The book Grizzard was working on when he died, and contains what he thought represented the best of the last decade of his writing.

This book should be the second novel you read in French, right after you read "Merde, It's Not Easy to Learn French", volume 1 in this series! Reading a book in French can be difficult, even for advanced students. French novels are usually full of idiomatic expressions. They use complicated tenses, complex sentence structures, and often slang. The books in this series are in simple French. They tell of the joys and the frustrations of an adult learning French. You'll find a good dose of humor, exercises, and illustrations. Note: this book contains adult language. The book has two sections, allowing more levels of French students to enjoy it. Section 1 has the story written completely in French, and includes grammar exercises. Section 2 contains the complete translation in English and the answers to the exercises.

Join Bartholomew Cubbins in Dr. Seuss’s Caldecott Honor–winning picture book about a king’s magical mishap! Bored with rain, sunshine, fog, and snow, King Derwin of Didd summons his royal magicians to create something new and exciting to fall from the sky. What he gets is a storm of sticky green goo called Oobleck—which soon wreaks havock all over his kingdom! But with the assistance of the wise page boy Bartholomew, the king (along with young readers) learns that the simplest words can sometimes solve the stickiest problems.

From Matthew Cordell, the author-illustrator of the Caldecott award-winning book Wolf in the Snow, comes this delightful picture book that's as charming as it is fun. It's raining. There's nothing to do. Ruben is bored. But things start looking up when his grandmother gives him and his little brother some gum. Gum is fun. There's just one problem with gum—it tends to make a mess! Uh-oh. . . .

"The sixties in America was a wild, giddy ride, an amazing Technicolor adventure, and no magazine caught the spirit of its apocalyptic fun as definitively as Esquire. Its brilliant, buccaneering editor Harold Hayes transformed the once-somnolent men's fashion magazine into a literary and cultural proving ground, where pure iconoclasm and blazing talent reigned. Art director George Lois put Sonny Liston on the cover as Santa Claus and Muhammad Ali as St. Sebastian. Tom Wolfe, Gay Talese, Garry Wills, Michael Herr, and others virtually invented a "New Journalism" equal to the task of deconstructing celebrity, celebrating pop culture, comprehending wars and demonstrations and riots and assassinations. Diane Arbus captured photographic images that reflected a disturbing, hidden America, and fiction writers as diverse as Norman Mailer and Raymond Carver did much the same in words." "Journalist and historian Carol Polsgrove has written the definitive history of this decade-long high-water mark in American magazine journalism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

"'The cure for democracy's ills is more democracy.' This popular adage is false. Contemporary democracy faces problems that derive from the tendency among citizens to overdo democracy. In this book, Robert Talisse argues that even in a democracy, politics must be put in its place"--

As a fitness brand, Zumba Fitness has cultivated a devoted fan base of fifteen million participants spread across 180 countries. In Fitness Fiesta! Petra R. Rivera-Rideau analyzes how Zumba uses Latin music and dance to create and sell a vision of Latinness that’s tropical, hypersexual, and party-loving. Rivera-Rideau focuses on the five tropes that the Zumba brand uses to create this Latinness: authenticity, fiesta, fun, dreams, and love. Closely examining videos, ads, memes, and press coverage as well as interviews she conducted with instructors, Rivera-Rideau traces how Zumba Fitness constructs its ideas of Latinx culture by carefully balancing a longing for apparent authenticity with a homogenization of a marketable “south of the border”-style vacation. She shows how Zumba Fitness claims to celebrate Latinx culture and diversity while it simultaneously traffics in the same racial and ethnic stereotypes that are used to justify racist and xenophobic policies targeting Latinx communities in the United States. In so doing, Rivera-Rideau demonstrates not only the complex relationship between Latinidad and neoliberal, postracial America but also what that relationship means for the limits and possibilities of multicultural citizenship today.

Despite the pluralism of contemporary American culture, the Judaeo-Christian legacy still has a great deal of influence on the popular imagination. Thus it is not surprising that in this context atheism has a slightly scandalous ring, and unbelief is often associated with lack of morality and a meaningless existence. Distinguished philosopher and committed atheist Michael Martin sets out to refute this notion in this thorough defense of atheism as a both moral and meaningful philosophy of life. Martin shows not only that objective morality and a meaningful life are possible without belief in God but that the predominantly Christian world view of American society is seriously flawed as the basis of morality and meaning.Divided into four parts, this cogent and tightly argued treatise begins with well-known criticisms of nonreligious ethics and then develops an atheistic meta-ethics. In Part 2, Martin criticizes the Christian foundation of ethics, specifically the Divine Command Theory and the idea of imitating the life of Jesus as the basis of Christian morality. Part 3 demonstrates that life can be meaningful in the absence of religious belief. Part 4 criticizes the theistic point of view in general terms as well as the specific Christian doctrines of the Atonement, Salvation, and the Resurrection.This highly informed and sophisticated defense of atheism is a stimulating challenge to religious believers and a serious contribution to ethical theory.