Though a large proportion of Canadians live in suburban communities, the Canadian cultural imaginary is filled with other landscapes. The wilderness, the prairie, cityscapes, and small towns are the settings by which we define our nation, rather than the strip mall, the single-family home, and the developing subdivision, which for many are ubiquitous features of everyday life. Canadian Suburban considers the cultures of suburbia as they are articulated in English Canadian fiction published from the 1960s to the present. Cheryl Cowdy begins her excursion through novels set between 1945 and 1970, the heyday of modern suburban development, with works by canonical authors such as Margaret Laurence, Richard B. Wright, Margaret Atwood, and Barbara Gowdy. Her investigation then turns to the meaning of the suburbs within fiction set after the 1970s, when a more corporate model of suburbanization prevailed, and ends with an investigation of how writers from immigrant and racialized communities are radically transforming the suburban imaginary. Cowdy argues there is no one authentic suburban imaginary but multiple, at times contradictory, representations that disrupt prevalent assumptions about suburban homogeneity. Canadian Suburban provides a foundation for understanding the literary history of suburbia and a refreshing reassessment of the role of space and place in Canadian culture and identity.

Creeping Conformity, the first history of suburbanization in Canada, provides a geographical perspective - both physical and social - on Canada's suburban past. Shaped by internal and external migration, decentralization of employment, and increased use of the streetcar and then the automobile, the rise of the suburb held great social promise, reflecting the aspirations of Canadian families for more domestic space and home ownership. After 1945 however, the suburbs became stereotyped as generic, physically standardized, and socially conformist places. By 1960, they had grown further away - physically and culturally - from their respective parent cities, and brought unanticipated social and environmental consequences. Government intervention also played a key role, encouraging mortgage indebtedness, amortization, and building and subdivision regulations to become the suburban norm. Suburban homes became less affordable and more standardized, and for the first time, Canadian commentators began to speak disdainfully of 'the suburbs, ' or simply 'suburbia.' Creeping Conformity traces how these perceptions emerged to reflect a new suburban reality.

Though a large proportion of Canadians live in suburban communities, the Canadian cultural imaginary is filled with other landscapes. The wilderness, the prairie, cityscapes, and small towns are the settings by which we define our nation, rather than the strip mall, the single-family home, and the developing subdivision, which for many are ubiquitous features of everyday life. Canadian Suburban considers the cultures of suburbia as they are articulated in English Canadian fiction published from the 1960s to the present. Cheryl Cowdy begins her excursion through novels set between 1945 and 1970, the heyday of modern suburban development, with works by canonical authors such as Margaret Laurence, Richard B. Wright, Margaret Atwood, and Barbara Gowdy. Her investigation then turns to the meaning of the suburbs within fiction set after the 1970s, when a more corporate model of suburbanization prevailed, and ends with an investigation of how writers from immigrant and racialized communities are radically transforming the suburban imaginary. Cowdy argues there is no one authentic suburban imaginary but multiple, at times contradictory, representations that disrupt prevalent assumptions about suburban homogeneity. Canadian Suburban provides a foundation for understanding the literary history of suburbia and a refreshing reassessment of the role of space and place in Canadian culture and identity.

North American gated communities, African squatter settlements, European housing estates, and Chinese urban villages all share one thing in common: they represent types of suburban space. As suburban growth becomes the dominant urban process of the twenty-first century, its governance poses an increasingly pressing set of global challenges. In Suburban Governance: A Global View, editors Pierre Hamel and Roger Keil have assembled a groundbreaking set of essays by leading urban scholars that assess how governance regulates the creation of the world’s suburban spaces and everyday life within them. With contributors from ten countries on five continents, this collection covers the full breadth of contemporary developments in suburban governance. Examining the classic North American model of suburbia, contemporary alternatives in Europe and Latin America, and the emerging suburbanisms of Africa and Asia, Suburban Governance offers a strong analytical introduction to a vital topic in contemporary urban studies.

