Out of print for almost a decade, we are thrilled to bring back one of our most requested hard-to-find titlesphilosopher and cultural theorist Paul Virilio's Bunker Archeology. In 1994 we published the first English-language translation of the classic French edition of 1975, which accompanied an exhibition of Virilio's photographs at the Centre Pompidou. In Bunker Archeology, urbanist Paul Virilio turns his attentionand camerato the ominous yet strangely compelling German bunkers that lie abandoned along the coast of France. These ghostly reminders of destruction and oppression prompted Virilio to consider the nature of war and existence, in relation to both World War II and contemporary times. Virilio discusses fortresses and military space in general as well as the bunkers themselves, including an examination of the role of Albert Speer, Hitler's architect, in the rise of the Third Reich.

Henri Duday is Director of Research for CNRS at the University of Bordeaux. The Archaeology of the Dead is based on an intensive specialist course in burial archaeology given by Duday in Rome in November 2004. The primary aim of the project was to contribute to the development of common procedures for excavation, data collection and study of Roman cemeteries of the imperial period. Translated into English by Anna Maria Cipriani and John Pearce, this book looks at the way in which the analysis of skeletons can allow us to re-discover the lives of people who came before us and inform us of their view of death. Duday throughly examines the means at our disposal to allow the dead to speak, as well as identifying the pitfalls that may deceive us.

Stone and brick tombs were repositories for the physical remains of many of Connecticut’s wealthiest and influential families. The desire was to be interred within burial vaults rather than have their wooden coffins laid into the earth in direct contact with crushing soil burden led many prominent families to construct large above-ground and semi-subterranean tombs, usually burrowed into the sides of hills as places of interment for their dead. "And So The Tomb Remains" tells the stories of the Connecticut State Archaeologist’s investigations into five 18th/19th century family tombs: the sepulchers of Squire Elisha Pitkin, Center Cemetery, East Hartford; Gershom Bulkeley, Ancient Burying Ground, Colchester; Samuel and Martha Huntington, Norwichtown Cemetery, Norwich; Henry Chauncey, Indian Hill Cemetery, Middletown; and Edwin D. Morgan, Cedar Hill Cemetery, Hartford. In all of these cases, the state archaeologist assisted in identifying and restoring human skeletal remains to their original burial placements when vandalized through occult rituals or contributed to the identification of unrecorded burials during restoration projects. Each investigative delves into family histories and genealogies, as well as archaeological and forensic sciences that helped identify the entombed and is told in a personal, story-telling approach. Written in essay form, each investigation highlights differing aspects of research in mortuary architecture and cemetery landscaping, public health, restoration efforts, crime scene investigations, and occult activities. These five case studies began either as “history mysteries” or as crime scene investigations. Since historic tombs were occupied by social and economic elites, forensic studies provide an opportunity to investigate the health and life stress pathologies of the wealthiest citizens in Connecticut’s historic past, while offering comparisons to the wellbeing of lower socio-economic populations.

Human societies have disposed of their dead in a variety of ways. However, while considerable attention has been paid to bodies that were buried, comparatively little work has been devoted to understanding the nature of cremated remains, despite their visibility through time. It has been argued that this is the result of decades of misunderstanding regarding the potential information that this material holds, combined with properties that make burned bone inherently difficult to analyse. As such, there is a considerable body of knowledge on the concepts and practices of inhumation yet our understanding of cremation ritual and practice is by comparison, woefully inadequate. This timely volume therefore draws together the inventive methodology that has been developed for this material and combines it with a fuller interpretation of the archaeological funerary context. It demonstrates how an innovative methodology, when applied to a challenging material, can produce new and exciting interpretations of archaeological sites and funerary contexts. The reader is introduced to the nature of burned human remains and the destructive effect that fire can have on the body. Subsequent chapters describe important cremation practices and sites from around the world and from the Neolithic period to the modern day. By emphasising the need for a robust methodology combined with a nuanced interpretation, it is possible to begin to appreciate the significance and wide-spread adoption of this practice of dealing with the dead.

