Alexander Severus' is full of controversy and contradictions. He came to the throne through the brutal murder of his cousin, Elagabalus, and was ultimately assassinated himself. The years between were filled with regular uprisings and rebellions, court intrigue (the Praetorian Guard slew their commander at the Emperor's feet) and foreign invasion. Yet the ancient sources generally present his reign as a golden age of just government, prosperity and religious tolerance Not yet fourteen when he became emperor, Alexander was dominated by his mother, Julia Mammaea and advisors like the historian, Cassius Dio. In the military field, he successfully checked the aggressive Sassanid Persians but some sources see his Persian campaign as a costly failure marked by mutiny and reverses that weakened the army. When Germanic and Sarmatian tribes crossed the Rhine and Danube frontiers in 234, Alexander took the field against them but when he attempted to negotiate to buy time, his soldiers perceived him as weak, assassinated him and replaced him with the soldier Maximinus Thrax. John McHugh reassesses this fascinating emperor in detail.

Presents 12,860 entries listing scholarly publications on Greek studies. Research and review journals, books, and monographs are indexed in the areas of classical, Hellenistic, Biblical, Byzantine, Medieval, and modern Greek studies., but no annotations are included. After the general listings, entries are also indexed by journal, text, name, geography, and subject. The CD-ROM contains an electronic version of the book. Annotation copyrighted by Book News, Inc., Portland, OR

This original book looks in detail at arguably the two most significant characters on either side in the middle years of the great Peloponnesian War and the showdown in and around Amphipolis that led to both their deaths in 422 BC.The Spartan commander Brasidas was already a veteran of many campaigns when he headed for the strategically important northern theatre. Cleon was the key hawk in the Athenian assembly who led his fellow citizens in a major effort to counter the impact that Brasidas was having in the north. The two finally clashed in battle outside the Athenian colony of Amphipolis which Brasidas had by then captured (the great historian Thucydides being exiled for his failure to defend it). The Spartans won but both men died in the fighting, their passing having far-reaching consequences for the subsequent course of the war. By focussing on the fatal duel between Brasidas and Cleon, and drawing on all available sources to supplement Thucydides' seminal account, Mike Roberts offers a valuable new perspective on the Peloponnesian War.

The Dark Side of Statius' Achilleid explores systematically and for the first time the darker aspects of Statius' Achilleid, bringing to light the poem's tragic and epic dimensions. By seeking to position at centre-stage these darker elements, the book offers several new readings of the Achilleid in relation to its literary inheritance, its gender dynamics, and its generic tensions. This volume delves beneath the surface of a story that ostensibly deals with a light subject matter—the cross-dressing of a young Achilles on Scyros—to offer an in-depth examination of the poem's relationship to its epic and tragic precursors, and to explore its more serious themes. It is shown to challenge traditional epic narratives, examine Achilles' complex familial relationships and his deviant and transgressive heroism, highlight the tragic character of Thetis, and provide glimpses of the horrors that the cataclysmic Trojan War will beget. By looking into Statius' wide-ranging dialogue with his literary predecessors, such as Homer, Sophocles, Virgil, Ovid, Lucan, and Seneca, as well as Statius' previous epic magnum opus, the Thebaid, the multidimensional characterisations of Achilles and other of the poem's key characters, such as Ulysses, Calchas, and Thetis are investigated. Far from simply representing a shameful but essentially humorous cross-dressing episode in Achilles' life that is destined to be forgotten, the Achilleid can be seen to challenge the very fabric of epic by probing the validity and authority of its literary tradition, as well as highlighting its highly innovative and experimental nature.

"Everybody who has ever read a book will benefit from the way Keith Houston explores the most powerful object of our time. And everybody who has read it will agree that reports of the book’s death have been greatly exaggerated."— Erik Spiekermann, typographer We may love books, but do we know what lies behind them? In The Book, Keith Houston reveals that the paper, ink, thread, glue, and board from which a book is made tell as rich a story as the words on its pages—of civilizations, empires, human ingenuity, and madness. In an invitingly tactile history of this 2,000-year-old medium, Houston follows the development of writing, printing, the art of illustrations, and binding to show how we have moved from cuneiform tablets and papyrus scrolls to the hardcovers and paperbacks of today. Sure to delight book lovers of all stripes with its lush, full-color illustrations, The Book gives us the momentous and surprising history behind humanity’s most important—and universal—information technology.

In this groundbreaking book, renowned global economist David McWilliams unlocks the mysteries and the awesome power of money: what it is, how it works, and why it matters. The story of money is the story of our desires, our genius, and our downfalls. Money is power—and power beguiles. Nothing we’ve invented as a species has defined our own evolution so thoroughly and changed the direction of our planet’s history so dramatically. Money has shaped the very essence of what it means to be human. We can’t hope to understand ourselves without it. And yet despite money’s primacy, most of us don’t truly understand it. As economist David McWilliams states, money is everything. “Money defines the relationship between worker and employer, buyer and seller, merchant and producer. But not only that: it also defines the bond between the governed and the governor, the state and the citizen. Money unlocks pleasure, puts a price on desire, art and creativity. It motivates us to strive, achieve, invent and take risks. Money also brings out humanity’s darker side, invoking greed, envy, hatred, violence and, of course, colonialism.” Money isn’t just paper or coins or virtual currency. Money is humanity. Leading economics expert, David McWilliams answers these questions and more in Money, an epic, breathlessly entertaining journey across the world through the present and the past, from the birthplace of money in ancient Babylon to the beginning of trade along the silk road to China, from Marrakech markets to Wall Street and the dawn of cryptocurrency. By tracking its history, McWilliams uncovers our relationship with money, transforming our perspective on its impact on the world right now. McWilliams is no dusty economist; he is a communicator at the highest level, a highly telegenic and marketable expert who is as comfortable in front of a large audience talking about his favourite subject as he is appearing on podcasts, social media, and even in stand-up comedy. He’s been called Ireland’s most important economist and is ranked among the leading economists working today. The story of money is the story of earth’s most inventive, destructive, and dangerous animal: Homo sapiens. It is our story.

Time, Tradition and Society in Greek Archaeology is an innovative volume which examines the relevance of archaeological theory to classical archaeology. It offers a wideranging overview of classical archaeology, from the Bronze Age to the Classical period and from mainland Greece to Cyprus. Within this framework Spencer examines many of the issues which have become important in the study of archaeology in recent years - time, the `past', gender, ideology, social structure and group identity. The papers in this collection cover such diverse topics as the rural landscape, classical art and scientific methodologies. Over the last century the study of classical archaeology has been orthodox and static. The essays in this collection examine it in the light of current theoretical archaeology and anthropology, making it more relevant and valuable to the study of archaeology in the 1990s. This is a diverse and topical collection, of great value to classicists, ancient historians, anthropologists and everyone interested in new approaches to archaeology.