Byron's poetic reputation is currently founded on his comic epic Don Juan and its cognates Beppo and The Vision of Judgement. Works outside this group are still regarded with some uncertainty. This study demonstrates that some of Byron's most deeply held critical and political convictions--but also certain aspects of his experience over which he had comparatively little conscious control--found expression in his historical dramas of 1820-1821: Marino Faliero, Sardanapalus, and The Two Foscari. In these plays Byron responds with the fullest degree of imaginative intelligence to his work on the management subcommittee at the Theatre Royal, Drury Lane, the background to which is given its most extensive treatment yet; to his involvement with the Italian nationalist movement; to his advocacy of neo-classical dramatic form and above all to his understanding of Shakespeare and of Shakespeare's reputation among Romantic critics. Lansdown illuminates a fascinating but overlooked aspect of Byron's oeuvre in which the literary, the historical, and the political are closely intertwined.

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Excerpt from The Poems and Dramas of Lord Byron: With Biographical Memoir, Explanatory Notes, Etc For thee alone I lived, or wished to live; Oh God! If impious, this rash word forgive! Heart-broken now, I wait an equal doom, Content to join thee in thy turf-clad tomb; Where, this frail form composed in endless rest, I'll make my last cold pillow on thy breast; That breast where Oft in life I've laid my head, Will et receive me mouldering with the dead; This ife resigned, without one parting sigh, Together in one bed of earth we'll lie! Together share the fate to mortals given; Together mix our dust, and hope for heaven. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.