The Roman Empire has always exercised a considerable fascination. Among its numerous colourful personalities, no emperor, with the possible exception of Nero, has attracted more popular attention than Caligula, who has a reputation, whether deserved or not, as the quintessential mad and dangerous ruler. The first edition of this book established itself as the standard study of Caligula. It remains the only full length and detailed scholarly analysis in English of this emperor’s reign, and has been translated into a number of languages. But the study of Classical antiquity is not a static phenomenon, and scholars are engaged in a persistent quest to upgrade our knowledge and thinking about the ancient past. In the thirty years since publication of the original Caligula there have been considerable scholarly advances in what we know about this emperor specifically, and also about the general period in which he functioned, while newly discovered inscriptions and major archaeological projects have necessitated a rethinking of many of our earlier conclusions about early imperial history. This new edition constitutes a major revision and, in places, a major rewriting, of the original text. Maintaining the reader-friendly structure and organisation of its predecessor, it embodies the latest discoveries and the latest thinking, seeking to make more lucid and comprehensible those aspects of the reign that are particularly daunting to the non-specialist. Like the original, this revised Caligula is intended to satisfy the requirements of the scholarly community while appealing to a broad and general readership.

Ancestry played a continuous role in the construction and portrayal of Roman emperorship in the first three centuries AD. Emperors and Ancestors is the first systematic analysis of the different ways in which imperial lineage was represented in the various 'media' through which images of emperors could be transmitted. Looking beyond individual rulers, Hekster evaluates evidence over an extended period of time and differentiates between various types of sources, such as inscriptions, sculpture, architecture, literary text, and particularly central coinage, which forms the most convenient source material for a modern reconstruction of Roman representations over a prolonged period of time. The volume explores how the different media in use sent out different messages. The importance of local notions and traditions in the choice of local representations of imperial ancestry are emphasized, revealing that there was no monopoly on image-forming by the Roman centre and far less interaction between central and local imagery than is commonly held. Imperial ancestry is defined through various parallel developments at Rome and in the provinces. Some messages resonated outside the centre but only when they were made explicit and fitted local practice and the discourse of the medium. The construction of imperial ancestry was constrained by the local expectations of how a ruler should present himself, and standardization over time of the images and languages that could be employed in the 'media' at imperial disposal. Roman emperorship is therefore shown to be a constant process of construction within genres of communication, representation, and public symbolism.

Opens windows into imperial policy and artistic taste

The condemnation of memory inexorably altered the visual landscape of imperial Rome. This volume catalogues and interprets the sculptural, glyptic, numismatic and epigraphic evidence for damnatio memoriae and ultimately reveals its praxis to be at the core of Roman cultural identity.

Guide to the better known or more intriguing of terms from figures in politics, sports, and the arts as well as history and the classics. Pretentiousness Index ranks items on the spectrum from familiarity to obscurity.

Ernest Hilbert's third collection of poems, Caligulan, is at once terrifying and touching, a book haunted by the poet's many affections and angers, its poems animated by horror films, military history, science fiction novels, heavy metal and opera, crime and religion, economic injustice and the natural world. Departing from the experimental sonnet forms he pioneered in his earlier books, Hilbert delivers a chorus of poems that are conversational yet bizarre, stormy and surreal yet dexterously accomplished; brash, abrupt, and sometimes scathingly sarcastic. In four chapters of fourteen poems each, Hilbert leads the reader through modern America's triumphs and tragedies, elusive consolations and primeval horrors, all the while telling jokes, posing questions, and sounding warnings of things to come. Caligulan is heartrending and humorous, filled with love songs and requiems, meditations and memorials, as Hilbert imagines the ghost of the ruthless Roman emperor Caligula--who ruled over a pagan empire that was as prosperous as it was unaccountably cruel--looming over modern America, pronouncing his infamous commandment that his victims be killed slowly, "so that they know they are dying." Caligula's unpredictable violence is mirrored in the infinite humiliations, reverses, and injuries of contemporary life experienced in these pages as our guide points us toward a course of renewal and reconciliation. Caligulan is a masterful new collection from a commanding and original poetic voice.

This is a study of the legal rules affecting the practice of female prostitution at Rome approximately from 200 B.C. to A.D. 250. It examines the formation and precise content of the legal norms developed for prostitution and those engaged in this profession, with close attention to their social context. McGinn's unique study explores the "fit" between the law-system and the socio-economic reality while shedding light on important questions concerning marginal groups, marriage, sexual behavior, the family, slavery, and citizen status, particularly that of women.

This study examines the five extant large Imperial cameos of the Early Roman Empire as a coherent whole, revealing that these gemstones were a referential group with complex interrelationships. Power and Propaganda in the Large Imperial Cameos of the Early Roman Empire offers a feminist theory that explains why large Imperial cameos were in dialogue and why the medium appears with Octavian and disappears by the Flavian dynasty: female Imperial family members commissioned them to advance their husbands and sons. This volume is an introduction to large Imperial cameos and reveals their importance for the understanding of Roman art and iconography and the implications of its theorized Imperial female patronage. The book will be of interest to scholars working in art history, classics, and archaeology.

"The rules of the Numismatic Society of London" bound with New Ser., v. 1.