A luxurious presentation in all-new photography of the most splendid estates and mansions of the Golden State. California Splendor, a lavish, beautifully produced, large-format volume, presents iconic California houses dating from the Leland Stanford Mansion in Sacramento of 1857 to publishing magnate William Randolph Hearst’s palatial castle in San Simeon, completed after decades of construction in 1947. The book is comprehensive in its treatment, presenting to the reader a rediscovery and fresh exploration of the state’s great architectural offerings and showcasing the very best, in styles ranging from Spanish Colonial Revival, English Revival, and Mission Revival to Adobe, Monterey Colonial, and Italianate Victorian. Lovingly featured are such magnificent homes as the Arts and Crafts masterpiece of architects Charles and Henry Greene—the Gamble House—a work of subtle refinement and mysterious charm built for a Cincinnati businessman who longed for warm summer breezes and the fragrance of orange blossoms. The reader also finds here the extraordinary Filoli House and Garden, the Henry Huntington Mansion, the Spreckels Mansion, Casa del Herrero, and Carolands, to name only a few. More potent and powerful in our imagination than any one house is the dream, the aspiration to happiness and grandeur embodied by them all—a dream brought down to earth and to which we have been invited in California Splendor.

Contains history of California; history and descriptions of the missions, non-church landmarks and buildings. Describes El Camino Real Association of California, which sought to memorialize the road with Mission Bell guideposts, and political history and people.

"What a fine and illuminating book! Shanghai Splendor is an important and captivating work of scholarship."—David Strand, author of Rickshaw Beijing: City People and Politics in the 1920s "This in an outstanding work. Although Shanghai has been among the most popular subjects for scholars in modern Chinese studies, one has yet to see a project as impressive as this. Yeh tells a most fascinating story."—David Der-wei Wang, author of The Monster That Is History: History, Violence, and Fictional Writing in 20th Century China

A highly-illustrated history and survey of centers of book production and use within the Holy Roman Empire over the course of seven hundred years.

The years around the turn of the century were a dynamic time in American art. Different and seemingly contradictory movements were evolving, and the dominant style that emerged during this period was Impressionism. Based in part on the broken brushwork and high-keyed palette of Claude Monet, it was a form especially suited to the dramatic landscape and shimmering light of California . . . This book celebrates forty Impressionist painters who worked in California from 1900 through the beginning of the Great Depression . . . it includes widely recognized California artists such as Maurice Braun and Guy Rose, less well known artists such as Mary DeNeale Morgan and Donna Schuster, and eastern painters who worked briefly in the region, such as Childe Hassam and William Merritt Chase . . . The contributors' essays examine the socioeconomic forces that shaped this art movement, as well as the ways in which the art reflected California's self-cultivated image as a healthful, sun-splashed arcadia.

Gossip Girl meets the Gilded Age in this delicious and compelling novel, the fourth and final book in the New York Times bestselling series from author Anna Godbersen. In the dramatic conclusion to the New York Times bestselling Luxe series, Manhattan’s most dazzling socialites chase dreams, cling to promises, and tempt fate. Only one question remains: Will they fade away or will they shine ever brighter? New beginnings. Shocking revelations. Unexpected endings. This is Manhattan, 1899. As spring turns into summer, Elizabeth relishes her new role as a young wife, while her sister, Diana, searches for adventure abroad. But when a surprising clue about their father’s death comes to light, the Holland girls wonder at what cost a life of splendor comes. Carolina Broad, society’s newest darling fans a flame from her past, oblivious to how it might burn her future. Penelope Schoonmaker is finally Manhattan royalty—but when a real prince visits the city, she covets a title that comes with a crown. Her husband, Henry, bravely went to war, only to discover that his father’s rule extends well beyond New York’s shores and that fighting for love may prove a losing battle. “Mystery, romance, jealousy, betrayal, humor, and gorgeous, historically accurate details. I couldn’t put The Luxe down!” —Cecily von Ziegesar, author of the #1 New York Times bestselling Gossip Girl series

Embellished with incredibly sophisticated gold, silver, and silk patterning, the refined ceremonial textiles of the Minangkabau people of West Sumatra are often so complicated that even a highly skilled weaver can complete only a few centimeters in a full day at her loom. Motif patterns woven into these exquisite cloths reflect the Minangkabau adat - the indigenous ideology that prescribes roles for all activities and speech. In this lavishly illustrated volume, 13 contributing authors--9 of them Minangkabau--consider ceremonial dress, motifs, fibers, patterning techniques, traditional architecture, ceremonies, jewelry, music, dance, literature, and historiography.

The Caliph’s Splendor is a revelation: a history of a civilization we barely know that had a profound effect on our own culture. While the West declined following the collapse of the Roman Empire, a new Arab civilization arose to the east, reaching an early peak in Baghdad under the caliph Harun al-Rashid. Harun is the legendary caliph of The Thousand and One Nights, but his actual court was nearly as magnificent as the fictional one. In The Caliph’s Splendor, Benson Bobrick eloquently tells the little-known and remarkable story of Harun’s rise to power and his rivalries with the neighboring Byzantines and the new Frankish kingdom under the leadership of Charlemagne. When Harun came to power, Islam stretched from the Atlantic to India. The Islamic empire was the mightiest on earth and the largest ever seen. Although Islam spread largely through war, its cultural achievements were immense. Harun’s court at Baghdad outshone the independent Islamic emirate in Spain and all the courts of Europe, for that matter. In Baghdad, great works from Greece and Rome were preserved and studied, and new learning enhanced civilization. Over the following centuries Arab and Persian civilizations made a lasting impact on the West in astronomy, geometry, algebra (an Arabic word), medicine, and chemistry, among other fields of science. The alchemy (another Arabic word) of the Middle Ages originated with the Arabs. From engineering to jewelry to fashion to weaponry, Arab influences would shape life in the West, as they did in the fields of law, music, and literature. But for centuries Arabs and Byzantines contended fiercely on land and sea. Bobrick tells how Harun defeated attempts by the Byzantines to advance into Asia at his expense. He contemplated an alliance with the much weaker Charlemagne in order to contain the Byzantines, and in time Arabs and Byzantines reached an accommodation that permitted both to prosper. Harun’s caliphate would weaken from within as his two sons quarreled and formed factions; eventually Arabs would give way to Turks in the Islamic empire. Empires rise, weaken, and fall, but during its golden age, the caliphate of Baghdad made a permanent contribution to civilization, as Benson Bobrick so splendidly reminds us.