"In Canadian historiography, there has been an increasing attention on the 1960s. Studies have focused mainly on the radical politics of the period but tended to downplay the extent to which much of the intellectual and social ferment continued into the 1970s and 1980s. This present collection, Canadian Countercultures and the Environment, makes an important contribution to a number of fields. As most of the papers deal with the 1970s and 1980s, they will add to our knowledge of this understudied period. Furthermore, the phenomenon of the counterculture has been the subject of very little academic focus to date. Most importantly, this collection will contribute a sustained analysis of the beginning of key environment debates in the 1970s and 1980s. Papers examine a range of issues related to broad environmental concerns, topics which emerged as key concerns in the context of Cold War military investments and experiments, the oil crisis of the 1970s, debates over gendered roles, and the increasing attention to urban pollution and pesticide use. No other publication dealing with this time period covers the range of environmental topics (activism, midwifery, organic farming, recycling, urban cycling, and communal living) included in this collection. Geographically, this collection covers a range of case studies from the Yukon to Atlantic Canada--it includes two urban examples, and, not surprisingly, places a good deal of emphasis on activities in British Columbia. From the most cursory glance at the history of those who moved "back-to-the-land, " it is clear that they engaged with environmental issues in ways that have had a long-term impact on Canadian society."--

We Still Demand! recovers vibrant and unsung histories of sex and gender activism across Canada from the 1970s to the present. Departing from conventional accounts, this book demonstrates the varied nature of resistance and the productive power of remembering sex and gender struggles. In attending to the records and accounts that have slipped out of view, it also redraws the boundaries between activism and scholarship. The first part of the book remembers these struggles. Drawing on a rich history of activism, the contributors recall 1970s same-sex marriage activism; early queer union organizing; organizing against police repression; early trans organizing; the emergence of dyke marches; the organization of black queer space at Toronto Pride events. The second part of the book rethinks past and current struggles. The authors address gender “passing” in historical research; lesbian s/m porn; sex-worker organizing; problems with organizing against “human trafficking”; queer immigration and refugee struggles; and trans identity. By recovering the history of activism and outlining contemporary challenges, We Still Demand! provides a vital rewriting of the history of sex and gender activism that will enlighten current struggles and activate new forms of resistance.

Intended to delight and provoke, these short, beautifully crafted essays, enlivened with photos and illustrations, explore how humans have engaged with the Canadian environment and what those interactions say about the nature of Canada. Tracing a path from the Ice Age to the Anthropocene, some of the foremost stars in the field of environmental history reflect on how we, as a nation, have idolized and found inspiration in nature even as fishers, fur traders, farmers, foresters, miners, and city planners have commodified it or tried to tame it. They also travel lesser-known routes, revealing how Indigenous people listened to glaciers and what they have to tell us; and how even the nature we can’t see – the smallest of pathogens – has served the interests of some while threatening the very existence of others. The Nature of Canada will make you think differently not only about Canada and its past but quite possibly about Canada and its future. Its insights are just what we need as Canada attempts to reconcile the opposing goals of prosperity and preservation.

Music and Youth Culture offers a groundbreaking account of how music interacts with young people's everyday lives. Drawing on interviews with and observations of youth groups together with archival research, it explores young people's enactment of music tastes and performances, and how these are articulated through narratives and literacies. An extensive review of the field reveals an unhealthy emphasis on committed, fanatical, spectacular youth music cultures such as rock or punk. On the contrary, this book argues that ideas about youth subcultures and club cultures no longer apply to today's young generation. Rather, archival findings show that the music and dance cultures of youth in 1930s and 1940s Britain share more in common with youth today than the countercultures and subcultures of the 1960s and 1970s. By focusing on the relationship between music and social interactions, the book addresses questions that are scarcely considered by studies stuck in the youth cultural worlds of subcultures, club cultures and post-subcultures: What are the main influences on young people's music tastes? How do young people use music to express identities and emotions? To what extent can today's youth and their music seem radical and progressive? And how is the 'special relationship' between music and youth culture played out in everyday leisure, education and work places?

What it means for global sustainability when environmentalism is dominated by the concerns of the affluent—eco-business, eco-consumption, wilderness preservation. Over the last fifty years, environmentalism has emerged as a clear counterforce to the environmental destruction caused by industrialization, colonialism, and globalization. Activists and policymakers have fought hard to make the earth a better place to live. But has the environmental movement actually brought about meaningful progress toward global sustainability? Signs of global “unsustainability” are everywhere, from decreasing biodiversity to scarcity of fresh water to steadily rising greenhouse gas emissions. Meanwhile, as Peter Dauvergne points out in this provocative book, the environmental movement is increasingly dominated by the environmentalism of the rich—diverted into eco-business, eco-consumption, wilderness preservation, energy efficiency, and recycling. While it's good that, for example, Barbie dolls' packaging no longer depletes Indonesian rainforest, and that Toyota Highlanders are available as hybrids, none of this gets at the source of the current sustainability crisis. More eco-products can just mean more corporate profits, consumption, and waste. Dauvergne examines extraction booms that leave developing countries poor and environmentally devastated—with the ruination of the South Pacific island of Nauru a case in point; the struggles against consumption inequities of courageous activists like Bruno Manser, who worked with indigenous people to try to save the rainforests of Borneo; and the manufacturing of vast markets for nondurable goods—for example, convincing parents in China that disposable diapers made for healthier and smarter babies. Dauvergne reveals why a global political economy of ever more—more growth, more sales, more consumption—is swamping environmental gains. Environmentalism of the rich does little to bring about the sweeping institutional change necessary to make progress toward global sustainability.

