Fiction. This brilliant first novel is a portrait of an artist at the end of an art form. The elderly Jewish-Hungarian composer Schneidermann, who survived a musical education, survived the war, survived Europe, survived the neglect of all his music, finally and suddenly vanishes during a movie matinee on the Upper West Side of New York. The novel begins with Schneidermann's friend--his last friend, his only friend--the violin virtuoso Laster, onstage at Carnegie Hall. He has finished playing the first movement of Schneidermann's last composition, his Violin Concerto. At this point he is supposed tobegin his cadenza...his solo. Instead, he drops his instrument and lifts his voice, delivering the text of this novel unto the audience, held captive through night into morning only by the spiel.

A quartet of audacious fictions that capture the pathos and absurdity of life in the age of the internet *A New York Times Book Review Editors' Choice* * One of Flavorwire's "50 Books That Define the Past Five Years in Literature" A spectacularly talented young writer has returned from the present with Four New Messages, urgent and visionary dispatches that seek to save art, sex, and even alienation from corporatism and technology run rampant. In "Emission," a hapless drug dealer in Princeton is humiliated when a cruel co-ed exposes him exposing himself on a blog gone viral. "McDonald's" tells of a frustrated pharmaceutical copywriter whose imaginative flights fail to bring solace because of a certain word he cannot put down on paper. In "The College Borough" a father visiting NYU with his daughter remembers a former writing teacher, a New Yorker exiled to the Midwest who refuses to read his students' stories, asking them instead to build a replica of the Flatiron Building. "Sent" begins mythically in the woods of Russia, but in a few virtuosic pages plunges into the present, where an aspiring journalist finds himself in a village that shelters all the women who've starred in all the internet porn he's ever enjoyed. Highbrow and low-down, these four intensely felt stories explain what happens when the virtual begins to colonize the real -- they harness the torrential power and verbal dexterity that have established Cohen as one of America's most brilliant younger writers.

One of the great comic epics of our time: the Last Jewish Novel about the Last Jew in the World. On Christmas Eve 1999, all the Jews in the world die in a strange, millennial plague, with the exception of the firstborn males, who are soon adopted by a cabal of powerful people in the American government. By the following Passover, however, only one is still alive: Benjamin Israelien; a kindly, innocent, ignorant man-child. As he finds himself transformed into an international superstar, Jewishness becomes all the rage: matzo-ball soup is in every bowl, sidelocks are hip; and the only truly Jewish Jew left is increasingly stigmatized for not being religious. Since his very existence exposes the illegitimacy of the newly converted, Israelien becomes the object of a worldwide hunt . . . Meanwhile, in the not-too-distant future of our own, “real” world, another last Jew—the last living Holocaust survivor—sits alone in a snowbound Manhattan, providing a final melancholy witness to his experiences in the form of the punch lines to half-remembered jokes.

How is it possible to translate egalitarian ideals into practical policy? In this second volume of the Real Utopias Project, John Roemer proposes the creation of an economy which combines a functioning market with a commitment to equality. Roemer's novel mechanism for achieving this end is the creation of two kinds of money: one used for the purchase of goods and the other, referred to as "coupons," for buying shares in companies. All citizens, on reaching the age of majority, are given an equal number of coupons from which they derive ownership rights in companies, including dividends and a vote in board elections. Firms raise finance capital through the state which converts shareholders' coupons into money. At death, all shares and unspent coupons revert to the state for redistribution. This scheme, Roomer argues, allows for a significant degree of government planning and equal distribution of property in the framework of a free market. it is, in short, a working system of market socialism. In the series of critiques which follow, a range of distinguished thinkers engage in lively polemic concerning the practicality and effectiveness of Roemer's scheme. The contributors are Richard Arneson, Fred Block, Harry Brighouse, Michael Burawoy, Joshua Cohen, Nancy Folbre, Andrew Levine, Mieke Meurs, Louis Putterman, Joel Rogers, Debra Satz, Julius Sensat, William Simon, Frank Thompson, Thomas Weisskopf, and Erik Olin Wright.

In the grand manner of Interview with the Vampire, Anne Rice's new novel moves across time and the continents, from nineteenth-century Vienna to a St. Charles Greek Revival mansion in present-day New Orleans to dazzling capitals of the modern-day world, telling a story of two charismatic figures bound to each other by a passionate commitment to music as a means of rapture, seduction, and liberation.

