If twenty-five years can discover the internet, the cell phone, this thing called the iPod, can twenty-five years discover the secret of a girl murdered, abandoned, by the side of the road? That is the haunting premise of Bury This, an impressionistic literary thriller about the murder of a young girl in small-town Michigan in 1979. Beth Krause was by all intents a good little girl – member of the church choir, beloved daughter of doting parents, friend to the downtrodden. But dig a little deeper into any small town, and conflicts and jealousies begin to appear. And somewhere is that heady mix lies the answer to what really happened to Beth Krause. Her unsolved murder becomes the stuff of town legend, and twenty-five years later the case is re-ignited when a group of film students start making a documentary on Beth’s fateful life. The town has never fully healed over the loss of Beth, and the new investigation calls into light several key characters: her father, a WWII vet; her mother, once the toast of Manhattan; her best friend, abandoned by her mother and left to fend for herself against an abusive father; and the detective, just a rookie when the case broke, haunted by his inability to bring Beth’s murderer to justice. All of these passions will collide once the identity of Beth’s murderer is revealed, proving once again that some secrets can never stay buried.

A series of letters on the death of the speaker's father that investigate loss and language's limits and ability to transcend our temporal lives

This remarkable collection of twelve short stories is about the diverse folk--black and white, young and old, rich and poor, rural and sophisticated--who live in the eastern North Carolina town of Tims Creek. Among the memorable characters are Clarence Pickett, who at age three began receiving messages from beyond the grave and whose gift seems tied to a hog's ability to talk; matronly Ida Perry, haunted by a boy her judge husband may have drowned years before; Dean Williams, hired to seduce the richest black man in Times Creek, yearning after innocence while he betrays love.

Bury Your Dead is a novel about life and death—and all the mystery that remains—from #1 New York Times bestselling author Louise Penny Chief Inspector Armand Gamache is on break from duty in Three Pines to attend the famed Winter Carnival up north. He has arrived in this beautiful, freezing city not to join the revels but to recover from an investigation gone hauntingly wrong. Still, violent death is inescapable—even here, in the apparent sanctuary of the Literary and Historical Society, where one obsessive academic’s quest for answers will lead Gamache down a dark path. . . Meanwhile, Gamache is receiving disturbing news from his hometown village. Beloved bistro owner Olivier was recently convicted of murder but everyone—including Gamache—believes that he is innocent. Who is behind this sinister plot? Now it’s up to Gamache to solve this killer case. . .and relive a terrible event from his own past before he can begin to bury his dead. “Few writers in any genre can match Penny’s ability to combine heartbreak and hope.”—Publishers Weekly (starred review)

Winner of the 2017 James Laughlin Award from the Academy of American Poets Sam Sax's bury it, winner of the 2017 James Laughlin Award from the Academy of American Poets, begins with poems written in response to the spate of highly publicized young gay suicides in the summer of 2010. What follows are raw and expertly crafted meditations on death, rituals of passage, translation, desire, diaspora, and personhood. What's at stake is survival itself and the archiving of a lived and lyric history. Laughlin Award judge Tyehimba Jess says "bury it is lit with imagery and purpose that surprises and jolts at every turn. Exuberant, wild, tightly knotted mesmerisms of discovery inhabit each poem in this seethe of hunger and sacred toll of toil. A vitalizing and necessary book of poems that dig hard and lift luminously." In this phenomenal second collection of poems, sam sax invites the reader to join him in his interrogation of the bridges we cross, the bridges we burn, and bridges we must leap from.

A USA Today bestseller and book club favorite! College student Joe Talbert has the modest goal of completing a writing assignment for an English class. His task is to interview a stranger and write a brief biography of the person. With deadlines looming, Joe heads to a nearby nursing home to find a willing subject. There he meets Carl Iverson, and soon nothing in Joe's life is ever the same. Carl is a dying Vietnam veteran--and a convicted murderer. With only a few months to live, he has been medically paroled to a nursing home, after spending thirty years in prison for the crimes of rape and murder. As Joe writes about Carl's life, especially Carl's valor in Vietnam, he cannot reconcile the heroism of the soldier with the despicable acts of the convict. Joe, along with his skeptical female neighbor, throws himself into uncovering the truth, but he is hamstrung in his efforts by having to deal with his dangerously dysfunctional mother, the guilt of leaving his autistic brother vulnerable, and a haunting childhood memory. Thread by thread, Joe unravels the tapestry of Carl’s conviction. But as he and Lila dig deeper into the circumstances of the crime, the stakes grow higher. Will Joe discover the truth before it’s too late to escape the fallout?

