Wilhelm Bleek was fascinated by African languages and set out to make sense of a complex and alien Bushman tongue. At first Lucy Lloyd worked as his assistant, but soon proved to be so gifted a linguist and empathetic a listener that she created a monumental record of Bushman culture. Their informants were a colorful cast. The teenager, /A!kunta, taught Bleek and Lloyd their first Bushman words and sentences. The wise old man and masterful storyteller, //Kabbo, opened their eyes to a richly imaginative world of myth and legend. The young man, Dia!kwain, explained traditional beliefs about sorcery, while his friend #Kasin spoke of Bushman medicines and poisons. The treasures of Bushman culture were most fully revealed in conversations with a middle-aged man known as /Han=kass'o, who told of dances, songs and the meaning of images on rocks. The human histories and relationships involved in this unique collaboration across cultures are explored in full for the first time in this remarkable narrative.

Brought up on stories and myths of the Kalahari Bushmen, Rupert Isaacson journeys to the dry vast grassland -- which stretches across South Africa, Botswana, and Namibia -- to find out the truth behind these childhood stories. Deep in the Kalahari, Isaacson meets the last groups of Bushmen still living the traditional way, caught between their ancient culture and the growing need to protect and reclaim their dwindling hunting grounds. Little by little he is drawn into the fascinating web of ritual and prophecy that make up the Bushman reality. He hears of shamans who turn into lions, sees leopards conjured from the landscape as though by magic. He attends trance-inducing dances and witnesses incredible healings. But he also sees the heart-wrenching social problems of a dispossessed people. What follows is an adventure of an intensity he could never have predicted. The Healing Land records Isaacson's personal transformation amid these extraordinary people, and his passionate contribution to their political struggle. It captures his enchantment with the character, corruption, kindness, and confusion of a place that has wrenched itself from the Stone Age into the new millennium.

These beautiful and timeless stories from the African Bush were gathered more than a century ago and have touched thousands of readers ever since. The South African-born author, Sir Laurens van der Post, revered them and helped to make them known throughout the world. For this special new edition, Gregory McNamee has adapted the original nineteenth-century English translations to create modern versions of the stories for readers without a prior knowledge of the Bushman ways of life. The stories in this book carry universal observations and truths and, with their historical and ethnographic roots in the African Bushman culture, they are fascinating and educational for readers and listeners of all ages. They bear powerful testimony to a desert people living at one with Nature.

Specimens of Bushman Folk-lore was published by Dr. W.H.I. Bleek only after he'd overcome many great difficulties (and great they were in late 1800s South Africa). So complete is this volume that Dr. Bleek even provides explanations on how to make the many click sounds that are endemic to the Bushman language. Good luck wrapping your tongue around them! This 260 page volume contains 84 stories about Bushman myths and legends, including interpretations of the natural world, animal fables, the story of the first man, and customs, superstitions, and more. There are stories about girls and frogs, hyenas that seek revenge, the wind, and the making of arrows. There are also stories about the origin of the stars Sirius and Canopus, the treatment of bones, prayers to the moon, and a man who mistakenly ordered his wife to cut off his ears. Of special interest is the story of one Bushman's first ride on the train from Mowbray to Cape Town, which describes his treatment at the hands of the local police and the imposition of the white man's laws upon him and his people. The old adage "Everything changes, everything stays the same," comes to mind. So curl up with this treasure of ancient Africa, this documentation of a changing world, and engross yourself in a culture that has no place for MP3 players, video games, or television. A percentage of every book sold will help fund the education of an underprivileged person in South Africa. SPECIAL NOTE: Rock art and archaeological evidence indicates that the San Bushmen once occupied countries as far north as Libya, Egypt, Sudan, and Ethiopia, with some evidence of occupation in Kenya. Over time, environmental conditions and the negroid races pushed the Bushmen further and further south-today, they can now only be found in the countries of Southern Africa. Even now, the Bushmen's traditional way of life is further threatened by government regulations and policies that seek to restrict their nomadic tradition and "encourage" them to assume a more pastoral lifestyle.

What is the essence of story? How does the storyteller convey meaning? Leading scholar Harold Scheub tackles these questions and more, demonstrating that the power of story lies in emotion. While others have focused on the importance of structure in the art of story, Scheub emphasizes emotion. He shows how an expert storyteller uses structural elements—image, rhythm, and narrative—to shape a story's fundamental emotional content. The storyteller uses traditional images, repetition, and linear narrative to move the audience past the story’s surface of morals and ideas, and make connections to their past, present, and future. To guide the audience on this emotional journey is the storyteller’s art. The traditional stories from South African, Xhosa, and San cultures included in the book lend persuasive support to Scheub’s. These stories speak for themselves, demonstrating that a skilled performer can stir emotions despite the obstacles of space, time, and culture.

James Walton, who has illustrated Mrs. How's book, spent thirteen years in Basutoland, during which time he copied paintings from hundreds of rock shelters, often hidden in remote valleys, accessible only after long treks on horseback, and hitherto unknown. In this book author and illustrator have worked together to present a picture of the life and art of the last African rock painters, the Mountain Bushmen. Rock paintings and rock engravings have been recorded from many parts of Africa but it is only in the wild, mountainous country of Basutoland that the rock artists continued to paint within living memory. Marion Walsham How was born in Basutoland and there she met Basutho who had painted with the Bushmen in their rock shelters. From them she learned some of the secrets of the diminutive artists and in these pages she tells of the Mountain Bushmen who were living in Basutoland at the end of the last century. Her story is based on her own personal experiences and on information supplied by people who actually knew the Mountain Bushmen.

This new edition of the long-out-of print classic collection of Bushman tales provides a fascinating look into the life of these little-known people. As Megan Biesele writes in her Foreword: The fact that a family of trained linguists and their associates sat down between 1870 and 1884 with a group of /Xam people who had been temporarily sprung free of imprisonment in Cape Town's Breakwater Prison has immense potential consequences. San people today, like indigenous peoples all over the world, are quietly organizing educational futures for themselves which will make fine use of this record of the intellectual history of their culture. This edition reproduces the English text of the 1911 edition and is richly illustrated with photographs.

This is a story of an almost vanished Africa; a world of myth and magic in which the indigenous peoples of the continent lived for uncountable centuries before the Europeans came to shatter it. The main character is a boy who has a relationship with this Africa not unlike Kipling's Kim with the antique world of India. François Joubert, whose Huguenot ancestors settled in Africa three hundred years ago, lives as a solitary child on his father's farm. 'Hunter's Drift'. Here, in the far interior of Africa, he experiences the wonder and mystery of an ageless, natural primitive life, his perception of it heightened by the influence of three people in particular - his Bushman nurse, the head herdsman of the local Matabele clan (his father's chosen partners in the pioneering of Hunter's Drift), and a hunter of legendary fame, now the chief ranger of a vast game reserve nearby. François' meeting with an untamed Bushman, Xhabbo, whose intuitive teaching nourishes his spirit; his strange pilgrimage to the distant krall of a powerful witch-doctor; his dramatic encounter and relationship with the daughter of a retired colonial governor; all are examples of African point and European counterpoint, in a highly original theme, moving to a strangely presaged and omened climax.