Winner of the Benjamin Saltman Poetry Award, But a Storm is Blowing From Paradise emerges at a time when science is discovering more and more about the mystical particles that make up our universe and our bodies. From tidal forces and prairie burns to ruminations on racial identity while standing at the foot of Mount Rushmore, these poems chart a travelogue through mental and physical landscapes and suggest that place, time, love, and bodies are all shifts in the “undulate cosmos.” Straddling the lyrical and experimental, these poems conjure and connect the cosmological, the carnal, and the personal in a country--and a universe--that is gobbling itself into oblivion. But a Storm is Blowing From Paradise is in love with the universe of language--its forms, its sounds, and even its static.

Ever since Herodotus declared in Histories that to preserve the memories of the great achievements of the Greeks and other nations he would count on their own stories, historians have debated whether and how they should deal with myth. Most have sided with Thucydides, who denounced myth as "unscientific" and banished it from historiography. In Mythistory, Joseph Mali revives this oldest controversy in historiography. Contesting the conventional opposition between myth and history, Mali advocates instead for a historiography that reconciles the two and recognizes the crucial role that myth plays in the construction of personal and communal identities. The task of historiography, he argues, is to illuminate, not eliminate, these fictions by showing how they have passed into and shaped historical reality. Drawing on the works of modern theorists and artists of myth such as Nietzsche and Wittgenstein, Joyce and Eliot, Mali redefines modern historiography and relates it to the older notion and tradition of "mythistory." Tracing the origins and transformations of this historiographical tradition from the ancient world to the modern, Mali shows how Livy and Machiavelli sought to recover true history from uncertain myth-and how Vico and Michelet then reversed this pattern of inquiry, seeking instead to recover a deeper and truer myth from uncertain history. In the heart of Mythistory, Mali turns his attention to four thinkers who rediscovered myth in and for modern cultural history: Jacob Burckhardt, Aby Warburg, Ernst Kantorowicz, and Walter Benjamin. His elaboration of the different biographical and historiographical routes by which all four sought to account for the persistence and significance of myth in Western civilization opens up new perspectives for an alternative intellectual history of modernity-one that may better explain the proliferation of mythic imageries of redemption in our secular, all too secular, times.

A beautiful collection of the legendary thinker’s short stories The Storyteller gathers for the first time the fiction of the legendary critic and philosopher Walter Benjamin, best known for his groundbreaking studies of culture and literature, including Illuminations, One-Way Street and The Arcades Project. His stories revel in the erotic tensions of city life, cross the threshold between rational and hallucinatory realms, celebrate the importance of games, and delve into the peculiar relationship between gambling and fortune-telling, and explore the themes that defined Benjamin. The novellas, fables, histories, aphorisms, parables and riddles in this collection are brought to life by the playful imagery of the modernist artist and Bauhaus figure Paul Klee.

This collection of essays begins with the premise that violence, in its relationship to order, is a central element of history. Taking a broad definition of violence, including structural and symbolic violence, the contributions move beyond the problematic of civilization’s mitigating or foundational role, instead seeing violence as inherently social, and, perhaps, socially inherent (if variable). The question then becomes what forms of harm are authorized or banned in which social orders and how they change over time. Beginning with a theoretical introduction, this interdisciplinary volume includes seven papers representing cultural anthropology, history, archaeology and international relations. The papers range from China to the Americas and from the 2nd millennium BCE to the 21st century CE. Some deal with long-term developments while others focus on a single time and place. Many treat the issue of the visibility/invisibility of violence, while all in one way or another deal with the role of violence in the re-production of community. Together, the volume aims to paint, with a few strokes, the outlines of a deep historical anthropology of social violence. The volume is based on the proceedings of a symposium hosted at Brown University.

//Three_last_words -- //Counternarratives -- //Soldier Buffalos: anagrams in trees -- //Husband stories -- //@Code_Switching -- //Zombie nightmare -- //@Tubman's_Rock -- //A new sermon on the Warpland -- //Coming of age stories -- //"Incident".

When instruments are harmoniously joined together, beautiful music ensues. Just as in a classic symphony, life often occurs in phases, or movements. In his creative comparison Symphony #1 in a Minor Key, literary exegete Alan Block shares his philosophies on four movements reflected in his own life, each loosely modeled on a different musical form linked to the emotions of a life both fully lived and joyously celebrated. In the first movement, -Sonata Allegro, - Block juxtaposes biblical stories with personal experiences as he explores the contradictory nature of what it means to leave home in search of another home. In the second movement, representing a slow march to and from the grave, he focuses his examination on the funerals of three very different people from a Jewish perspective. In strong contrast, Block presents a glimpse into his absurd daily world in the third movement, punctuated by jokes and commentary. Finally, he shares a celebration of life and hope inspired by the final movement of Beethoven's Seventh Symphony, encouraging others to be open to the sublime and realize that none of our worlds is perfect. Symphony #1 in a Minor Key shares one man's reflections as he offers a fascinating meditation on life, death, and everything in between.

The Lebanese video artists, documentarians and photographers Joana Hadjithomas and Khalil Joreige have been a duo since the 1990s, making works that address the turbulent history of their homeland. This monograph surveys the duo's projects, including their most recent series of installations and research on the now defunct Lebanese space exploration program.

Assembled here for the first time in English translation Sigrid Weigel offers illuminating new insights into Benjamin's theory, combining impulses from post-structuralism, feminism, cultural anthropology and psychoanalysis.

Unofficial Histories Behind the Mass Expansion of Makkah Through a series of photographs, Ahmed Mater charts the city's origins to its more recent history over the last 5 years. It is a study of the site's recent transformation -- Makkah, until recently, embodied a unique urban tapestry, layered with histories that are stitched together by an abundance of organically rooted communities and cultures. It is a place that accommodated not only sacred structures and sites but also huge fluctuations in population during Ramadan (up to 3 million visitors a year travel to Makkah for Eid and Hajj). More recently, these sites and communities have been eradicated and are being replaced with five-star-studded high rise developments, transforming it from an active metropolis to the world's most exclusive, yet most visited religious tourist destination, reflective of an unprecedented experimentation with architecture and its possible impact on social stratification. This photographic essay is a celebration of Makkah's real and projected or imaginary states. It provides singular access to this site and its associated social and religious rituals, along with its architectural urban planned and proposed development. AUTHOR: Ahmed Mater, born in 1979, grew up in Saudi Arabia. He led a young artist collective, was a founding member of Al-Miftaha Arts Village in Abha, and went on to co-founded the non-profit entity, Edge of Arabia. His work was exhibited in numerous international institutions and forms part of public and private art collections. 400 illustrations