Finally ... The Real Walt Disney. In the half century since his death, Walt Disney has picked up a lot of biographical baggage. Fans see him as a saint, critics as a fraud. Was he kindly Uncle Walt, or a racist, rapacious tycoon? Disney historian Jim Korkis puts the rumors to rest.

You can call me Ryan is book one of a seven part series called "the Unity of the Faith series". Unity of the Faith is a concept laid out by the Apostle Paul in Ephesians chapter 4. This book follows Ryan, a 38-year-old bakery chain owner, who is brought back to God by a series of hard to ignore events. God calls Ryan to be a modern day prophet and member of the foretold 144,000 army of God as prophesied in the Book of Revelation. God helps Ryan fix the things that ail him in his life that Ryan didn't even understand were holding him back. Ryan tries to emulate the Apostle Paul but discovers he is something altogether different and God gives Ryan the opportunity to lead a modern day Pentecost as the Apocalypse begins. David Campion describes himself as a very common man. Writing has always been somewhat of a hobby for him and he says that he never saw himself as an author. Instead he always thought more of himself as a father, husband and friend first. He describes himself as privately spiritual but discovered a love of writing as an outlet for expressing his faith in God. David's first professional writing experience came as a member of the United States Army as a broadcast and print journalist. He has permanent veteran status and is extremely proud of his service to his country. David says his motives for writing, are from a deep felt empathy for his fellow Christians and country. That his deepest desires are to see Christians put aside what separates them and join together in their common love of Christ and to therefore be able to return his country to being a true Christian nation.

"Zits: Super-Sized" marks the third funny-strip treasury of the hilarious trials and tribulations of Jeremy and a dynamic cast of characters that includes girlfriend Sara, best friends Hector and Pierce, and parents Connie and Walt.

The Walt’s People series, edited by Didier Ghez, is a collection of some of the best interviews ever conducted with Disney artists. Contributors to the series include noted Disney experts Robin Allan, Paul F. Anderson, Michael Barrier, Albert Becattini, John Canemaker, John Culhane, Pete Docter, Christopher Finch, J.B. Kaufman, Jim Korkis, Christian Renaut, Linda Rosenkrantz, Dave Smith, and Charles Solomon. Walt’s People - Volume 12 features in-depth interviews with Milt Albright, Lloyd Beebe, Bill Bosché, Olive Bosché, Les Clark, Larry Clemmons, Evelyn Coats, Del Connell, Jack Couffer, Alice Disney Allen, Charlie Downs, Al Eugster, Sammy Fain, Warren Garst, Theo Halladay about Sylvia Holland, Marge Hudson, Kim Irvine, Milt Kahl, Ralph Kent, Jack Kloepper, Burny Mattinson, Paul Murry, Mel Shaw, ans Leota Toombs. It contains hundreds of new stories about the Studio and its artists and should delight even the most serious historians and enthusiasts.

How to Be Like is a “character biography” series: biographies that also draw out important lessons from the life of their subjects. In this new book—by far the most exhaustive in the series—Pat Williams tackles one of the most influential people in recent history. While many recent biographies of Walt Disney have reveled in the negative, this book takes an honest but positive look at the man behind the myth. For the first time, the book pulls together all the various strands of Disney’s life into one straightforward, easy-to-read tale of imagination, perseverance, and optimism. Far from a preachy or oppressive tome, this book scrapes away the minutiae to capture the true magic of a brilliant maverick. Key Features This is for the millions of Disney fans—those who admire his artistry or his business savvy or the products of his namesake company. The tone and style of the book will capture the imagination of younger readers, especially teens, in the same way as How to Be Like Mike. Support within the Disney world includes the daughter and grandson of Walt Disney; nephew and former vice chairman Roy Disney; and numerous Disney insiders who are already spreading the word.

