In Byblos in the Late Bronze Age, Marwan Kilani reconstructs the “biography” of the city of Byblos during the Late Bronze Age, exploring its interactions and development in relation with the contemporary local and macroregional cultural and geopolitical reality.

The figure of King Solomon is central to our understanding of the history of Israel and Judah. This volume of collected articles brings the reader up-to-date with the latest scholarship in the field. The work consists of twenty-four chapters and provides important studies in the historical approach to Solomon and to 10th century B.C.E. Judah and Israel with archaeological surveys of the neighboring regions, sociological surveys, and literary readings of the biblical texts. With suggestions for further research and indexes.

Scott confronts conventional historians and looks at the evidence, archaeological and textual, for the proposition that three centuries, roughly between 615 and 915, never existed and are "phantom" years. The author shows in detail how no archaeology exists for these three centuries, and that the material remains of the seventh century closely resemble those of the tenth, and lie directly beneath them. This is the first book on this topic in the English language, though Heribert Illig's books on the same topic, 'Das erfundene Mittelalter' and 'Wer hat an der Uhr Gedreht?' have been best sellers in German-speaking Europe.

This 500,000 word reference work provides the most comprehensive general treatment available of the peoples and places of the regions commonly referred to as the ancient Near and Middle East - extending from the Aegean coast of Turkey in the west to the Indus river in the east. It contains some 1,500 entries on the kingdoms, countries, cities, and population groups of Anatolia, Cyprus, Syria-Palestine, Mesopotamia, and Iran and parts of Central Asia, from the Early Bronze Age to the end of the Persian empire. Five distinguished international scholars have collaborated with the author on the project. Detailed accounts are provided of the Near/Middle Eastern peoples and places known to us from historical records. Each of these entries includes specific references to translated passages from the relevant ancient texts. Numerous entries on archaeological sites contain accounts of their history of excavation, as well as more detailed descriptions of their chief features and their significance within the commercial, cultural, and political contexts of the regions to which they belonged. The book contains a range of illustrations, including twenty maps. It serves as a major, indeed a unique, reference source for students as well as established scholars, both of the ancient Near Eastern as well as the Classical civilizations. It also appeals to more general readers wishing to pursue in depth their interests in these civilizations. There is nothing comparable to it on the market today.

Winner of the 1990 American Book Award What is classical about Classical civilization? In one of the most audacious works of scholarship ever written, Martin Bernal challenges the foundation of our thinking about this question. Classical civilization, he argues, has deep roots in Afroasiatic cultures. But these Afroasiatic influences have been systematically ignored, denied or suppressed since the eighteenth century—chiefly for racist reasons. The popular view is that Greek civilization was the result of the conquest of a sophisticated but weak native population by vigorous Indo-European speakers—Aryans—from the North. But the Classical Greeks, Bernal argues, knew nothing of this “Aryan model.” They did not see their institutions as original, but as derived from the East and from Egypt in particular. In an unprecedented tour de force, Bernal links a wide range of areas and disciplines—drama, poetry, myth, theological controversy, esoteric religion, philosophy, biography, language, historical narrative, and the emergence of “modern scholarship.” This volume is the second in a three-part series concerned with the competition between two historical models for the origins of Greek civilization. Volume II is concerned with the archaeological and documentary evidence for contacts between Egypt and the Levant on the one hand, and the Aegean on the other, during the Bronze Age from c. 34000 BC to c. 1100 BC. These approaches are supplemented by information from later Greek myths, legends, religious cults, and language. The author concludes that contact between the two regions was far more extensive and influential than is generally believed. In the introduction to this volume, Bernal also responds to some reviews and criticism of Volume I of Black Athena.

Through the ages, coins have been more than a common standard or a means of exchange between peoples for goods and services. The development of coinage gave men freedom to move beyond their communities, served as a propaganda tool for advancing armies and visually showed people the source of politics which governed their lives. Today, these same bits of metal, these ancient video disks, transmit through time information that might otherwise be lost to us. This volume comprises a selection of papers given at a conference held at the Nickle Museum of The University of Calgary, Alberta, by perhaps the most distinguished gathering of numismatists ever to assemble in North America. Topics include specific coins of the Graeco–Roman world as well as discussions on coinage and propaganda, art, architecture, and archaeology. Archaeologists, historians, coin collectors, students of the Classics, in fact, anyone who is interested in art and life as it existed in ancient times will be captivated by this collection.

The proem to Herodotus's history of the Greek-Persian wars relates the long-standing conflict between Europe and Asia from the points of view of the Greeks' chief antagonists, the Persians and Phoenicians. However humorous or fantastical these accounts may be, their stories, as voiced by a Greek, reveal a great deal about the perceived differences between Greeks and others. The conflict is framed in political, not absolute, terms correlative to historical events, not in terms of innate qualities of the participants. It is this perspective that informs the argument of The Art of Contact: Comparative Approaches to Greek and Phoenician Art. Becky Martin reconsiders works of art produced by, or thought to be produced by, Greeks and Phoenicians during the first millennium B.C., when they were in prolonged contact with one another. Although primordial narratives that emphasize an essential quality of Greek and Phoenician identities have been critiqued for decades, Martin contends that the study of ancient history has not yet effectively challenged the idea of the inevitability of the political and cultural triumph of Greece. She aims to show how the methods used to study ancient history shape perceptions of it and argues that art is especially positioned to revise conventional accountings of the history of Greek-Phoenician interaction. Examining Athenian and Tyrian coins, kouros statues and mosaics, as well as the familiar Alexander Sarcophagus and the sculpture known as the "Slipper Slapper," Martin questions what constituted "Greek" and "Phoenician" art and, by extension, Greek and Phoenician identity. Explicating the relationship between theory, method, and interpretation, The Art of Contact destabilizes categories such as orientalism and Hellenism and offers fresh perspectives on Greek and Phoenician art history.