Byzantine Rome and the Greek Popes examines the scope and extent to which the East influenced Rome and the Papacy following the Justinian Reconquest of Italy in the middle of the sixth century through the pontificate of Zacharias and the collapse of the exarchate of Ravenna in 752. A combination of factors resulted in the arrival of significant numbers of easterners in Rome, and those immigrants had brought with them a number of eastern customs and practices previously unknown in the city. Greek influence became apparent in art, religious ceremonial and liturgics, sacred music, the rhetoric of doctrinal debate, the growth of eastern monastic communities, and charitable institutions, and the proliferation of the cults of eastern saints and ecclesiastical feast days and, in particular, devotion to the Theotokos or Mother of God. From the late seventh to the middle of the eighth century, eleven of the thirteen Roman pontiffs were the sons of families of eastern provenance. While conceding that over the course of the seventh century Rome indeed experienced the impact of an important Greek element, some scholars of the period have insisted that the degree to which Rome and the Papacy were 'orientalized' has been exaggerated, while others argue that the extent of their 'byzantinization' has not been fully appreciated. The question has also been raised as to whether Rome's oriental popes were responsible for sowing the seeds of separatism from Byzantium and laying the foundation for a future papal state, or whether they were loyal imperial subjects ever steadfast politically, although not always so in matters of the faith, to the reigning sovereign in Constantinople. Finally, there is the important issue of whether one could still speak of a single and undivided imperium Roman christianum in the seventh and early eighth centuries or whether the concept of imperial unity in the epoch following Gregory the Great was a quaint and fanciful fiction as East and West, ignoring and misunderstanding one another, began to go their separate ways. Byzantine Rome and the Greek Popes provides a guide through this complicated and often contradictory history.

Although Byzantium is known to history as the Eastern Roman Empire, scholars have long claimed that this Greek Christian theocracy bore little resemblance to Rome. Here, in a revolutionary model of Byzantine politics and society, Anthony Kaldellis reconnects Byzantium to its Roman roots, arguing that from the fifth to the twelfth centuries CE the Eastern Roman Empire was essentially a republic, with power exercised on behalf of the people and sometimes by them too. The Byzantine Republic recovers for the historical record a less autocratic, more populist Byzantium whose Greek-speaking citizens considered themselves as fully Roman as their Latin-speaking “ancestors.” Kaldellis shows that the idea of Byzantium as a rigid imperial theocracy is a misleading construct of Western historians since the Enlightenment. With court proclamations often draped in Christian rhetoric, the notion of divine kingship emerged as a way to disguise the inherent vulnerability of each regime. The legitimacy of the emperors was not predicated on an absolute right to the throne but on the popularity of individual emperors, whose grip on power was tenuous despite the stability of the imperial institution itself. Kaldellis examines the overlooked Byzantine concept of the polity, along with the complex relationship of emperors to the law and the ways they bolstered their popular acceptance and avoided challenges. The rebellions that periodically rocked the empire were not aberrations, he shows, but an essential part of the functioning of the republican monarchy.

This book discusses medieval Rome, adorned as it was by "Byzantine" art, monuments, and culture, as a city that defined both East and West.

This is a study of the artistic and political context that led to the production of a truly exceptional Byzantine illustrated manuscript. Paris, Bibliothèque Nationale de France, codex grec 54 is one of the most ambitious and complex manuscripts produced during the Byzantine era. This thirteenth-century Greek and Latin Gospel book features full-page evangelist portraits, an extensive narrative cycle, and unique polychromatic texts. However, it has never been the subject of a comprehensive study and the circumstances of its commission are unknown. In this book Kathleen Maxwell addresses the following questions: what circumstances led to the creation of Paris 54? Who commissioned it and for what purpose? How was a deluxe manuscript such as this produced? Why was it left unfinished? How does it relate to other Byzantine illustrated Gospel books? Paris 54's innovations are a testament to the extraordinary circumstances of its commission. Maxwell's multi-disciplinary approach includes codicological and paleographical evidence together with New Testament textual criticism, artistic and historical analysis. She concludes that Paris 54 was never intended to copy any other manuscript. Rather, it was designed to eclipse its contemporaries and to physically embody a new relationship between Constantinople and the Latin West, as envisioned by its patron. Analysis of Paris 54's texts and miniature cycle indicates that it was created at the behest of a Byzantine emperor as a gift to a pope, in conjunction with imperial efforts to unify the Latin and Orthodox churches. As such, Paris 54 is a unique witness to early Palaeologan attempts to achieve church union with Rome.