On the brink of her fortieth birthday, Katie Olmstead is in no mood to celebrate. Still tending bar to support a stalled art career, she continues to struggle with her temperamental teenage son, C.J., the death of her son's estranged father, her own troubled childhood, a bullying sister, an on-again, off-again boyfriend she just can't love, and a drinking habit. Katie finds support in an unlikely place--her eccentric and ailing great uncle, Walter.

Follows Jeremy's adventures as he continues through adolescence, coping with parents, school, friends, and other aspects of everyday teenage life.

From critically acclaimed author Russell Wangersky, comes a dark, psychological thriller about a man named Walt, a grocery store cleaner who collects the shopping lists people leave in the store and discard without thought. In his fifties, abandoned, he says, by his now-missing wife Mary, Walt is pursued by police detectives unsatisfied with the answers he’s given about her disappearance. Almost invisible to the people who pass him every day, the grocery lists he collects, written on everything from cancelled cheques to mortgage statements to office stationary, give him a personal hold over those who both ignore him and unwittingly disclose facets of their lives to him. When a new cold case squad is formed in St. John’s to look into Mary’s disappearance, the detectives begin to realize that Walt may be involved in more than just his wife’s disappearance. Set in modern-day Newfoundland, after reading Walt, you’ll be sure to never let your shopping list fall to the floor ever again.

In March 1888 Horace Traubel, Whitman's loyal and hardworking assistant, began to record his almost daily conversations with the most famous resident of Camden. The result: more than 1,900,000 words that were eventually published between 1906 and 1996 in nine volumes. Titled With Walt Whitman in Camden, these volumes contain much that is mundane and repetitive, but they also include many passages crucial for a full and humane understanding of America's first great national poet. In Intimate with Walt Gary Schmidgall has condensed Traubel's nearly 5,000 pages into one manageable volume featuring the many self-revealing, humorous, nostalgic, and often curmudgeonly words of the Good Gray Poet. The book is divided into five sections, each consisting of several chapters: the first, presenting Walt on himself, his family, and his daily life and visitors at the only home he ever owned; the second, on his artistic credos, the literary life, and a large array of comments on the writing, publication of, and critical reaction to Leaves of Grass; the third, focusing on his friends, admirers, idols, and lovers; the fourth and longest, presenting his no-holds-barred views on a variety of topics, including the American scene, race, religion, music, and even alcohol; and finally, a gathering of passages revealing Whitman's struggles with his infirmities, his poignant final days, and Traubel's observations on Whitman's deathbed scene and burial rites. Whitman was the great poet of autobiography, and with this volume we gain entry into a most remarkable life in his own words. Whimsical and highly entertaining, poignant and moving, illuminating and candid, Intimate with Walt makes accessible the most amazing oral history project in all of American letters.

A collection of essays that explicate Disney ideology through fifty-five years of feature films, including Bambi, Beauty and the Beast, Pinocchio, and more. From Mouse to Mermaid, an interdisciplinary collection of original essays, is the first comprehensive, critical treatment of Disney cinema. Addressing children’s classics as well as the Disney affiliates’ more recent attempts to capture adult audiences, the contributors respond to the Disney film legacy from feminist, marxist, poststructuralist, and cultural studies perspectives. The volume contemplates Disney’s duality as an American icon and as an industry of cultural production, created in and through fifty years of filmmaking. The contributors treat a range of topics at issue in contemporary cultural studies: the performance of gender, race, and class; the engendered images of science, nature, technology, family, and business. The compilation of voices in From Mouse to Mermaid creates a persuasive cultural critique of Disney’s ideology. The contributors are Bryan Attebery, Elizabeth Bell, Claudia Card, Chris Cuomo, Ramona Fernandez, Henry A. Giroux, Robert Haas, Lynda Haas, Susan Jeffords, N. Soyini Madison, Susan Miller, Patrick Murphy, David Payne, Greg Rode, Laura Sells, and Jack Zipes. “In this volume of 16 essays about Disney films, several pieces . . . begin the work of filling in a major gap in our understanding of animation.” —Film Quarterly