Buildings Used takes the reader on an exploration into the impact of use on buildings and users. While most histories and theories of architecture focus on a building’s conception, design, and realization, this book argues that its identity is formed after its completion through use; and that the cultural and psychological effects of its use on those inhabiting it are profound. Across eight investigative chapters, authors Nora Lefa and Pavlos Lefas propose that use should not be understood merely as function. Instead, this book argues that we also use buildings by creating, destroying or appropriating them, and discusses a series of philosophical, cultural and design issues related to use. Buildings Used would appeal to students and scholars in architectural theory, history and cultural studies.

Describes the art and technique of how things are built, from mud huts to city skyscrapers.

This survey provides a unique overview of 1,000-years of architectural development.

A well-illustrated survey of some of the world's most extreme and sometimes weird buildings and structures. Some are personal expressions and follies, others are innovative and iconic masterpieces by architects, all are intriguing.

Introduces shapes, including squares, triangles, circles, and rectangles, and presents images of buildings that employ these shapes in their architecture.

Learn to apply the International Building Code and International Existing Building Code to historic buildings Written for architects, engineers, preservation, and code enforcement professionals, this is the only comprehensive book that examines how the International Building Code (IBC) and the International Existing Building Code (IEBC) can be applied to historic and existing buildings. For ease of use, the book is organized to parallel the structure of the IEBC itself, and the approach is cumulative, with the objective of promoting an understanding of the art of applying building regulations to the environment of existing buildings. Building Codes for Existing and Historic Buildings begins with a discussion of the history of building regulations in the United States and the events and conditions that created them. Next, it provides thorough coverage of: The rationale behind code provisions and historic preservation principles Major building code requirements: occupancy and use, types of construction, and heights and areas Building performance characteristics: fire and life safety, structural safety, health and hygiene, accident prevention, accessibility, and energy conservation Case study projects that reinforce the material covered Additionally, the book includes building analysis worksheets both blank and filled-in versions with examples that illustrate how to develop a code approach for an individual building. If you are a professional at any level who is working on creating a plan that meets the intent of the code for historic or existing buildings, Building Codes for Existing and Historic Buildings gives you everything that you need to succeed.

From the very beginning of architecture-long before the invention of masonry-buildings were constructed of wood. With its unique qualities of form, color, and structure, wood is the most reliable building material at the core of architecture. This epic history is the first comprehensive survey of the use of wood in architecture throughout the ages.The book is organized both chronologically and geographically. It surveys works from the oldest heritage of wooden buildings (Kyoto's Buddhist temples and Scandinavia's pagan-inspired stave churches) to the latest cutting-edge designs, proving that wood is on the rise as the preferred material in these ecologically conscious times.No region of the world with a native tradition of building with wood is left out. In North America, the book demonstrates the European origins of New England's clapboards and saltboxes, and later shows how such sophisticated California architects as Greene & Greene or Bernard Maybeck could blend age-old traditions of the Far East and Switzerland with a Pacific Coast sense of novelty and whimsy. Spectacular and diverse photographs highlight the architectural masterpieces of wooden architecture throughout the world, illustrating that wood is a building material with a deep history as well as a vibrant future.

An "anatomical" study of building systems integration with guidelines for practical applications Through a systems approach to buildings, Integrated Buildings: The Systems Basis of Architecture details the practice of integration to bridge the gap between the design intentions and technical demands of building projects. Analytic methods are introduced that illustrate the value, benefit, and application of systems integration, as well as guidelines for selecting technical systems in the conceptual, schematic, and design development stages of projects. Landmark structures such as Eero Saarinen's John Deere Headquarters, Renzo Piano's Kansai International Airport, Glenn Murcutt's Magney House, and Richard Rogers's Lloyd's of London headquarters are presented as part of an extensive collection of case studies organized into seven categories: Laboratories Offices Pavilions Green Architecture High Tech Architecture Airport Terminals Residential Architecture Advanced material is provided on methods of integration, including an overview of integration topics, the systems basis of architecture, and the integration potential of various building systems. An expanded case study of Ibsen Nelsen's design for the Pacific Museum of Flight is used to demonstrate case study methods for tracing integration through any work of architecture. Visually enhanced with more than 300 illustrations, diagrams, and photographs, Integrated Buildings: The Systems Basis of Architecture is a valuable reference guide for architecture and civil engineering students, as well as architects, engineers, and other professionals in the construction industry.

Identifying the operative ideas in architectural theory from ancient Rome to the present and codifying them into coherent theoretical systems; for students, practitioners, and the general reader. In Ideas That Shaped Buildings, Fil Hearn identifies and codifies into theoretical systems the operative tenets of architectural theory from ancient Rome to the present. With this strikingly original synthesis of architectural history and theory, he constructs an intellectual armature on which virtually any architectural concept, past or present, can be positioned. Dealing mainly with the treatises that have been highly influential historically, he organizes their concepts thematically and analyzes their development through time. Straightforward and concise, Ideas That Shaped Buildings is readily accessible to architecture students, practicing architects, and the general public—indeed anyone interested in understanding the design rationale of buildings. Its overarching message is that, far from being constricting, proper knowledge and application of architectural theory is enabling and inspiring, and makes creative freedom possible by providing the conceptual awareness needed to devise a design. After an introductory history of the development of architectural theory, the text is divided into four parts. The first deals with issues relevant to all theories of architecture. The second, treating theory from antiquity to 1800, focuses on the prescriptive conventions inherent in the classical tradition. The third, treating theory after 1800, focuses on the inspirational principles prompted by rationalist perceptions of the Gothic tradition. The fourth, treating theory since 1965, deals with rationales beyond rationalism and the influence of computers on design method and design formulation. The concepts discussed are illustrated with theoretical drawings and images of actual buildings.

Three photographic essays offer a study of the neglected "nooks and crannies" between structures, from gates and fences to sidewalks, alleys, and parking lots. In his exploration of how spaces become places, geographer Ford invites readers to see anew the spaces they encounter every day and often take for granted. 52 halftones.