Would you want to live in a factory-molded cube made of plastic, asbestos, and UFFI? With an "H-bomb shelter" and the nuclear furnace underneath? Or a house designed by God to harmonize with the cosmic Muzak? The Canadian Home explains how our housing came to be including the pagan origins of "colonial" homes, why "Tudor" is not Tudor, and where so many predictions went wrong. But the book is not just about tastes and floor plans; it also celebrates technological innovation, from prehistoric Inuit windows (of stretched seal guts) to the R-2000 house and habitation in space. For the first time, records of the Canadian Home Builders’ Association have been opened to reveal the power plays of bureaucrats, developers, architects, and financiers and how they affect the quality, affordability, and choice of our housing today. Fiery debates over the sublime and the ridiculous (e.g. 1940s architectural articles on whether Toronto should be bombed) are set against the backdrop of Canadian politics and industrial history. Whether the reader’s interest is in construction, politics, or home decor, this book explains why the roof over our heads is the way it is." Pierre Berton "In his fascinating study of Canadian shelter, Marc Denhez takes us on a 20,000-year journey from the days of the cave, the tipi, and the igloo, to the H-bomb shelter and the mobile home. This is, in short, a lively as well as an erudite study of the development of housing . [It] deserves a permanent position on any library shelf." "If you live in a house or own one or build one if you have a roof over your head read this book. A housing book with punch and humour immensely enjoyable." -Charles Lynch author, journalist and former governor of Heritage Canada.

Investment has flooded back to cities because dense, walkable, mixed-use urban environments offer choices that support diverse dreams. Auto-oriented, single-use suburbs have a hard time competing. Suburban Remix brings together experts in planning, urban design, real estate development, and urban policy to demonstrate how suburbs can use growing demand for urban living to renew their appeal as places to live, work, play, and invest. The case studies and analysis show how compact new urban places are being created in suburbs to produce health, economic, and environmental benefits, and contribute to solving a growing equity crisis.

Urban Sociology in Canada, Second Edition introduces the fundamentals of the theoretical structure of Canadian urban studies. The book is comprised of 11 chapters that are organized into six parts. The text provides census data of various Canadian cities along with urban empirical studies to help illustrate the generalization and concepts. The book first covers the classical foundations of urban sociology, and then proceeds to discussing the growth of urban system. The third part talks about the process of entrance to the urban system, while the fourth part deals with the spatial shape of the urban system. The last two parts tackle urbanism and the regulation of urban system, respectively. The book will be of great use to social scientists who involve urban population as the main demographics of their research study.

This book chronicles and explains the role of suburbs in North American cities since the mid-twentieth century. Examining fifteen case studies from New York to Vancouver, Atlanta to Chicago, Montreal to Phoenix, The Life of North American Suburbs traces the insightful connection between the evolution of suburbs and the cultural dynamics of modern society. Suburbs are uniquely significant spaces: their creation and evolution reflect the shifting demographics, race relations, modes of production, cultural fabric, and class structures of society at large. The case studies investigate the place of suburbs within their wider metropolitan constellations: the crucial role they play in the cultural, economic, political, and spatial organization of the city. Together, the chapters paint a compelling portrait of North American cities and their dynamic suburban landscapes.

Looking at suburbs as places of creativity gives rise to novel and thought-provoking narratives that typically run counter to the idea that suburbs are sites of "ordinary," "mundane," and "everyday" practices. Far from being geographies of "nowhere" – dull, materialistic, and monotone – suburbs are unpacked as being heterogeneous and historically layered places of living, work, and creation. Situating creativity in place and time, Creativity from Suburban Nowheres displaces mainstream understandings of creativity and widespread stereotypes commonly associated with the suburbs. Contributors explore the particular forms of creativity that suburbs elicit both in the process of their making, materialization, and community construction, and in the myriad ways in which suburbs are inhabited and experienced. They highlight accounts of suburbs as places that give people the space and latitude to shape individual and collective identities through creative practices at odds with mainstream culture, and often remote from the classic agglomeration "assets" associated with inner cities. Anchored in historical and geographical research, this volume highlights how and in what forms creativity should be understood in the suburbs, why and when creativity can be found, and how the notion of suburban creativity overthrows ingrained and dominant normative viewpoints. Rather than seeing creativity arise despite its suburban location, Creativity from Suburban Nowheres illuminates the emancipatory potential of suburbs for creativity.

Canadian Geography: A Scholarly Bibliography is a compendium of published works on geographical studies of Canada and its various provinces. It includes works on geographical studies of Canada as a whole, on multiple provinces, and on individual provinces. Works covered include books, monographs, atlases, book chapters, scholarly articles, dissertations, and theses. The contents are organized first by region into main chapters, and then each chapter is divided into sections: General Studies, Cultural and Social Geography, Economic Geography, Historical Geography, Physical Geography, Political Geography, and Urban Geography. Each section is further sub-divided into specific topics within each main subject. All known publications on the geographical studies of Canada—in English, French, and other languages—covering all types of geography are included in this bibliography. It is an essential resource for all researchers, students, teachers, and government officials needing information and references on the varied aspects of the environments and human geographies of Canada.