"We don't govern water. Water governs us," writes James Workman. In Heart of Dryness, he chronicles the memorable, cautionary tale of the famed Bushmen of the Kalahari--remnants of one of the world's most successful civilizations, today at the exact epicenter of Africa's drought--and their remarkable, widely publicized battle over water with the government of Botswana, to explore the larger story of what many feel is becoming the primary resource battleground of the 21st century: water. The Bushmen's story may well prefigure our own. Even the most upbeat optimists concede the U.S. now faces an unprecedented water crisis. Large dams on the Colorado River, which serve 30 million in 7 states, will be dry in 13 years. Southeast drought cut Tennessee Valley Authority hydropower in half, exposed Lake Okeechobee's floor, dried $787 million of Georgia's crops, and left Atlanta with 60 days of water. Cities east and west are drying up. As reservoirs and aquifers fail, officials ration water, neighbors snitch on one another, corporations move in, and states fight states to control shared rivers. Each year, inadequate water kills more humans than AIDS, malaria, and all wars combined. Global leaders pray for rain. Bushmen tap more pragmatic solutions. James Workman illuminates the present and coming tensions we will all face over water and shows how, from the remoteness of the Kalahari, a primitive (by our standards) people is showing the world a viable path through the encroaching desert of the coming Dry Age.

Bred by the Billionaire Adora Garcia isn't interested in being the breeding vessel for some arrogant billionaire. She has plans for her life and they don't include being knocked up by a man over twice her age. Her single mother cleans Tobias Bennett's penthouse suite, so when Adora refuses his indecent proposal, he threatens to find a new maid. Tobias needs an heir, but he's not ready to settle down, and certainly not interested in love. He doesn't have a plan until he sees the curvy brunette standing in his condo. Everything he wants, he gets, and he wants Adora. What he doesn't expect is the rush of possessiveness that takes him by storm. Will Adora give up her virginity to the ruthless businessman? Can Tobias open his heart after keeping it closed off for decades? Bred by the Bushmen After nearly ending her own life, Opal books a soul-searching Alaskan wilderness tour. She's used to loneliness and rejection, but needs to learn how to love herself. When things go horribly wrong on the tour, she finds herself cold, alone, and facing certain death. Caleb and Damon have the perfect life. They live off the grid, far from society and its destructive influences. But it doesn't take long for the White brothers to realize what's missing. They need a woman, and crave a family of their own. When their dog leads them to a lost hiker in the woods, they swear she was dropped straight from heaven. It will take a lot of hard convincing for the bushmen to prove life at their cabin is better than what Opal left behind in the city. And they won't take no for an answer. They plan on keeping Opal, loving her, and filling her with their baby.

'The Bushman' is a perennial but changing image. The transformation of that image is important. It symbolizes the perception of Bushman or San society, of the ideas and values of ethnographers who have worked with Bushman peoples, and those of other anthropologists who use this work. Anthropology and the Bushman covers early travellers and settlers, classic nineteenth and twentieth-century ethnographers, North American and Japanese ecological traditions, the approaches of African ethnographers, and recent work on advocacy and social development. It reveals the impact of Bushman studies on anthropology and on the public. The book highlights how Bushman or San ethnography has contributed to anthropological controversy, for example in the debates on the degree of incorporation of San society within the wider political economy, and on the validity of the case for 'indigenous rights' as a special kind of human rights. Examining the changing image of the Bushman, Barnard provides a new contribution to an established anthropology debate. A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org

The first comprehensive presentation of the core teachings of the Kalahari Bushmen as told by the Tribal Elders • Reveals how the Bushmen are able to receive direct transmissions of God’s love for healing and spiritual transformation • Explores tribal legends and teaching tales, the importance of dreams and animals, and the origins of their dances, rituals, and ceremonies Step into the imaginative realm of one of the oldest continuous cultures on Earth, the Kalahari Ju/’hoansi Bushmen. Translated by Beesa Boo, a Bushman, and interspersed with detailed commentary from Bradford and Hillary Keeney, this book presents the core teachings of the Kalahari Bushmen as told by the tribal elders themselves. Decades in the making, it constitutes the first comprehensive work on the world’s oldest tradition of healing and spiritual experience. Told in their own words, these teachings reveal how the Bushmen are able to receive direct transmissions of God’s love in the form of the universal life force, n/om. The individuals who are filled with this force describe it as an awakened, energized feeling of love that inspires a spontaneous and heightened ecstatic awareness that opens mystical perception. Having your heart transfixed by this force enables true healing and spiritual growth to occur. Experiencing the force in your entire being, through a vision of “God’s egg”, awakens deep spiritual wisdom and extraordinary healing gifts. Those who “own the egg” are blessed with the ability to have direct communication with the Divine, a “rope to God,” and can communicate with others for all “ropes” are connected. Conveying the deep love that is the dominant emotion of Bushman spirituality, the book explores tribal legends and teaching tales, the importance of dreams and encounters with animals, the origins of their dances, such as the giraffe dance, and specific rituals and ceremonies, including puberty rites for boys and girls. “As the elder teachers of the Ju’/hoan Bushman (San) people, we hold the most enduring traditional wisdom concerning healing and spiritual experience. This book is a testimony of our ecstatic ways. We happily share our basic teachings about spirituality and healing with those whose hearts are sincerely open.”

