An innovative collection of original essays on Jane Campion, renowned female auteur filmmaker. In Jane Campion: Cinema, Nation, Identity a diverse group of contributors challenge the view that Campion's body of work lacks coherence or unity to instead examine the important characteristics and themes that underlie it. Editors Hilary Radner, Alistair Fox, and Irène Bessière have compiled rich, original scholarship on Campion's oeuvre to probe issues previously neglected by scholars--like her debt to New Zealand sources and her personal views of family dynamics--and those that benefit from additional insight--such as her place in the feminist filmmaking tradition. This volume also investigates Campion's distinct cinematic style in light of these issues to examine the source of her enduring cross-cultural and international appeal. Contributors in the first section explore the creation of subjectivity and identity in Campion's films, which include well-known works like The Piano and Holy Smoke, to trace the unique perspectives of Campion's characters and Campion herself as director. In the second section, essays analyze Campion's close relationship with literature and argue that the singular vision in her literary adaptations stems from her New Zealand background and her personal mythology. Contributors in the third section argue that while Campion devotes considerable attention to the evocation of feminine internal space, she also uses the symbolic potential of her external physical locations to register what is taking place in the inner life of her characters and reflect their search for personal fulfillment. A final group of essays presents a variety of responses to Campion's films, demonstrating that Campion is a highly personal and idiosyncratic director who nonetheless manages to fascinate viewers across a broad cultural spectrum. Taken together, contributors in Jane Campion: Cinema, Nation, Identity present a compelling analysis of Campion's status as a leading female filmmaker with close attention to her distinctive cinematic style and particular mise-en-scène. The collective nature of this volume will appeal to students and teachers of film, literature, and gender studies, as well as fans of Campion's work.

“A top-notch mystery full of keen characterization, humor, old English atmosphere, a charmingly decadent family, and a few sudden deaths.” —The New York Times A beggarwoman on a bench arouses Albert Campion’s curiosity—and helps Scotland Yard lure him into a case of family dysfunction. The seemingly destitute woman is none other than a member of the eccentric Palinode family, which has recently lost two of its members. The police suspect a poisoner is on the loose, which is why Campion is willing to go undercover as a lodger in the boardinghouse where they live. As the recently deceased are exhumed, Campion becomes acquainted with the old-fashioned, out-of-the-ordinary family members, who talk in crossword puzzle clues, sneak out at night, and cook vats of stinky food in the basement to save money. And if that’s not enough to keep Campion on his toes, the local undertaker seems to be digging himself into a hole . . . Praise for Margery Allingham “Margery Allingham stands out like a shining light.” —Agatha Christie “The best of mystery writers.” —The New Yorker “Don’t start reading these books unless you are confident that you can handle addiction.” —The Independent “One of the finest Golden-Age crime novelists.” —The Sunday Telegraph “Spending an evening with Campion is one of life’s pure pleasures.” —The Sunday Times

Publisher description

Read Christopher John Campion's posts on the Penguin Blog. Indie rock raconteur Chris Campion-one of the few patients ever to escape from Bellevue's locked ward-recalls his band's tumultuous ride, his plummet into addiction, and the strange road back to sobriety Chronicling more than twenty years in the life of a Long Island kid who became a hardcore fixture of Manhattan's indie rock scene, Escape from Bellevue is a coming-of-age tale like no other. As the lead singer of New York-based indie rock band Knockout Drops, Campion got a taste of fame (but, alas, no fortune) on a wild ride that lasted from the early 1980s through the 1990s. Escape from Bellevue puts the spotlight on the collective psychosis of twenty years spent in a rolling bacchanal. Just as the Knockout Drops reached the height of their success, Campion began his downward spiral. After finally coming to grips with his addictions, Campion molded his songs and stories into a sold-out off-Broadway musical. Now, presenting these tales in a memoir of madness and redemption, Campion once again proves to possess the creative genius of a die-hard front man.

Thomas Campion (1567–1620) was a composer of lute song and the author a significant body of Latin and English poetry and masques written for the Stuart court. This volume collects all of Campion’s sacred poetry in one place for the first time. Campion’s lyric style was influenced by Sir Philip Sidney, but also by the music to which it was most often set: the lines flow gracefully, with an elegant and direct communication of depth and sincerity. Campion’s faith is evident and his texts speak as vividly to us today as they did to those who copied and shared them during his lifetime and beyond.