gabriel Figueroa. He considers major stars of Golden Age cinema as gender archetypes for mexicanidad, juxtaposing the charros (hacienda cowboys) embodied by Pedro Infante, Pedro Armendáriz, and Jorge Negrete with the effacing women: the mother, Indian, and shrew as played by Sara García, Dolores del Río, and María Félix. Mraz also analyzes the leading comedians of the Mexican screen, representations of the 1968 student revolt, and depictions of Frida Kahlo in films made by Paul Leduc and Julie Taymor. Filled with more than fifty illustrations, Looking for Mexico is an exuberant plunge into Mexico’s national identity, its visual culture, and the connections between the two.