Rhode Island is the smallest state in the union: slightly more than 1,200 square miles, 14 percent of which is taken up by the waters of Narragansett Bay. Yet this tiny enclave contains one of the richest concentrations of important historical architecture to be found anywhere in the United States. Buildings of Rhode Island, the ninth volume in the Society of Architectural Historians' Buildings of the United States series, is a guide to this heritage. Covering the state's thirty-nine cities and towns in some 900 building entries accompanied by approximately 330 illustrations and 55 maps, it combines the comprehensive approach that is a hallmark of the series with a special perspective on Rhode Island's built environment. It is one of the last works of esteemed historian of American architecture William H. Jordy, edited and updated by two of his collaborators and contributors for the volume, Ronald J. Onorato and William McKenzie Woodward. lThe volume covers not only Rhode Island's most important architecture, but also a substantial selection of lesser structures chosen for their distinction or uniqueness. It traces the legacy of nineteenth-century industrialists from their Providence mansions to the cultural and educational institutions they financed to the mills that generated their fortunes to the communities that they built (and in some cases designed) for their workers. Extensive entries on Newport's civic buildings and palatial "cottages" follow finely tuned comparisons among examples of modest vernacular building types found in villages and rural areas throughout Rhode Island. The book also tours the lighthouses, coastal fortifications, and summer enclaves of the Ocean State. The individual entries of Buildings of Rhode Island accumulate as a compelling narrative rooted in William Jordy's years of intimate association with the state and its architecture. Rich in substance, luminous and lucid in insights, his observations also have a lively immediacy that gives a sense of direct encounter with the buildings. We experience their qualities as though standing before the building, then moving around it and sometimes through it. In such a compact territory, fascinating interrelationships among building histories, including links among the architects and clients responsible for the state's building heritage, are especially evident. THE BUILDINGS OF THE UNITED STATES SERIES Sponsored by the Society of Architectural Historians, Buildings of the United States is a series that the New York Times called "one of the most ambitious in publishing history." This is the ninth volume to be published; the full series will include fifty-eight volumes, organized on a state-by-state basis, that together will serve as a valuable resource for scholarship in American architectural history, teaching, preservation, and urban planning and as an indispensable guidebook for general readers interested in their architectural surroundings.

Dave Brussat has made a significant contribution to the history of Providence. For those interested in that history, Lost Providence is a real find. Providence Journal Providence has one of the nation's most intact historic downtowns and is one of America's most beautiful cities. The history of architectural change in the city is one of lost buildings, urban renewal plans and challenges to preservation. The Narragansett Hotel, a lost city icon, hosted many famous guests and was demolished in 1960. The American classical renaissance expressed itself in the Providence National Bank, tragically demolished in 2005. Urban renewal plans such as the Downtown Providence plan and the College Hill plan threatened the city in the mid-twentieth century. Providence eventually embraced its heritage through plans like the River Relocation Project that revitalized the city's waterfront and the Downcity Plan that revitalized its downtown. Author David Brussat chronicles the trials and triumphs of Providence's urban development.

This survey provides a unique overview of 1,000-years of architectural development.

Architectural Guide with eleven walking and driving tours.

Founded in 1764 as the College of Rhode Island in the town of Warren, Brown University was the seventh in a series of Colonial higher-learning institutions that now make up the Ivy League. The university moved to its current location overlooking Providence on College Hill in 1770 and was renamed in 1804 in recognition of a $5,000 gift from prominent businessman and alumnus Nicholas Brown. Today, the Brown campus, consisting of 235 buildings on 143 acres, is a tapestry of American architectural styles from pre-Colonial to modern. In Brown University, the newest volume in our acclaimed Campus Guide series, Raymond P. Rhinehart (class of '62) takes readers on nine architectural walks to more than one hundred campus landmarks—from the red-bricked University Hall (1770) to the state-of-the-art Warren Alpert Medical School (2001). With students, alumni, and visitors in mind, the guide showcases the role that Brown has played in the history of campus architecture and the developing urban fabric of Providence.

Incorporating more than 3,000 illustrations, Kornwolf's work conveys the full range of the colonial encounter with the continent's geography, from the high forms of architecture through formal landscape design and town planning. From these pages emerge the fine arts of environmental design, an understanding of the political and economic events that helped to determine settlement in North America, an appreciation of the various architectural and landscape forms that the settlers created, and an awareness of the diversity of the continent's geography and its peoples. Considering the humblest buildings along with the mansions of the wealthy and powerful, public buildings, forts, and churches, Kornwolf captures the true dynamism and diversity of colonial communities - their rivalries and frictions, their outlooks and attitudes - as they extended their hold on the land.

A heartfelt coming-of-age memoir about taking the unbeaten path, owning a home, and holding it all—including yourself—together. Detouring from the traditional timeline of marriage-kids-house, twenty-six-year-old Vikki Warner skips straight to homeownership. She buys a downtrodden three-story house in Providence, Rhode Island, and suddenly finds herself responsible for a rotating cast of colorful tenants. Adulthood comes with unforeseen challenges: backed-up sewage, gentrification, global economic downturn. A candid portrait of how sharing space profoundly reshapes our lives, and forces us to grow into ourselves. “Forget the marriage plot; 26-year-old Warner is after a plot of land…. [An] ebullient memoir.”—O, The Oprah Magazine “Refreshingly original reading.”—Kirkus Reviews “A thoughtful meditation on communal living and urban identity…. Quirky and fun.”—The Providence Monthly “Wry, smart, personal, and pretty damn punk rock.”—Kate Schatz, author of Rad Women Worldwide “Cheers to Vikki Warner, whose tenacious and inspiring coming-of-age story gives voice to a new generation of independent women and grown-ass boss ladies.”—Margot Kahn, coeditor of This is the Place “Full of color, life, and that special type of real, earned wisdom that only comes with taking risks and trusting completely in your own young self.”—Kate Bolick, author of Spinster: Making a Life of One's Own “An ode to the messiness of life, Tenemental is the incredibly raw, touching, and laugh-out-loud story of a woman figuring out how to get by in the world.”—Emma Ramadan, co-owner of Riffraff Bookstore