An inside look at a cable titan and his industry John Malone, hailed as one of the great unsung heroes of our age by some and reviled by others as a ruthless robber baron, is revealed as a bit of both in Cable Cowboy. For more than twenty-five years, Malone has dominated the cable television industry, shaping the world of entertainment and communications, first with his cable company TCI and later with Liberty Media. Written with Malone's unprecedented cooperation, the engaging narrative brings this controversial capitalist and businessman to life. Cable Cowboy is at once a penetrating portrait of Malone's complex persona, and a captivating history of the cable TV industry. Told in a lively style with exclusive details, the book shows how an unassuming copper strand started as a backwoods antenna service and became the digital nervous system of the U.S., an evolution that gave U.S. consumers the fastest route to the Internet. Cable Cowboy reveals the forces that propelled this pioneer to such great heights, and captures the immovable conviction and quicksilver mind that have defined John Malone throughout his career.

Cable television is arguably the dominant mass media technology in the U.S. today. Blue Skies traces its history in detail, depicting the important events and people that shaped its development, from the precursors of cable TV in the 1920s and '30s to the first community antenna systems in the 1950s, and from the creation of the national satellite-distributed cable networks in the 1970s to the current incarnation of "info-structure" that dominates our lives. Author Patrick Parsons also considers the ways that economics, public perception, public policy, entrepreneurial personalities, the social construction of the possibilities of cable, and simple chance all influenced the development of cable TV. Since the 1960s, one of the pervasive visions of "cable" has been of a ubiquitous, flexible, interactive communications system capable of providing news, information, entertainment, diverse local programming, and even social services. That set of utopian hopes became known as the "Blue Sky" vision of cable television, from which the book takes its title. Thoroughly documented and carefully researched, yet lively, occasionally humorous, and consistently insightful, Blue Skies is the genealogy of our media society.

Cutthroat is the name of the game on the electronic frontier. It requires an amoral flexibility with no allies, just alliances; no team loyalties, just self-interest. Strategy forms and dissolves with every play; a smile on the face may mean a knife in the back. In the next round, the players switch sides and do it again. Billions of dollars are at stake.Featuring a bitter struggle between Rupert Murdoch and John Malone, and a supporting cast that includes AJ Gore, Ted Turner, and Bill Gates, author Stephen Keating uses one particular mega-deal that went terribly wrong to reveal how these corporate titans flex market power, crush competition and reap the profits.In 1997, Murdoch's News Corp. joined forces with EchoStar, Charlie Ergen's upstart company, to create a satellite-TV powerhouse -- nicknamed Deathstar. They planned to bunch a cosmic armada of seven satellites that would deliver several hundred TV channels, internet, and retail services to millions of subscribers. How this deal challenged the entrenched cable-TV monopoly before it came crashing down to earth exposes the influence exerted by and through money, power, and political dynamics among the corporate players fighting to rule the communications world. The roots of this dramatic business conflict are revealed through the separate evolution -- and eventual collision -- of cable and satellite TV technologies. Cutthroat is the perfect book for anyone who enjoyed Barbarians at the Gate and Den of Thieves.

The first book-length account of the nation's biggest cable TV company and one of America's most successful and powerful family enterprises. Comcasted is the unauthorized biography of both an industry and its founders--principally Ralph Roberts, and his son and successor, Brian.

Cable Cowboy, first published in 2002, tells the story of John Malone's early and unpredictable rise to become the leader of the cable-TV industry. Born in a small town in Connecticut, he climbed his way through Yale, the legendary Bell Labs, McKinsey & Co., then befriended a deep-in-debt cowboy who would become his best friend and business partner. Told in a lively style with exclusive details, the story shows how an unassuming strand of copper coaxial cable wire started as a backwoods antenna service and became the digital nervous system of the U.S., an evolution that gave U.S. consumers television, telephone and the fastest route to the Internet.

Warm up your wardrobe with beautiful cabled pieces! The possibilities of crochet cables are endless! In this stunning collection, author and fiber artist Bonnie Barker debuts 18 gorgeous new designs for today's crafter. Using step-by-step directions and irresistible photography, Bonnie shows you how to master this intricate technique to make: • Sophisticated sweaters, ponchos and shawls • Stylish hats, scarves, and gloves • A hip messenger bag with a contrasting fabric liner and a snappy shrug that's perfect for a night out with friends Celtic Cable Crochet even includes a visual stitch dictionary that takes the guesswork out of each pattern. From start to finish, this all-in-one guide will get you hooked on crocheting contemporary, Celtic-inspired stitches.