“A study of primitive people which, for beauty of . . . style and concept, would be hard to match.” —The New York Times Book Review In the 1950s Elizabeth Marshall Thomas became one of the first Westerners to live with the Bushmen of the Kalahari desert in Botswana and South-West Africa. Her account of these nomadic hunter-gatherers, whose way of life had remained unchanged for thousands of years, is a ground-breaking work of anthropology, remarkable not only for its scholarship but for its novelistic grasp of character. On the basis of field trips in the 1980s, Thomas has now updated her book to show what happened to the Bushmen as the tide of industrial civilization—with its flotsam of property rights, wage labor, and alcohol—swept over them. The result is a powerful, elegiac look at an endangered culture as well as a provocative critique of our own. "The charm of this book is that the author can so truly convey the strangeness of the desert life in which we perceive human traits as familiar as our own. . . . The Harmless People is a model of exposition: the style very simple and precise, perfectly suited to the neat, even fastidious activities of a people who must make their world out of next to nothing." —The Atlantic

“Insightful and well-written . . . [Suzman chronicles] how much humankind can still learn from the disappearing way of life of the most marginalized communities on earth.” -Yuval Noah Harari, author of SAPIENS: A BRIEF HISTORY OF HUMAN KIND and HOMO DEUS: A BRIEF HISTORY OF TOMORROW WASHINGTON POST'S 50 NOTABLE WORKS OF NONFICTION IN 2017 AN NPR BEST BOOK OF 2017 A vibrant portrait of the “original affluent society”-the Bushmen of southern Africa-by the anthropologist who has spent much of the last twenty-five years documenting their encounter with modernity. If the success of a civilization is measured by its endurance over time, then the Bushmen of the Kalahari are by far the most successful in human history. A hunting and gathering people who made a good living by working only as much as needed to exist in harmony with their hostile desert environment, the Bushmen have lived in southern Africa since the evolution of our species nearly two hundred thousand years ago. In Affluence Without Abundance, anthropologist James Suzman vividly brings to life a proud and private people, introducing unforgettable members of their tribe, and telling the story of the collision between the modern global economy and the oldest hunting and gathering society on earth. In rendering an intimate picture of a people coping with radical change, it asks profound questions about how we now think about matters such as work, wealth, equality, contentment, and even time. Not since Elizabeth Marshall Thomas's The Harmless People in 1959 has anyone provided a more intimate or insightful account of the Bushmen or of what we might learn about ourselves from our shared history as hunter-gatherers.

The author’s journey to becoming a Bushman shaman and healer and how this tradition relates to shamanic practices around the world • Explores the Bushmen’s ecstatic shaking and dancing practices • Written by the first non-Bushman to become fully initiated into their healing and spiritual ways In Bushman Shaman, Bradford Keeney details his initiation into the shamanic tradition of the Kalahari Bushmen, regarded by some scholars as the oldest living culture on earth. Keeney sought out the Bushmen while in South Africa as a visiting professor of psychotherapy. He had known of the Kalahari “trance dance,” wherein the dancers’ bodies shake uncontrollably as part of the healing ceremony. Keeney was drawn to this tradition in the hope that it might explain and provide a forum for his own ecstatic “shaking,” which he had first experienced at the age of 19 and had tried to suppress and hide throughout his adult life. For more than a dozen years Keeney danced with Bushmen shamans in communities throughout Botswana and Namibia, until finally becoming fully initiated into their doctoring and spiritual ways. Through his rediscovery of the “rope to God” in a Bushman shaman dream, he offers readers accounts of his shamanic world travels and the secrets of the soul he learned along the way. In Bushman Shaman Keeney also reveals his work with shamans from Japan, Tibet, Bali, Thailand, Australia, and North and South America, providing new understandings of other forms of shamanic spiritual expression and integrating the practices of all these traditions into a sacred circle of one truth.

J.D. Lewis-Williams, one of the leading South African archaeologists and ethnographers, uses ethnographic, archival, and archaeological lines of research to understand San-Bushman mythological stories. From this, he establishes a more nuanced theory of the role of myths in cultures worldwide.

This is a true story of exodus, the inevitable journey of the last of the First People, as they leave the Great Sand Face and head for the modern world and cultural oblivion. Paul John Myburgh spent seven years with the 'People of the Great Sand Face', a group of /Gwikwe Bushmen in the Kalahari Desert. They were years of physical and spiritual immersion into a way of life of which only an echo remains in living memory. But all does not end there. In The Bushman Winter Has Come, the author imagines a continuing journey towards a place where we may, once again, know who we are in the context of our life on this earth ... towards a time when we may answer the /Gwikwe's morning greeting, Tsamkwa/tge? (Are your eyes nicely open?) with a confident Yes.

The revised, updated version of this book includes an analysis of the sweeping political changes in South Africa since its original publcation in 1992. Other new material covers more theoretical issues and contemporary developments in scholarship, including a reconsideration of the film ?The Gods Must Be Crazy?; a discussion of ?expos thnography? and its attendant political/moral positioning; and an examination of the political situation in Namibia, with a close study of the near collapse of the Nyae Nyae Development Foundation.