BURNING SECRET is set in an Austrian sanatorium in the 1920's. A lonely twelve-year-old boy is befriended and becomes infatuated by a suave and mysterious baron who heartlessly brushes him aside to turn his seductive attentions to the boy's mother. Stefan Zweig, the author of Beware of Pity and Confusion provides the reader, in this newly available translation, with a study of childhood on the brink of adolescence and a boy's uncontrollable jealousy and feelings of betrayal.

Best known for his biographies and his romantic novels, the novella Burning Secret is a perfect introduction to the Austrian writer. A bored baron captures the attention of a woman and her young son on holiday. But the baron's romantic overtures are frustrated by the boy's refusal to be cut out of the scene. Once "the burning secret" is revealed to him, his childhood innocence is lost.

A stunning new edition of a darkly “touching and delightful” tale of seduction, jealousy, and betrayal from the master of the novella (The New York Times) Bored on holiday at an Austrian mountain resort, the suave Baron takes a fancy to twelve-year-old Edgar’s mother. But when his initial advances are rejected, he must turn to other means to carry out his seduction. Instead, he lavishes his attention on Edgar, deploying all of his adult charms and wiles to befriend the boy and get closer to the woman he desires. The initially unsuspecting child soon senses something is amiss, but he has no idea of the burning secret that is driving the affair—and that it will soon change his life forever.

Forest ranger Jesse Kingston is more comfortable with wild things than people. But his secret pain won't stop him from returning home to uncover the mystery behind his best friend's fiery death. Even if it means dealing with the woman carrying his friend's baby.… Karen Ellis has her own reason for coming to town—Jesse. Her unborn child has the right to know the truth about its father's death, and only Jesse can help her learn it. But their investigation is stoking some dangerous embers—and igniting a firestorm of desire that not even the darkest of secrets can put out.

Things are heating up in Whispering Pines, and it’s not just the weather. Sheriff Jayne O’Shea is on edge. Hopeful applicants have taken over the commons area, all of them begging to become residents. Villagers who left long ago have returned, causing an uproar among the locals. The slow burn feud between the sister witches has reached the boiling point. And her parents are acting just plain weird. Fortunately, it’s time for the annual Beltane celebration, the last opportunity for everyone to gather before tourists invade the village for the summer. Attendees dance around the Maypole, decorate fairy chairs, weave witch ladders, and nibble Green Man cake. Good, innocent fun. Except, this year’s fire festival is being held during the driest spring the Northwoods has seen in a decade. And like bees to honey, the event has attracted an arsonist intent on burning the place to the ground one little fire at a time.

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A casual introduction, a challenge to a simple game of chess, a lovers' reunion, a meaningless infidelity: from such small seeds Zweig brings forth five startlingly tense tales--meditations on the fragility of love, the limits of obsession, the combustibility of secrets and betrayal. To read anything by Zweig is to risk addiction; in this collection the power of his writing--which, with its unabashed intensity and narrative drive, made him one of the bestselling and most acclaimed authors in the world--is clear and irresistible. Each of these stories is a bolt of experience, unforgettable and unique. Five of Stefan Zweig's most powerful novellas, containing some of his most famous and best-loved work: • Burning Secret • A Chess Story • Fear • Confusion • Journey into the Past (Stand alone paperback editions of individual novellas from Pushkin and New York Review of Books will remain in print.)

This book makes the case for unproduction studies, the study of films left unmade, unseen, or unreleased, as a radical discipline with the potential to uncover a shadow history of the American film industry. Exploring the archival methods that can be utilised in this endeavour, James Fenwick argues that a revisionist history is needed to understand the logic of the film industry, finding that it has long-been predicated on a system of unmade creativity in which finances, resources, and labour is invested into projects that production companies know will never be produced or have no intention of ever producing. Using the Production Code Administration (PCA) records, housed at the Margaret Herrick Library, as a case study, the book explores the material existence of the unmade and considers how archives and archival methods can be used to construct a shadow history that recovers the forgotten, marginalised, and overlooked figures in film history, providing explanations for structural forces that contributed to the unmade. Given its unique use of the unmade as an analytic for film history, this book will be an essential read for scholars interested in film and media history, performance studies, film production, and creative practice, as well as to archivists and archival researchers.

DigiCat Publishing presents to you this special edition of "The World of Yesterday" by Stefan Zweig. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.