The dazzling palatial mansion of circus tycoon John Ringling in Sarasota, Florida, is a tribute to the American Dream and reflects the splendour and romance of Italy. Described as 'the last of the Gilded Age mansions' to be built in America, Cà d'Zan has 56 incredible rooms filled with art and original furnishings. With its Venetian Gothic architecture, the mansion is a combination of the grandeur of Venice's Doge's Palace combined with the Gothic grace of Cà d'Oro, with Sarasota Bay serving as its Grand Canal. Today, this amazing house is open to the public as part of the John and Mable Ringling Museum of Art in Sarasota. This book is the first of a series of five Art Spaces books coming from the Ringling Museum, which will also include books on the Circus Museum, The Circus Rail Car, The Museum of Art and the Museum's extensive gardens. 73 colour illustrations

John Nicholas Ringling's years in Sarasota spanned the final quarter-century of his life. On Florida's west coast, as the Ringling's Circus became "the greatest show on earth," he collected Baroque paintings, European decorative art, and Italian statuary, built the ostentatious mansion Ca'd'Zan, developed and marketed most of the barrier islands around Sarasota Bay, and became the focus of a confusing pastiche of acclaim, misconception, and suspicion. Sarasota's Ringling Museum is his priceless cultural legacy to the people of Florida and the world of art--an inheritance at risk for the ten years that Ringling's estate was in probate. The author of this first intensive look at Ringling's presence in Sarasota sets the man against the backdrop of Florida from World War I through the land boom and the turbulent twenties into the depression years and Ringling's lapse into obscurity. Illustrated with nearly fifty black-and-white photographs, many never before published, this is the chronicle of a man, as the foreword claims, "who was not afraid to think or live on a grand scale, who knew what he wanted from life, and from art."

Stop, look, and discover—the streets and parks of Manhattan are filled with beautiful historic monuments that will entertain, stimulate, and inspire you. Among the 54 monuments in this volume are major figures in American history: Washington, Lincoln, Lafayette, Horace Greeley, and Gertrude Stein; more obscure figures: Daniel Butterfield, J. Marion Sims, and King Jagiello; as well as the icons of New York: Atlas, Prometheus, and the Firemen's Memorial. The monuments represent the work of some of America's best sculptors: Augustus Saint Gaudens’ Farragut and Sherman, Daniel Chester French’s Four Continents, and Anna Hyatt Huntington’s José Martí and Joan of Arc. Each monument, illustrated with black-and-white photographs, is located on a map of Manhattan and includes easy-to-follow directions. All the sculptures are considered both as historical mementos and as art. We learn of furious General Sherman court-martialing a civilian journalist, and also of exasperated Saint Gaudens’ proposing a hook-and-spring device for improving his assistants' artistic acuity as they help model Sherman. We discover how Lincoln dealt with a vociferous Confederate politician from Ohio, and why the Lincoln in Union Square doesn't rank as a top-notch Lincoln portrait. Sidebars reveal other aspects of the figure or event commemorated, using personal quotes, poems, excerpts from nineteenth-century periodicals (New York Times, Harper's Weekly), and writers ranging from Aeschylus, Washington Irving, and Frederic-Auguste Bartholdi to Mark Twain and Henryk Sienkiewicz. As a historical account, Outdoor Monuments of Manhattan: A Historical Guide is a fascinating look at figures and events that changed New York, the United States and the world. As an aesthetic handbook it provides a compact method for studying sculpture, inspired by Ayn Rand’s writings on art. For residents and tourists, and historians and students, who want to spend more time viewing and appreciating sculpture and New York history, this is the start of a unique voyage of discovery.

In 1936--A party at the Ringling mansion Ca d’Zan in Sarasota, Florida, leads to a robbery--and possibly death. A successful historical mystery writer, Chloe Whitfield comes to Ca’ d’Zan to research her next novel. Chloe’s fascination with the circus is rooted in family stories of her great-grandmother Lucinda Conroy, who reportedly was a trapeze artist of some renown. She’s heard hints of scandal—and perhaps larceny, but no details. Chloe’s grandmother—rumored to be Lucinda’s only offspring—was raised in an orphanage and never knew her mother. Intrigued as she is, Chloe has no intent of writing about Lucinda until she sees a poster featuring Lucinda as the star performer for a 70th birthday gala for John Ringling in May of 1936. From there the trail goes cold. Who was Lucinda and what happened to her?

Sarasota, a charming and unique city on the Gulf Coast, is still a small town in many ways. Today there are simply many more neighborhoods. This volume focuses on attractions, culture, and community from the 1940s to the present. Sarasota has many attractions besides beautiful beaches and boating waterways, including Mote Marine Laboratory, Marie Selby Botanical Gardens, and the John and Mable Ringling Museum of Art, to name just a few. The Sarasota Opera House, the Van Wezel Performing Arts Hall, the West Coast Symphony, the Sarasota Ballet, and several small theaters contribute to this cultural mecca. During the time period covered here, hundreds of churches, schools, civic organizations, art colonies, and retirement homes have developed. Investors and entrepreneurs have greatly impacted the area, changing the architectural landscape, especially during the last 10 years, when development has had the most impact on the city skyline.