Chock-Full of Straight Talk About America. . . And Some Jokes, Too! Larry the Cable Guy on . . . NASCAR: It’s a lotta good old-fashioned fun started by a buncha moonshiners. Just seein’ all the ZZ Top–lookin’ folks drinkin’ beer, havin’ a good time, and not givin’ a darn is awesome. And that’s just the women! Dieting: I once went on the “liquid diet.” I was supposed to drink nothin’ but liquids for a week. But I got so drunk and sick of that Jim Beam and Coke, I’ll never drink it again. Why his catchphrase “git-r-done” is better than other catchphrases: Ya can’t be at a ball game with two outs in the ninth inning and yell to the pitcher “Bounty is the quicker picker-upper!!” It makes no sense. But you could yell “Git-r-done” and everyone would know what you meant. The red state–blue state divide: Is Dr. Seuss runnin’ the government? Larry’s mom on Larry’s book: “There’s really not much I can say here except for I apologize to everyone ahead of time for the crap you are about to read.” —Larry’s mom Also available as an eBook.

A new, sweeping narrative history of American news media that puts race at the center of the story From the earliest colonial newspapers to the Internet age, America’s racial divisions have played a central role in the creation of the country’s media system, just as the media has contributed to—and every so often, combated—racial oppression. News for All the People reveals how racial segregation distorted the information Americans received from the mainstream media. It unearths numerous examples of how publishers and broadcasters actually fomented racial violence and discrimination through their coverage. And it chronicles the influence federal media policies exerted in such conflicts. It depicts the struggle of Black, Latino, Asian, and Native American journalists who fought to create a vibrant yet little-known alternative, democratic press, and then, beginning in the 1970s, forced open the doors of the major media companies. Written in an exciting, story-driven style and replete with memorable portraits of journalists, both famous and obscure, News for All the People weaves back and forth between the corporate and government leaders who built our segregated media system—such as Herbert Hoover, whose Federal Radio Commission eagerly awarded a license to a notorious Ku Klux Klan organization in the nation’s capital—and those who rebelled against that system. Based on years of original archival research and up-to-the-minute reporting and written by two veteran journalists and leading advocates for a more inclusive and democratic media system, News for All the People should become the standard history of American media.

Ten years ago, the United States stood at the forefront of the Internet revolution. With some of the fastest speeds and lowest prices in the world for high-speed Internet access, the nation was poised to be the global leader in the new knowledge-based economy. Today that global competitive advantage has all but vanished because of a series of government decisions and resulting monopolies that have allowed dozens of countries, including Japan and South Korea, to pass us in both speed and price of broadband. This steady slide backward not only deprives consumers of vital services needed in a competitive employment and business market—it also threatens the economic future of the nation. This important book by leading telecommunications policy expert Susan Crawford explores why Americans are now paying much more but getting much less when it comes to high-speed Internet access. Using the 2011 merger between Comcast and NBC Universal as a lens, Crawford examines how we have created the biggest monopoly since the breakup of Standard Oil a century ago. In the clearest terms, this book explores how telecommunications monopolies have affected the daily lives of consumers and America's global economic standing.

It figured that the last man on earth would be the one who broke her heart. The world died practically overnight, leaving behind sparse pockets of survivors, who must learn to live without electricity, internet, cable, or grocery stores. When it came to survival, it was kill or be killed. When Brody rides off into the sunset, with grandiose dreams, he leaves behind not just his small town but also his first love. But the hopes he had of making it big are shattered when a deadly virus hit. Lonely in this new reality, he finds himself drawn back to his hometown and rediscovers the woman he left behind. Hannah never thought the expression, “Not if you were the last man on earth” would ever come back to haunt her, but when the world’s population is decimated by a deadly virus, she regrets her words, especially when Brody comes riding back into her life. A very alive Brody who reminds her she’s not just a survivor but also a woman. Eking out an existence in this new world is hard. Forgiving the blunders of the past sometimes harder. Against all odds, Brody and Hannah survived the plague, but will their stubborn nature still tear them apart? Genre: post apocalypse romance, zombies, second chance romance, horror romance, end of the world, dystopian, futuristic