California Indian Baskets is lavishly illustrated in full color with rare baskets from the magnificent collections of the University of California, Harvard University, Smithsonian Institution, The British Museum, Madrid's Museo de America, Royal Museum of Scotland, Santa Barbara Museum of Natural History, Southwest Museum and many other world-class museums and private collections. The vast majority of these rare baskets have never appeared in print before. Made possible in part through the support and vision of three California Indian tribes, this remarkable book is the result of decades of research by noted basketry scholar Ralph Shanks. Expertly researched and well written, California Indian Baskets honors the achievements of the First Californians. The book illuminates Native American art, history, technology, population movements, cultural interactions, and native plant uses. The book demonstrates basketry studies can rank with archeology, linguistics and DNA research in understanding and appreciating Native American culture and history. This is especially true in California where baskets were central to daily life. It was through basketry that the most populous and linguistically diverse Native American population in the United States was able to create a highly productive economy and vibrant cultural life with no agriculture and very limited use of pottery. Native California was not "pre-agricultural," but rather a land where basketry was combined with native plant resources so successfully that agriculture was not needed.

This unique book provides a complete study of the exquisite Native American basketry from the San Francisco Bay Area and the Monterey Bay region north to Sonoma, Napa, and Mendocino and eastward across the Sacramento Valley to the crest of the Sierras. Baskets of the Pomo, Ohlone (Costanoan), Coast Miwok, Esselen, Huchnom, Lake Miwok, Maidu, Wappo, and Yuki people are lavishly illustrated and knowledgably and sensitively described. Color photographs and drawings illustrate the rare, fine California Indian baskets from museum and private collections in the United States and Europe. The vast majority of these baskets are illustrated for the first time. Ralph Shanks is vice president of the Miwok Archaeological Preserve of Marin. Lisa Woo Shanks is editor of the Basketry of California and Oregon Series. They are the authors of The North American Indian Travel Guide.

This richly illustrated photographic overview captures the beauty and artistry of the remarkable world-class, Native American Indian baskets of California, circa 1895 to 1940, known as the Florescence or Flowering. It is a tribute to these artisans and includes biographical snapshots of weavers and portraits of their masterpiece California Indian baskets, which today exist in museums and private collections throughout the United States. Collecting highly complex and artistic Native American baskets became a successful tourist business in the late 19th and early 20th century -- tourism in the United States exploded as a result of the expansion of the railway system to hitherto relatively inaccessible locations. This new business benefitted both collectors of this art form and the weavers who created them. The transition from woven baskets used for utilitarian use to more durable and less expensive metal cookware and storage vessels allowed weavers the time needed to innovate and create baskets specifically catering to tourist interests. During this period of Florescence, some of the world's most intricate, beautiful, and artistic baskets were woven, particularly by highly-talented weavers representing several Native American tribes located throughout California.

Situated on the western edge of the Great Basin between the Sierra Nevada and White-Inyo mountain ranges, Owens Valley has been home for thousands of years to the Owens Valley Paiute and their southern neighbors, the Panamint Shoshone. The willow baskets both groups created are noteworthy for their complex construction and durability, and their materials and designs reflected available resources as well as the seminomadic existence that characterized life in the Great Basin for generations. Since the mid-nineteenth-century arrival of non-Indians into the Valley, the baskets have changed. Weaving a Legacy places those changes in the context of the region's dramatic social history. In addition, the volume closely examines basketry techniques and technology, historic weavers and their lineages, contemporary weavers, and basket collectors. The text is extensively illustrated with black-and-white photographs of people, landscapes, and baskets. Among the legacies of these baskets are the stories they evoke, many of which the authors recount in this beautiful work.

Presents over sixty examples of beautiful California Indian basketry, with commentary upon each basket by native basketweavers, scholars, and California Indian artists in other media.

A treasury of selected pieces from the California Indian Heritage Center, this collection reflects the scale and scope of baskets created by nearly every weaving tradition in Cali-fornia over the last century . This book conveys the dual nature of beauty and practicality that baskets presented as a part of daily life and as a growing example of unique art - a careful selection of the best, beautifully presented.

The origins of basketry are lost in the mists of prehistory, but making baskets is certainly one of the oldest and most nearly universal crafts of mankind. In the Americas, basket artifacts found in caves in Utah have been dated at 7000 B.C., while twined baskets said to be at least 5,000 years old have been uncovered in Peru. In the American Southwest, an entire Indian culture (ca. 100–700 A.D.) is known as "Basket Maker" because of the distinctive baskets it produced. This exhaustive survey (two volumes in one) of American Indian basketry, perhaps the finest book ever published on the subject, documents basketmaking throughout the Americas — in Eastern North America, Alaska and the Pacific Northwest, Western Canada, Oregon, California and the Interior Basin, as well as Mexico, Central and South America. Spanning a wide range of indigenous cultures (Aleutian, Tlinkit, Shoshonean, Athapascam, etc.), the detailed, carefully researched discussions in this book offer a wealth of information about woven and coiled basketry, watertight basketry, materials, basketmaking techniques and preparation, ornamentation and symbolism, as well as the uses of baskets as receptacles, in preparing and serving food, for gleaning and milling, in mortuary customs, in religion and social life, in trapping, carrying water, and in many other areas of Indian life. An interesting and informative chapter on collectors and collections and the preservation of baskets, followed by a helpful biography, rounds out the book. In addition, the author, once Curator of Ethnology at the U.S. National Museum (part of the Smithsonian Institution), enhanced this encyclopedic study with over 450 excellent photographs and illustrations. For collectors, preservationists, anthropologists, students of crafts and culture, modern basketmakers, this is an indispensable reference — a massively rich source of information about baskets, the peoples who made them, how they were made, and their role in native American life and culture.

The peoples of northwestern Califonia's Lower Klamath River area have long been known for their fine basketry. Two early-twentieth-century weavers of that region, Elizabeth Hickox and her daughter Louise, created especially distinctive baskets that are celebrated today for their elaboration of technique, form, and surface designs. Marvin Cohodas now explores the various forces that influenced Elizabeth Hickox, analyzing her relationship with the curio trade, and specifically with dealer Grace Nicholson, to show how those associations affected the development and marketing of baskets. He explains the techniques and patterns that Hickox created to meet the challenge of weaving design into changig three-dimensional forms. In addition to explicating the Hickoxes' basketry, Cohodas interprets its uniqueness as a form of intersocietal art, showing how Elizabeth first designed her distinctive trinket basket to convey a particular view of the curio trade and its effect on status within her community. Through its close examination of these superb practitioners of basketry, Basket Weavers for the California Curio Trade addresses many of today's most pressing questions in Native American art studies concerning individuality, patronage, and issues of authenticity. Graced with historic photographs and full-color plates, it reveals the challenges faced by early-twentieth-century Native weavers. "Extremely well written and based on an impressive amount of archival research. . . . It skillfully interweaves biography, rigorous stylistic analysis, and social history into an impressive story."--Janet Berlo, editor, The Early Years of Native American Art History Published with the assistance of The Southwest Museum, Los Angeles.

This comprehensive study focuses on the history and basketry of the Miwok and Paiute inhabitants of the area in and around Yosemite. National Park. Illustrated with hundreds of historic images as well as photographs from the Yosemite Museum collection, many published for the first time, it details the dramatic changes that took place in the lives and weaving of Yosemite's native people from prehistoric times to the present.

Catalog of an exhibition held at the Marin Museum of the American Indian.