SUB TITLE:How Christ Can Remove Rebellion from Our Hearts

The story of the Bamburgh Sword – one of the finest swords ever forged. In 2000, archaeologist Paul Gething rediscovered a sword. An unprepossessing length of rusty metal, it had been left in a suitcase for thirty years. But Paul had a suspicion that the sword had more to tell than appeared, so he sent it for specialist tests. When the results came back, he realised that what he had in his possession was possibly the finest, and certainly the most complex, sword ever made, which had been forged in seventh-century Northumberland by an anonymous swordsmith. This is the story of the Bamburgh Sword – of how and why it was made, who made it and what it meant to the warriors and kings who wielded it over three centuries. It is also the remarkable story of the archaeologists and swordsmiths who found, studied and attempted to recreate the weapon using only the materials and technologies available to the original smith.

When bombs rained down on Pearl Harbor in 1941, Japanese American college students were among the many young men enrolled in ROTC and immediately called upon to defend the Hawaiian islands against invasion. In a few weeks, however, the military government questioned their loyalty and disarmed them. In No Sword to Bury, Franklin Odo places the largely untold story of the wartime experience of these young men in the context of the community created by their immigrant families and its relationship to the larger, white-dominated society. At the heart of the book are vivid oral histories that recall their service on the home front in the Varsity Victory Volunteers, a non-military group dedicated to public works, as well as in the segregated 442nd Regimental Combat Team. Illuminating a critical moment in ethnic identity formation among this first generation of Americans of Japanese descent (the nisei), Odo shows how the war-time service and the post-war success of these men contributed to the simplistic view of Japanese Americans as a model minority in Hawai`i.

An archeological study of burial grounds across England, shedding light on pagan executions, the Black Death, and much more. In the heart of North Yorkshire, at a place called Walkington Wold, archeologists unearthed twelve skeletons—ten without heads. Later examination revealed the place to be a cemetery for ancient Anglo-Saxons who had been sentenced to death. In the Middle Ages, those who committed suicide were subjected to desecration, a practice that went largely unrecorded. While plague pits, mass graves for victims of the Black Death, have only recently started betraying their secrets. Although unpalatable to some, these burial grounds are an important record of cultural history and social change. Burying the Dead explores how these sites reveal the attitudes, practices, and beliefs of the people who made them.

Swords don’t kill friends. Zarando does. And you better believe he’ll never forgive himself for it. Zarando is a god — or at least he answers prayers like a god. When his Agency sends him to a rainy world to answer yet another prayer, he is displeased at best. His state of mind only worsens when he finds out that the world is filled with holes — holes that aren’t supposed to be there. Accompanied by locals Miro and Jagemir, Zarando embarks on a quest to fix the holes. Because that’s his job, isn’t it? However, not everyone enjoys the idea of Zarando completing his job. What if even his own Queen doesn’t want him to succeed? And what if his friend Daevi is right, and this job is tougher than he can handle? Most importantly, what if fixing the holes isn’t his job at all?

The Age of Man has begun. The "undesirable" creatures of legend have been driven from their lands, magic has been forsaken, the old gods reduced to myth.Now humans will rule the kingdoms of the island continent of Pentania. But they are not alone. Alson's king has been assassinated, its capital besieged by a malevolent wizard. The chaos and terror now sweeping the land have come to the remote village of Diln -- sending young Jarom far from his home to seek aid against the nefarious usurper. But a mysterious council has decreed Jarom must find one of the mythical Swords of Asahiel -- the divine talismans the elven avatars used to forge the earth -- in order to save a quarrelsome, fledgling humanity. For a Demon Queen has awakened from the abyss -- and humankind is about to discover its powerlessness in the face of the ancient terrors of the world.