One of the first books published to deal with the phenomenon of residential schools in Canada, Resistance and Renewal is a disturbing collection of Native perspectives on the Kamloops Indian Residential School(KIRS) in the British Columbia interior. Interviews with thirteen Natives, all former residents of KIRS, form the nucleus of the book, a frank depiction of school life, and a telling account of the system's oppressive environment which sought to stifle Native culture.

Canada is a country of massive size, of diverse geographical features and an equally diverse population—all features that are magnificently reflected in its architecture. In this book, Rhodri Windsor Liscombe and Michelangelo Sabatino offer a richly informative history of Canadian architecture that celebrates and explores the country’s many contributions to the spread of architectural modernity in the Americas. A distinct Canadian design attitude coalesced during the twentieth century, one informed by a liberal, hybrid, and pragmatic mindset intent less upon the dogma of architectural language and more on thinking about the formation of inclusive spaces and places. Taking a fresh perspective on design production, they map the unfolding of architectural modernity across the country, from the completion of the transcontinental railway in the late 1880s through to the present. Along the way they discuss architecture within the broader contexts of political, industrial, and sociocultural evolution; the urban-suburban expansion; and new building technologies. Examining the works of architects and firms such as ARCOP, Eric Arthur, Ernest Cormier, Brigitte Shim, and Howard Sutcliffe, this book brings Canadian architecture chronologically and thematically to life.

Canada and the United States share the world’s longest international border. For those living in the immediate vicinity of the Canadian side of the border, the events of 9/11 were a turning point in their relationship with their communities, their American neighbours and government officials. Borderline Canadianness offers a unique ethnographic approach to Canadian border life. The accounts of local residents, taken from interviews and press reports in Ontario’s Niagara region, demonstrate how borders and everyday nationalism are articulated in complex ways across region, class, race, and gender. Jane Helleiner’s examination begins with a focus on the “de-bordering” initiated by NAFTA and concludes with the “re-bordering” as a result of the 9/11 attacks. Her accounts of border life reveals disconnects between elite border projects and the concerns of ordinary citizens as well as differing views on national belonging. Helleiner has produced a work that illuminates the complexities and inequalities of borders and nationalism in a globalized world.

Global Nomads provides a unique introduction to the globalization of countercultures, a topic largely unknown in and outside academia. Anthony D’Andrea examines the social life of mobile expatriates who live within a global circuit of countercultural practice in paradoxical paradises. Based on nomadic fieldwork across Spain and India, the study analyzes how and why these post-metropolitan subjects reject the homeland in order to shape an alternative lifestyle. They become artists, therapists, exotic traders and bohemian workers seeking to integrate labor, mobility and spirituality within a cosmopolitan culture of expressive individualism. These countercultural formations, however, unfold under neo-liberal regimes that appropriate utopian spaces, practices and imaginaries as commodities for tourism, entertainment and media consumption. In order to understand the paradoxical globalization of countercultures, Global Nomads develops a dialogue between global and critical studies by introducing the concept of 'neo-nomadism' which seeks to overcome some of the shortcomings in studies of globalization. This book is an essential aide for undergraduate, postgraduate and research students of Sociology, Anthropology of Globalization, Cultural Studies and Tourism Studies.

This is a revealing look at the events and personalities that defined the Beat Generation, drawing on over three decades of research. Beatniks: A Guide to an American Subculture gets readers past the caricature of the "beatnik" as a goateed, beret-wearing, bongo-playing poseur, drawing on extensive research to show just how profound an impact the beats had on American culture, politics, and literature. Beatniks conveys the complexity, influences, events, and places that shaped the Beat Generation from the late 1940s to the cusp of the 1960s. The book also features a series of essays on specific aspects of the subculture, as well as interviews with Beat Generation luminaries like Allen Ginsberg, Ann Charters, Roy Harper and Michael McClure. Throughout, readers will meet an extraordinary gallery of people both famous—Jack Kerouac, William Burroughs, Neal Cassady—and lesser known but no less fascinating, including Kenneth Patchen, Lord Buckley, Mort Sahl, Jack Micheline, Lew Welch, Joan Vollmer Adams, and Lenore Kandel. Also included is a detailed glossary with the origins and meanings of the beat lingo.