A critic of the art of technology, Paul Virilio has taught us that much media image is a strategy of war and that accident is becoming indistinguishable from attack. In these times of fierce conflict over which kind of capitalism is to take over the shrinking globe, and indeed which modernities we will live in during the twenty-first century, Paul Virilio is a significant contemporary theorist. But Virilio's work, originally published in French and stretching back to the 1950s, has until now been very difficult to access in full in English translation, available as it is in expensive little books or obscure catalogues and journals. The Paul Virilio Reader collects together for the first time readable extracts of Virilio's work from the entire range of his career. It is prefaced by an editorial introduction showing that Virilio has produced important - if controversial - 'theory at the speed of light' that can uncannily illuminate the impact of new information and communications technologies in a world which collapses time and distance as never before. Features* Extracts have been carefully selected to reflect the whole of Virilio's diverse career* A chronological ordering illustrates the development, and interconnectedness, of Virilio's work* Each extract is prefaced by a bibliographical and contextual commentary, and the book is completed by an innovative guide to reading Virilio.

Communities in Contact represents the outcome of the Fourth International Leiden in the Caribbean symposium entitled From Prehistory to Ethnography in the circum-Caribbean. The contributions included in this volume cover a wide range of topics from a variety of disciplines - archaeology, bioarchaeology, ethnohistory and ethnography - revolving around the themes of mobility and exchange, culture contact, and settlement and community. The application of innovative approaches and the multi-dimensional character of these essays have provided exiting new perspectives on the indigenous communities of the circum-Caribbean and Amazonian regions throughout prehistory until the present.

Community Archaeology is an assessment of the aims, results and validity of the broad spectrum of community archaeology initiatives taking place today. The project arose from a shared belief in cooperation between professional and non-professional archaeologists and the belief that archaeology does not have to take place in private between consenting companies. The 15 papers presented here are startlingly and pleasingly diverse, drawing on the expertise and experience of student archaeologists, academics, professionals, amateurs, educators and independent practitioners. A number of interesting common themes emerge, including general theoretical reflections on the nature and significance of community archaeology, education (which highlights the common concentration on excavation within community archaeology and the concomitant neglect of post-excavation work), funding and sustainability, namely the dichotomy between one-off or medium-term projects that are funded and long-term projects that tend to be staffed by volunteers. As well as the difficulties involved, the collection also highlights the pleasures and emotional dimensions of engaging with material remains of the past.

Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.

The analysis of animal bone assemblages from archaeological sites provides much valuable data concerning economic and husbandry practices in the past, as well as insights into cultural and symbolic or ritual activity. Animal palaeopathology can identify diseases in archaeozoological assemblages but little interest has been expressed in investigating and understanding the cultural aspects of the diseases identified. Such assemblages represent the cumulative effects of human attitudes, decisions and influences regarding the keeping, care, treatment, neglect and exploitation of animals which result in a range of conditions, non-infectious diseases and injuries that can be recognised on ancient skeletal material. Additionally, ever since the domestication of a handful of animal species around 10,000 years ago, close physical proximity has been a mutual source of infectious disease and traumatic injury for humans and animals alike. Shuffling Nags, Lame Ducks provides an invaluable guide to the investigation of trauma and disease in archaeozoological assemblages. It provides a clear methodological approach, and describes and explains the wide range of traumatic lesions, infections, diseases, inherited disorders and other pathological changes and anomalies that can be identified. In so doing, it explores the impact that “man-made” decisions have had on animals, including special aspects of culture that may be reflected in the treatment of diseased or injured animals often incorporating powerful symbolic or religious roles, and seeks to enhance our understanding of the relationship between man and beast in the past. Chapters include: · History of studying pathological animal remains · Differences between human and animal palaeopathology · Methodology · Growth, development and ageing · Traumatic lesions · Inflammatory diseases and bone · Pathological lesions in working animals · Diseases connected to the environment