Beautifully told by Tracey Fern and warmly illustrated by Caldecott Honor winner Lauren Castillo, this is the story of one woman's quest to save the buffalo that once roamed the West. Based on the work of Mary Ann Goodnight, a pioneer credited with forming one of the first captive buffalo herds in the late 1800s and saving them from extinction.

History of Buffalo Music & Entertainment from the 1830s to the early 1980s. Covering Canal Street & Christy's Minstrels, The Pan-American Exposition, Theaters (vaudeville, burlesque & movie), Crystal Beach & other amusement parks, Nightclubs of the 1930s - 1960s, Big Band Jazz, early radio & television, Classical Music, 1950s rock 'n' roll bands & radio, Folk Music, 1960s Buffalo Sound Bands, 1960s Teen Club Bands, Behind the Scenes (music education, music businesses & manufacturers), music clubs in the 1960s & 1970s, The 1970s rock & commercial rock bands, Original Music Scene, Jazz, Blues & R&B in the 1970s & early 1980s, Country Music, Ethnic Music (German, Irish & Polish), bands and clubs of the early 1980s and over 125 historic photos.

Gordon explains how to incorporate his music learning theory in a middle school, high school, college, or university setting.

Eddie Levy relates how he and his four friends who are involved in a blues band change as their music does.

How do children learn music? And how can music teachers help children to become independent and self-sufficient musical thinkers? Author Eric Bluestine sheds light on these issues in music education.

This book is an invaluable chronicle of an exuberant time of artistic exploration and experimentation populated by now legendary figures such as John Cage, Morton Feldman, Cornelius Cardew, Terry Riley, Julius Eastman, David Tudor, and many others who were part of this under-known chapter of late 20th century music history. Levine Packer brings it to life once again.

Norton Buffalo is considered one of the great harmonica players of the last 50 years. He started playing with the Steve Miller Band in 1976 and continued to play with the band until he died of cancer in 2009. Kim Smith Miller was the principal photographer of the Steve Miller Band from 1982 to 2012, during which time she took thousands of photographs of Norton. Known for capturing the emotional spirit of her subjects, Kim brings Norton to life through a selection of her photographs. Her photographs are augmented by essays by fellow band-members Kenny Lee Lewis and Steve Miller, as well as by in-depth interviews with Kim Miller and harpist Curtis Salgado by curator Ian Boyden.

Walking Coyote placed his cheek against the frightened buffalo calf's side and sang softly. Lone survivor of a herd slaughtered by white hunters, the calf was one of several buffalo orphans Walking Coyote had adopted and was raising on the Flathead Reservation in Montana. For thousands of years massive herds of buffalo roamed across much of North America, but by the 1870s fewer than fifteen hundred animals remained. Hunted to the brink of extinction, the buffalo would have vanished if not for the diligent care of Walking Coyote and his family. Here is the inspiring story of the first efforts to save the buffalo, an animal sacred to Native Americans and a powerful symbol of the American west. From the foresight and dedication of individuals like Walking Coyote came the eventual survival of these majestic animals, one of the great success stories of endangered species rescue in United States history.

The decaying industrial rust-belt city of Buffalo, NY had a vibrant punk/new-wave art & music scene that started in the late '70's and continued into the 2000's. The Goo Goo Dolls and 10,000 Maniacs were two Western New York bands that went on to international fame while others had to settle for status as local legends. In August of 2018, Robby Takac, of the Goo Goo Dolls, presented a show at his GCR Audio Studio Gallery in Buffalo that renewed interest in the vintage rock posters and flyers from that era. The show was organized and curated by Don Keller a local illustrator, artist and former nightclub owner. Keller asked fellow artist, Karl Kotas, a former Buffalo native now living in New York City, to contribute his work from that era, and Karl came up with the idea to document and archive the collection into a large-format paperback. This book is the result of that collaboration. Collected from band members and the poster artists themselves, these flyers, handbills and posters seen together create a comprehensive time-capsule of a wild and crazy history of Buffalo's pop culture. The wit, wisdom, humor and satire of these printed peices of throwaway art make a compelling case that Buffalo might have had a rock scene that was just as good, and certainly as much fun, as Seattle, Austin, Chicago or even San Francisco, Los Angeles and New York City. Included are works by well-known Western New York artists like David Kane, Mark Freeland, Don Keller, Karl Kotas, Mark Wisz, Ed Besch, Bud Redding, candio, as well as other anonymous artists and band members. Groups included are: Goo Goo Dolls, The Fems,10,000 Maniacs, Electroman, Erectronics, Paper Faces, Green Jelly, Famous Blue Raincoat, Funk Monsters & Woman, Trek With Quintronic, The Headhunters, Splatcats, Factor, Full Of Grace, Consorting Angels, The Tails, Jacklords, Homeboy Sacred, ELK, Pluto Gang, David Watts, Dolly Dew & The Weiner, Crawlspace, Asleep In Church, Blaze of Glory, Tension, The Pinheads, Nullstadt, and many more. Clubs and venues featured include: The Continental, Crash, Icon, Adventure Club, Scrapyard, Uncle Sam's, The Tralfamadore, Nietzches, Goodbar, Schooners, McVans, Jingles, Cabaret 650, Hat Trick, Artist's and Models Affair and others.