Samuel P. Müller offers here the first book-length study of the image of Latins in Byzantine historiography of the long twelfth century, arguing that this image is more complex and ambivalent than often claimed.

Byzantine Rome and the Greek Popes examines the scope and extent to which the East influenced Rome and the Papacy following the Justinian Reconquest of Italy in the middle of the sixth century through the pontificate of Zacharias and the collapse of the exarchate of Ravenna in 752.

The acclaimed author of Byzantium and the Crusades “offers a fresh take on this fabled but hidden civilization” across 11 centuries of history (Colin Wells, author of Sailing from Byzantium). For more than a millennium, the Byzantine Empire presided over the juncture between East and West, as well as the transition from the classical to the modern world. Rather than recounting the standard chronology of emperors and battles, leading Byzantium scholar Jonathan Harris focuses each chapter of this engaging history on a succession of archetypal figures, families, places, and events. Harris’s introduction presents a civilization rich in contrasts, combining orthodox Christianity with paganism, and classical Greek learning with Roman power. Though frequently assailed by numerous armies, Byzantium survived by dint of its unorthodox foreign policy. Over time, its sumptuous art and architecture flourished, helping to establish a deep sense of Byzantine identity in its people. Synthesizing a wealth of sources to cover all major aspects of the empire’s social, political, military, religious, cultural, and artistic history, Harris’s study illuminates the heart of Byzantine civilization and explores its remarkable and lasting influence on the modern world.

From the New York Times–bestselling “standard-bearer for alternate history”: A spy takes on the enemies of the Byzantine Empire (USA Today). In another, very different timeline—one in which Mohammed embraced Christianity and Islam never came to be—the Byzantine Empire still flourishes in the fourteenth century, and wondrous technologies are emerging earlier than they did in our own. Having lost his family to the ravages of smallpox, Basil Argyros has decided to dedicate his life to Byzantium. A stalwart soldier and able secret agent, Basil serves his emperor courageously, going undercover to unearth Persia’s dastardly plots and disrupting the dark machinations of his beautiful archenemy, the Persian spy Mirrane, while defusing dire threats emerging from the Western realm of the Franco-Saxons. But the world Basil so staunchly defends is changing rapidly, and he must remain ever vigilant, for in this great game of empires, the player who controls the most advanced tools and weaponry—tools like gunpowder, printing, vaccines, and telescopes—must certainly emerge victorious. A collection of interlocking stories that showcase the courage, ingenuity, and breathtaking derring-do of superspy Basil Argyros, Agent of Byzantium presents the great Harry Turtledove at his alternate-world-building best. At once intricate, exciting, witty, and wildly inventive, this is a many-faceted gem from a master of the genre.

In an exotic ancient land, a foreign stranger’s sworn mission of vengeance leads him into the perilous circle of a ruthless Byzantine empress In the early years of the ninth century, the road home from Jerusalem winds through Constantinople for two Frankish noblemen-warriors. But when an encounter with a young woman running for her life results in the murder of Hagen the White’s brother, he vows to find the perpetrators, no matter how highborn or powerful, and take his revenge. His hunt will carry him into the royal circle of the Basileus Irene, a ruthless despot who blinded her own son to force him off the throne. The beautiful and calculating empress is fascinated by this supposed barbarian who has sworn allegiance to the great Charlemagne, and she welcomes him into the imperial court—and into the dangerous fires of countless royal conspiracies. Suddenly Hagen must tread carefully through a vipers’ nest of plots, lies, and bloodthirsty power plays, for if the stranger trusts the wrong serpent, he will certainly die. One of the world’s premier purveyors of historical fiction, acclaimed novelist Cecelia Holland ushers the reader into a thrilling, exotic, and colorful world ruled by one of history’s most complex and fascinating women. The Belt of Gold is a stunning tale of power and vengeance set against a breathtaking backdrop of Byzantine opulence, from the conspiracies of the empress’s court and the intrigues of the bedchamber to the heart-racing clashes of champions in the public arenas where famed charioteers seek ultimate glory before the eyes of an adoring populace.