From one of our most widely admired art critics comes a bold and timely manifesto reaffirming the independence of all the arts—musical, literary, and visual—and their unique and unparalleled power to excite, disturb, and inspire us. As people look to the arts to promote a particular ideology, whether radical, liberal, or conservative, Jed Perl argues that the arts have their own laws and logic, which transcend the controversies of any one moment. “Art’s relevance,” he writes, “has everything to do with what many regard as its irrelevance.” Authority and Freedom will find readers from college classrooms to foundation board meetings—wherever the arts are confronting social, political, and economic ferment and heated debates about political correctness and cancel culture. Perl embraces the work of creative spirits as varied as Mozart, Michelangelo, Jane Austen, Henry James, Picasso, and Aretha Franklin. He contends that the essence of the arts is their ability to free us from fixed definitions and categories. Art is inherently uncategorizable—that’s the key to its importance. Taking his stand with artists and thinkers ranging from W. H. Auden to Hannah Arendt, Perl defends works of art as adventuresome dialogues, simultaneously dispassionate and impassioned. He describes the fundamental sense of vocation—the engagement with the tools and traditions of a medium—that gives artists their purpose and focus. Whether we’re experiencing a poem, a painting, or an opera, it’s the interplay between authority and freedom—what Perl calls “the lifeblood of the arts”—that fuels the imaginative experience. This book will be essential reading for everybody who cares about the future of the arts in a democratic society.

WINNER OF THE 2022 PULITZER PRIZE FOR FICTION 2021 NATIONAL JEWISH BOOK AWARD WINNER A NEW YORK TIMES NOTABLE BOOK OF 2021 A WALL STREET JOURNAL BEST BOOK OF 2021 A KIRKUS BEST FICTION BOOK OF 2021 "Absorbing, delightful, hilarious, breathtaking and the best and most relevant novel I’ve read in what feels like forever." —Taffy Brodesser-Akner, The New York Times Book Review Corbin College, not quite upstate New York, winter 1959–1960: Ruben Blum, a Jewish historian—but not an historian of the Jews—is co-opted onto a hiring committee to review the application of an exiled Israeli scholar specializing in the Spanish Inquisition. When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host to guests who proceed to lay waste to his American complacencies. Mixing fiction with nonfiction, the campus novel with the lecture, The Netanyahus is a wildly inventive, genre-bending comedy of blending, identity, and politics that finds Joshua Cohen at the height of his powers.

NATIONAL BESTSELLER • “A wheeling meditation on the wired life, on privacy, on what being human in the age of binary code might mean” (The New York Times), from the Pulitzer Prize–winning author of The Netanyahus NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY VULTURE AND ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND THE WALL STREET JOURNAL “Shatteringly powerful . . . I cannot think of anything by anyone in [Cohen’s] generation that is so frighteningly relevant and composed with such continuous eloquence. There are moments in it that seem to transcend our impasse.”—Harold Bloom The enigmatic billionaire founder of Tetration, the world’s most powerful tech company, hires a failed novelist, Josh Cohen, to ghostwrite his memoirs. The mogul, known as Principal, brings Josh behind the digital veil, tracing the rise of Tetration, which started in the earliest days of the Internet by revolutionizing the search engine before venturing into smartphones, computers, and the surveillance of American citizens. Principal takes Josh on a mind-bending world tour from Palo Alto to Dubai and beyond, initiating him into the secret pretext of the autobiography project and the life-or-death stakes that surround its publication. Insider tech exposé, leaked memoir-in-progress, international thriller, family drama, sex comedy, and biblical allegory, Book of Numbers renders the full range of modern experience both online and off. Embodying the Internet in its language, it finds the humanity underlying the virtual. Featuring one of the most unforgettable characters in contemporary fiction, Book of Numbers is an epic of the digital age, a triumph of a new generation of writers, and one of those rare books that renew the idea of what a novel can do. Praise for Book of Numbers “The Great American Internet Novel is here. . . . Book of Numbers is a fascinating look at the dark heart of the Web. . . . A page-turner about life under the veil of digital surveillance . . . one of the best novels ever written about the Internet.”—Rolling Stone “A startlingly talented novelist.”—The Wall Street Journal “Remarkable . . . dazzling . . . Cohen’s literary gifts . . . suggest that something is possible, that something still might be done to safeguard whatever it is that makes us human.”—Francine Prose, The New York Review of Books

Because we shouldn't believe in nations, because we have forsaken our traditions or our traditions have forsaken us, because only individuals matter to those who happen to be one ... because everyone has their own voice and we're all speaking at once, connected through a disconnect and yet still insisting on our fundamental differences, that we're special, marked by virtue of our sheer existence ... Because of all these paradoxes -- screaming into each other through any ear and enacting a love-death in the gray middle -- how can we truly expect to listen when we want only to be heard? But what is there to say that hasn't already been ignored? -- these are some of the ideas that this book does not address. Joshua Cohen has performed in-depth investigations into mirrors and navels to return with The Quorum, his first collection of short fiction. A set of ten stories, a set of dreams, and a long monologue, these are all first-person rants given over by the somehow alienated, individuals seeking only a sympathetic hearing, all dealing with identity and religion as well as occupied with technical ideas of reliable narration and the structure of the mind's ear. From a review of a book about the Holocaust that's six-million blank pages to a suicide note from a young university student, from a letter to home outlining an economy based on hair to a eulogy for a poem, from a story narrated by three-hundred concubines to the title story about a group of people who interchange appearances, habits, proclivities and talents, The Quorum is a sensitive and inevitably absurd take on the individual's lifelong quest to get someone, anyone, to listen.

A Jewish boy transcends to the wrong heaven in this novel by one of our most provocative young writers.