'He appears to be persecutor and I the persecuted: is not this difference the mere creature of the imagination?' Caleb is a guileless young servant who enters the employment of Ferdinando Falkland, a cosmopolitan and benevolent country gentleman. Falkland is subject to fits of unexplained melancholy, and Caleb becomes convinced that he harbours a dark secret. His discovery of the truth leads to false accusations against him, and a vengeful pursuit as suspenseful as any thriller. The novel is also a powerful political allegory, inspired by the events of the decade following the French Revolution. This new edition reproduces the original novel of 1794, which captures the raw indignation and sense of injustice felt by victims of British law. It includes the startlingly different manuscript ending, and selected variants in the second and third editions reflecting changes in Godwin's political and philosophical thinking. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Caleb Williams is hired as personal secretary to a British Squire, Fernando Falkland. In the course of his work he comes across a terrible secret from the Squire's past, and is sworn to secrecy. Falkland believes in the virtue of the upper classes and the villainy of the lower. He is uneasy in the power of a lowly servant and sets about persecuting Williams, leading to a series of adventures in an early thriller style.

Caleb Williams; Or, Things as They Are (1794) is a novel by English writer and political philosopher William Godwin. Published a year after the appearance of his Enquiry Concerning Political Justice (1793), Caleb Williams; Or, Things as They Are is a thriller and mystery based on the principles set forth in his popular work of anarchist political philosophy. Caleb Williams, a self-educated orphan, gets a job at the estate of Ferdinando Falkland, a reclusive aristocrat. Curious as to his master’s temperamental nature, Williams asks the estate’s administrator to share any information he knows regarding Falkland’s past. Through Mr. Collins, Caleb learns of Falkland’s feud with Barnabas Tyrrel, his oppressive neighbor. Caleb is surprised to discover that Falkland was once regarded as a generous and gregarious gentleman who persevered in vain for the love of Tyrrel’s niece. Following Emily Melville’s untimely death and the unsolved murder of Barnabas Tyrrel, Falkland became an embittered man, prone to violent outbursts and averse to social interaction. Shocked by Mr. Collins’s account, Caleb begins to investigate Falkland’s behavior and soon grows to suspect his master of murder. When news of his suspicion reaches Falkland, he accuses Caleb of attempted theft, forcing the young man to flee under threat of imprisonment. A fugitive, Caleb resists the temptations of criminal life, but the past—and Falkland—are never far behind him. With a beautifully designed cover and professionally typeset manuscript, this edition of William Godwin’s Caleb Williams; Or, Things as They Are is a classic of English literature reimagined for modern readers.

Deals with the misdeeds of Tyrrel, a tyrannical country squire, who comes into conflict with Falkland, a neighbouring squire of a seemingly more benevolent disposition. When Tyrrel knocks Falkland down in public and Tyrrel is later found murdered, suspicion falls on Falkland.

This book reads the Gothic corpus with a thoroughly postmodern critical apparatus, pointing out that the Gothic Sublime anticipates our own doomed desire to pass beyond the hyperreal. A highly sophisticated theoretical reading of key texts of the Gothic, this book allows the reader to re-live the Gothic, not simply as a nostalgic relic or a pre-romantic aberration, but as a living presence that has strong resonances with the postmodern condition.

Essays on attitudes to same sex relationships in nineteenth century England. The essays examine writers such as Byron, George Eliot, Wilde, Shaw and others.

In The Art of Alibi, Jonathan Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, these scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel. Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dickens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s. -- John Sutherland, University College London