Launched in 1975, the Califia Community organized activist educational camps and other programs in southern California until its dissolution in 1987. An alternative to mainstream academia’s attempts to tie feminism to university courses, Califia blended aspects of feminism that spanned the labels “second wave” and “radical,” attracting women from a range of gender expressions, sexual orientations, class backgrounds, and races or ethnicities. Califia Women captures the history of the organization through oral history interviews, archives, and other forms of primary research. The result is a lens for re-reading trends in feminist and social justice activism of the time period, contextualized against a growing conservative backlash. Throughout each chapter, readers learn about the triumphs and frictions feminists encountered as they attempted to build on the achievements of the postwar Civil Rights movement. With its backdrop of southern California, the book emphasizes a region that has often been overlooked in studies of East Coast or San Francisco Bay–area activism. Califia Women also counters the notions that radical and lesbian feminists were unwilling to address intersectional identities generally and that they withdrew from political activism after 1975. Instead, the Califia Community shows evidence that these and other feminists intentionally created an educational forum that embraced oppositional consciousness and sought to serve a variety of women, including radical Christian reformers, Wiccans, scholars of color, and GLBT activists.

Studies of the Spanish conquest in the Americas traditionally have explained European-Indian encounters in terms of such factors as geography, timing, and the charisma of individual conquistadores. Yet by reconsidering this history from the perspective of gender roles and relations, we see that gender ideology was a key ingredient in the glue that held the conquest together and in turn shaped indigenous behavior toward the conquerors. This book tells the hidden story of women during the missionization of California. It shows what it was like for women to live and work on that frontierÑand how race, religion, age, and ethnicity shaped female experiences. It explores the suppression of women's experiences and cultural resistance to domination, and reveals the many codes of silence regarding the use of force at the missions, the treatment of women, indigenous ceremonies, sexuality, and dreams. Virginia Bouvier has combed a vast array of sourcesÑ including mission records, journals of explorers and missionaries, novels of chivalry, and oral historiesÑ and has discovered that female participation in the colonization of California was greater and earlier than most historians have recognized. Viewing the conquest through the prism of gender, Bouvier gives new meaning to the settling of new lands and attempts to convert indigenous peoples. By analyzing the participation of womenÑ both Hispanic and IndianÑ in the maintenance of or resistance to the mission system, Bouvier restores them to the narrative of the conquest, colonization, and evangelization of California. And by bringing these voices into the chorus of history, she creates new harmonies and dissonances that alter and enhance our understanding of both the experience and meaning of conquest.

This dramatic and turbulent history of UCAPAWA is a major contribution to the new labor history in its carefully documented account of minority women controlling their union and regulating their working lives.

In a series of biographical profiles, this volume celebrates the lives and achievements of women who made history in the Golden State. Throughout California’s history, remarkable women have been at the core of change and innovation. In this fascinating volume, Gloria Harris and Hannah Cohen relate the stories of forty women whose struggles and achievements have paved the way for generations. Coming from all walks of life and entering a variety of fields—from activism and conservation to science, medicine, entertainment, and more—these women overcame prejudice, skepticism and injustice to prove that women can do anything. Visionary architect Julia Morgan designed Hearst Castle; Dolores Huerta co-founded United Farm Workers; Donaldina Cameron, the angry angel of Chinatown, rescued brothel workers; and silent film actress Mary Pickford helped form United Artists Pictures. From fearless pioneers to determined reformers, Harris and Cohen chronicle the triumphs and disappointments of diverse women who dared to take risks and break down barriers.

An edited volume exploring the role women played in California politics in the late nineteenth and early twentieth centuries.

"This is the book on women's art I've been waiting for--smart, deeply rooted, and up-to-date, with an overdue focus on women of color that fills in the historical cracks. Read it and run with it."--Lucy R. Lippard, author of The Pink Glass Swan: Selected Essays on Feminist Art "More than merely beautiful and ground-breaking, Art/ Women/ California 1950-2000 is also about the enriching interventions created by diverse women artists, the effect of whose work is not only far-reaching, but has also opened up the very definition of American art. It is about intellectual interdisciplinality and the dialectical relationship between art and social context. It is about the way various California cultures--Native, Latino, Asian, feminist, immigrant, politically active, and virtual, which are so different from the trope of the Western cowboy--have intervened in that entity we imagine as 'America.' "--Elaine Kim, editor of Dangerous Women: Gender and Korean Nationalism "Rich and provocative. A pleasure to read and to look at."--Linda Nochlin, author of The Body in Pieces: The Fragment as a Metaphor of Modernity "This book should greatly help everyone understand the remarkably diversified evolution of art in California, which is largely due to the great influx of women and the transformative effect of a new feminist consciousness."--Arthur C. Danto, author of Philosophizing Art: Selected Essays

"The phrase ’seeing the elephant’ symbolized for ’49 gold rushers the exotic, the mythical, the once-in-a-lifetime adventure, unequaled anywhere else but in the journey to the promised land of fortune: California. Most western myths . . . generally depict an exclusively male gold rush. Levy’s book debunks that myth. Here a variety of women travel, work, and write their way across the pages of western migrant history."-Choice "One of the best and most comprehensive accounts of gold rush life to date"ˆ–San Francisco Chronicle

This book explores how feminist artists continued to engage with kitchen culture and food practices in their work as women’s art moved from the margins to the mainstream. In particular, this book examines the use of food in the art practices of six women artists and collectives working in Southern California—a hotbed of feminist art in the 1970s—in conjunction with the Women’s Art Movement and broader feminist groups during the era of the Second Wave. Focused around particular articulations of food in culture, this book considers how feminist artists engage with issues of gender, labor, class, consumption, (re)production, domesticity, and sexuality in order to advocate for equality and social change. The book will be of interest to scholars working in art history, food studies, and gender and women’s studies.