Cub reporter Madison Jackson is young, scrappy, and hungry to prove that she deserves her coveted college internship at the premiere newspaper in town, The Boston Lede, so when her police scanner mentions a brutal murder tied to the prominent Boston Kennedys, Madison races to the crime scene, looking for the scoop of the century. What she finds instead is the woman who'll change her life forever: Dahlia Kennedy, celebrity socialite, now widow, covered in gore and the prime suspect in the murder of her husband and child. When Dahlia refuses to talk to anyone but Madison, they begin a dangerous game of cat and mouse that leads the young journalist down a twisted path. From Gaby Dunn (Bad with Money, I Hate Everyone But You) and Claire Roe (Batgirl and the Birds of Prey, Welcome Back) comes an all-new original graphic novel about the thrill of the chase and the dangers of going toe-to-toe with a potential killer.

Former Pinkerton agent Buck Trammel has made quite a name for himself in the Old West. Now he’s got to live up to his own legend—or get gutshot trying . . . Johnstone Country. The Bullets Stop Here. IF YOU CAN’T BEAT ’EM, SHOOT ’EM There are two things a man can never escape: his past and his destiny. For Buck Trammel, that past includes a fatal mistake that ended his career as a Pinkerton—and a deadly shootout with the Bower gang in a Witchita saloon. Call it luck or call it fate, but the famous Deputy Wyatt Earp was there to give Buck some advice: Run for your life. Maybe it was Earp’s warning that saved him from the gang’s wrath. Maybe it was destiny that brought him to the town of Blackstone, Wyoming, where his biggest problem is a father-son brewing war. But Trammel’s luck is about to run dry. . . The gang’s ruthless boss, Old Man Bower, knows where Trammel lives. He’s assembled a small army of gunslingers. He’s hired a Pinkerton with a grudge against Trammel. And he’s coming to town to bury the hatchet . . . Live Free. Read Hard.

#3 New York Times Advice/How-To Bestseller #7 Wall Street Journal Nonfiction Bestseller "This book is game changing in a way I have never seen in a business book. I learned about myself and gained new insights into the work I've been doing for thirty years. It is a spectacular read." – John Riccitiello, CEO, Electronic Arts This is not a management book. This is a book for managers. Ever have the feeling that no matter how rewarding your job is that there's an entirely different level of success and fulfillment available to you? Lingering in the mist, just out of reach… There is, and Stan Slap is going to help you get it. You hold in your hands the book that entirely redraws the potential of being a manager. It will show you how to gain the one competency most critical to achieving business impact, but it won't stop there. This book will put a whole new level of meaning into your job description. You will never really work for your company until your company really works for you. Bury My Heart at Conference Room B is about igniting the massive power of any manager's emotional commitment to his or her company-worth more than financial, intellectual and physical commitment combined. Sometimes companies get this from their managers in the early garage days or in times of tremendous gain, but it's almost unheard of to get it on a sustained, self-reinforced basis. Of course your company is only going to get it if you're willing to give it. Slap proves that emotional commitment comes from the ability to live your deepest personal values at work and then provides a remarkable process that allows you to use your own values to achieve tremendous success. This is not soft stuff; it is the stuff of hard-core results. Bury My Heart at Conference Room B is the highest-rated management development solution at a number of the world's highest-rated companies—companies that don't include "patience" on their list of corporate values. It has been exhaustively researched and bench tested with tens of thousands of real managers in more than seventy countries. You'll hear directly from managers about how this legendary method has transformed their careers and their lives. As Big as It Gets Stan Slap is doing nothing less than making the business case for a manager's humanity-for every manager and the companies that depend on them. Bury My Heart at Conference Room B gives managers the urgency to change their world and the energy to do it. It will stir the soul, race the heart, and throb the foot used for acceleration. Buckle Up. We're Going Off-Road. Slap is smart, provocative, wickedly funny and heartfelt. He fearlessly takes on some of the most cherished myths of management for the illogic they are and celebrates the experience of being a manager in all of its potential and potential weirdness. And he talks to managers like they really talk to themselves.