Innate Terrain surveys landscape architecture from across Canada, documenting the inspiring breadth of contemporary projects.

One of Canada's leading visual artists, Charles Pachter, adds a Canadian twist to the alphabet book with his M is for Moose, a delightful and unexpected take on a form we thought we knew well. Combining words and images, M is for Moose is both visually stunning and full of fun. It includes images from Pachter's portfolio of famous paintings, including Joy Ride, with the Queen on a moose, and a young Margaret Atwood with flaming red hair. Covering the iconic to the playful, it celebrates our country, history, and culture while offering a spirited lesson in the ABCs. An icon himself, Pachter's work is collected globally. His M is for Moose is destined to become a classic of Canadian children's literature.

Interpretations of Canada's emerging identity have been largely based on a relatively small corpus of literary writing and landscape paintings, overlooking the influence of the British and American travel writers who published hundreds of books and articles that did much to fix the image of Canada in the popular imagination. In Fashioning the Canadian Landscape, J.I. Little examines how Canada, much like the United States, came to be identified with its natural landscape. Little argues that in contrast to the American identification with the wilderness sublime, however, Canada’s image was strongly influenced by the picturesque convention favoured by British travel writers. This amply illustrated volume includes chapters ranging from Labrador to British Columbia, some of which focus on such notable British authors as Rupert Brooke and Rudyard Kipling, and others on talented American writers such as Charles Dudley Warner. Based not only on the views of the landscape but on the racist descriptions of the Indigenous peoples and the romanticization of the Canadian ‘folk’, Little argues that the national image that emerged was colonialist as well as colonial in nature.

This is the first book to be devoted exclusively to potters' view of Canada. Interest in nineteenth-century earthenware decorated with Canadian scenes has grown enormously in recent years. These ceramic pictures have caught the attention of museums and private collectors alike and have become notable features of the rapidly widening interest in Canadiana.