“Twenty-one years after its first ever resource and reference book on children’s literature in the Philippines, the Philippine Board on Books for Young People (PBBY) again offers readers a second look at where Philippine children’s literature is today: the huge strides it has taken and the many more fascinating destinations it has set its sights on.”

In this first ever resource and reference book on children’s literature in the Philippines, Anvil Publishing and Philippine Board on Books for Young People (PBBY) show the wisdom and pleasure of writing, illustrating for children, and reading by children. Not only it promotes children’s literature, but this resource also explains the general procedure in publishing and how can writers get the break that they need.

This volume provides a key analysis of Asian children’s literature and film and creates a dialogue between East and West and between the cultures from which they emerge, within the complex symbiosis of their local, national and transnational frameworks. In terms of location and content the book embraces a broad scope, including contributions related to the Asian-American diaspora, China, India, Indonesia, Iran, Japan, Malaysia, the Philippines, South Korea, Sri Lanka, and Taiwan. Individually and collectively, these essays broach crucial questions: What elements of Asian literature and film make them distinctive, both within their own specific culture and within the broader Asian area? What aspects link them to these genres in other parts of the world? How have they represented and shaped the societies and cultures they inhabit? What moral codes do they address, underpin, or contest? The volume provides further voice to the increasingly diverse and fascinating output of the region and emphasises the importance of Asian art forms as depictions of specific cultures but also of their connection to broader themes in children’s texts, and scholarship within this field.

From the forests of the tales of the Brothers Grimm to Enid Blyton’s The Faraway Tree, from the flowers of Cicely May Barker’s fairies to the treehouse in Andy Griffith and Terry Denton’s popular 13-Storey Treehouse series, trees and other plants have been enduring features of stories for children and young adults. Plants act as gateways to other worlds, as liminal spaces, as markers of permanence and change, and as metonyms of childhood and adolescence. This anthology is the first compilation devoted entirely to analysis of the representation of plants in children’s and young adult literatures, reflecting the recent surge of interest in cultural plant studies within the environmental humanities. Mapping out and presenting an internationally inclusive view of plant representation in texts for children and young adults, the volume includes contributions examining European, American, Australian, and Asian literatures and contributes to the research fields of ecocriticism, critical plant studies, and the study of children’s and young adult literatures.

"If this book were a house, the rooms would be filled with warmth, family, and friendship." --Erin Entrada Kelly, author of the Newbery Medal winner Hello, Universe; The Land of Forgotten Girls; and Blackbird Fly A coming-of-age story that explores culture and family, forgiveness and friendship, and what makes a true home. Perfect for fans of Wendy Mass and Joan Bauer. Lou Bulosan-Nelson has the ultimate summer DIY project. She's going to build her own "tiny house," 100 square feet all her own. She shares a room with her mom in her grandmother's house, and longs for a place where she can escape her crazy but lovable extended Filipino family. Lou enjoys her woodshop class and creating projects, and she plans to build the house on land she inherited from her dad, who died before she was born. But then she finds out that the land may not be hers for much longer. Lou discovers it's not easy to save her land, or to build a house. But she won't give up; with the help of friends and relatives, her dream begins to take shape, and she learns the deeper meaning of home and family. AN NPR BEST BOOK OF THE YEAR A KIRKUS REVIEWS BEST BOOK OF THE YEAR "Equal parts girl-heart, muscle and know-how for today's reader. Endearing to the end." --Rita Williams-Garcia, Newbery-Honor-and-Coretta-Scott King -Award-winning author of the National Book Award Finalist Clayton Byrd Goes Underground "Warm, funny and affirming. As we get to know Lou, her extended Filipino family, and friends, the door opens into her life and, ultimately, her home." --Lisa Yee, author of the Millicent Min trilogy, The Kidney Hypothetical, the DC Super Hero Girls series, and other books "There couldn't be a hero more determined, resourceful or lovable than Lucinda Bulosan-Nelson. Her big dream of a tiny house is irresistible." --Tricia Springstubb, author of Every Single Second, What Happened on Fox Street, Moonpenny Island, and the Cody series "I fell in love with Lou and her wonderful extended family. This story may be about a tiny house, but it has an enormous heart." --Kate Messner, author of The Exact Location of Home

A Child of Sorrow (1921) is a novel by Zoilo Galang. The novel, Galang’s debut, has been recognized as the first work of published Filipino fiction written in English. Modeled after popular nineteenth century romances written in Spanish and Tagalog, A Child of Sorrow is a classic coming of age tale engaged with themes of friendship, desire, and the loss of innocence. Simple and heartfelt, A Child of Sorrow remains a groundbreaking work of literature from an author who dedicated his career to education and the arts. “In one of the rural and sequestered plains of Central Luzon, called the Fertile Valley, where the rice fields yielded the cup of joy to the industrious farmers, and where the harvest filled aplenty the barns of the poor, there lived simple, homely people, free from the rush and stir of city life.” In this idyllic setting, Lucio and Camilo discuss their plans for summer vacation. While Lucio, a dreamer “who painted brilliant lives on the nice canvas of memory,” wants to immerse himself in his collection of books, Camilo wants his friend to join him in the world beyond words. Together, they take a trip into town, hoping for adventure and camaraderie—and, if possible, to meet a young woman to fall in love with. Despite Camilo’s encouragement, however, Lucio longs to write poetry, to commune with the natural world with nothing but his own thoughts to keep him company. One bright morning, he runs into Rosa returning home with a pitcher of water. Before he can collect himself, Lucio confesses his undying love. With a beautifully designed cover and professionally typeset manuscript, this edition of Zoilo Galang’s A Child of Sorrow is a classic work of Filipino literature reimagined for modern readers.