In this masterful portrait of the poet who dazzled an era and prefigured the modern age of celebrity, noted biographer Benita Eisler offers a fuller and more complex vision than we have yet been afforded of George Gordon, Lord Byron. Eisler reexamines his poetic achievement in the context of his extraordinary life: the shameful and traumatic childhood; the swashbuckling adventures in the East; the instant stardom achieved with the publication ofChilde Harold's Pilgrimage; his passionate and destructive love affairs, including an incestuous liaison with his half-sister; and finally his tragic death in the cause of Greek independence. This magnificent record of a towering figure is sure to become the new standard biography of Byron.

Often seen as the exception to generalisations about Romanticism, Byron's poetry - and its intricate relationship with a brilliant, scandalous life - has remained a source of controversy throughout the twentieth century. This book brings together recent work on Byron by leading British and American scholars and critics, guiding undergraduate students and sixth-form pupils through the different ways in which new literary theory has enriched readings of Byron's work, and showing how his poetry offers a rewarding focus for questions about the relationship between historical contexts and literary form in the Romantic period. Diverse and fresh perspectives on canonical texts such as Don Juan, Childe Harold's Pilgrimage and Manfred are included together with stimulating analyses of less well-known narrative poems, lyrics and dramas. A clearly structured introduction traces key developments in Byron criticism and locates the essays within wider debates in Romantic studies. Detailed headnotes to each essay and a guide to further reading help to orientate the reader and offer pointers for further discussion. The collection will enable students of English literature, Romantic studies and nineteenth-century cultural studies to assess the contribution that different critical methodologies have made to our understanding of individual poems by Byron, as well as concepts like the Byronic hero and evolving definitions of Romanticism.

Expanded and diversified, this companion makes vivid Byron's ongoing relevance to myriad issues of politics, literature and life today.

"George Gordon Byron was born on 22 January 1788 and he inherited the barony in 1798. He went to school in Dulwich, and then in 1801 to Harrow. In 1805 he went up to Trinity College, Cambridge, later gaining a reputation in London for his startling good looks and extravagant behaviour. His first collection of poems, Hours of Idleness (1807), was not well received, but with the publication of the first two cantos of Childe Harold's Pilgrimage (1812) he became famous overnight and increased this fame with a series of wildly popular 'Eastern Tales'. In 1815 he married the heiress Annabella Milbanke, but they were separated after a year. Byron shocked society by the rumoured relationship with his half-sister, Augusta, and in 1816 he left England for ever. He eventually settled in Italy, where he lived for some time with Teresa, Contessa Guiccioli. He supported Italian revolutionary movements and in 1823 he left for Greece to fight in its struggle for independence, but he contracted a fever and died at Missolonghi in 1824." "Byron's contemporary popularity was based first on Childe Harold and the 'Tales', and then on Don Juan (1819-24), his most sophisticated and accomplished writing. He was one of the strongest exemplars of the Romantic movement, and the Byronic hero was a prototype widely imitated in European and American literature."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

In this first full-length study of Byron's masterpiece in over thirty years, Richard Cronin boldly presents Don Juan as the epic poem of its age. Impressively illuminating the whole literary nineteenth century through a single work, he asks what kind of epic can be said to represent an era more readily defined by newspapers and magazines than by competitors such as Wordsworth's Excursion or Southey's Joan of Arc arose. Delving into questions of form and choice of hero, he also explores the controversies that informed the poem's reception, its contemporary interactions, and its influence on later nineteenth-century literature. Don Juan, he argues, is the epic poem demanded by an age of cant and dissembling, when people's feelings and the world they lived in had become disconnected. In it, he finds a powerful defence of liberal thinking at a time when that kind of thinking was under threat.

This book offers a new history and theory of modern celebrity. It argues that celebrity is a cultural apparatus that emerged in response to the Romantic industrialization of print and culture. It investigates the often strained interactions of artistic endeavour and commercial enterprise, and the place of celebrity culture in history of the self.

In Byron's Ghosts British and American scholars join together to overturn some of the prevailing assumptions that romance scholars have made about Byron, offering a fresh new reading of his poetry. Informed by recent critical theory focused on spectrality, they look at ghosts in his work, both in the conventional sense—what Mary Shelley once described as the “true, old-fashioned, foretelling, flitting, gliding ghost”—and in a postmodern sense, one concerned with a range of phantom effects. Balancing attention on these diverse concepts of the ghost, their essays complicate the popular images of Byron as a materialist, skeptic, and anti-Romantic, revealing crucial new insights about his poetry.