George Caleb Bingham, who earned the sobriquet of "the Missouri artist," evolved from a locally known portrait painter to an artist of national renown. His letters illuminate the complex personality of a man actively involved in the political, social, and cultural life of nineteenth-century America -- an eyewitness to westward expansion, a firsthand observer of river and rail commerce, and a participant in the Civil War. [...] In a fascinating introduction, Joan Stack summarizes Bingham's artistic career. She focuses on the artist's efforts to market himself as a "western" painter and finds that much of his national reputation in the nineteenth century derived from the genre and political paintings of the 1840s and 1850s, particularly those from which prints were made and widely distributed. Readers interested in nineteenth-century Missouri will find these letters from the pen of an artist who maintained a keen connection to the political affairs of his time truly engaging.

Continuation of the reference work that originated with Robert Dodsley, written and published each year, which records and analyzes the year’s major events, developments and trends in Great Britain and throughout the world. After 1815 the usual form became a number of chapters on Great Britain, paying particular attention to the proceedings of Parliament, followed by chapters covering other countries in turn, no longer limited to Europe. The expansion of the History came at the expense of the sketches, reviews and other essays so that the nineteenth-century publication ceased to have the miscellaneous character of its eighteenth-century forebear, although poems continued to be included until 1862, and a small number of official papers and other important texts continue to be reproduced.

A weekly review of politics, literature, theology, and art.