Drawing on a wide range of major literary voices, including Richard Wright, Ralph Ellison, and Toni Morrison, as well as lesser-known writers such as William Attaway (Blood on the Forge) and Dorothy West (The Living Is Easy), Rodgers conducts a kind of literary archaeology of the Great Migration. He mines the writers' biographical connections to migration and teases apart the ways in which individual novels relate to one another, to the historical situation of black America, and to African-American literature as a whole. In reading migration novels in relation to African-American literary texts such as slave narratives, folk tales, and urban fiction, Rodgers affirms the southern folk roots of African-American culture and argues for a need to stem the erosion of southern memory.

“Well written, moving . . . stimulating,” this account of racially unified abolitionism “could provide the occasion for a constructive national conversation” (New York Times). The civil war brought to a climax the country's bitter division. But the beginnings of slavery's denouement can be traced to a courageous band of ordinary Americans, black and white, slave and free, who joined forces to create what would come to be known as the Underground Railroad, a movement that occupies a romantic a place in the nation's imagination. The true story of the Underground Railroad is much more morally complex and politically divisive than even the myths suggest. Against a backdrop of the country's westward expansion arose a fierce clash of values that was nothing less than a war for the country's soul. Not since the American Revolution had the country engaged in an act of such vast and profound civil disobedience that not only challenged prevailing mores but also subverted federal law. Bound for Canaan tells the stories of men and women who risked their lives to build the Underground Railroad. Interweaving thrilling personal stories with the politics of slavery and abolition, Bound for Canaan shows how the Underground Railroad gave birth to this country's first racially integrated, religiously inspired movement for social change. “Utterly compelling.” —Publishers Weekly, starred review “[An] engrossing account.” —The New Yorker “Blending historical imagination with a novelist's sense of character, Bordewich...brings to life . . . Americans who defied popular opinion and the authority of the federal government to combat . . . a fundamental moral evil.” —Washington Post “Excellent . . . as close to a definitive history as we’re likely to see.” —Wall Street Journal “A profoundly American tale.” —USA Today

From Flannery O'Connor and James Baldwin to the post-9/11 writings of Don DeLillo, imaginative writers have often been the most insightful chroniclers of the USA's changing religious life since the end of World War II. Exploring a wide range of writers from Protestant, Catholic, Jewish and secular faiths, this book is an in-depth study of contemporary fiction's engagement with religious belief, identity and practice. Through readings of major writers of our time like Saul Bellow, E. L. Doctorow, Philip Roth, Marilynne Robinson and John Updike, Mark Eaton discovers a more nuanced picture of the varieties of American religious experience: that they are more commonplace than cultural ideas of progressive secularisation or faith-based polarization might suggest.