In this intriguing tale (not for children), storyteller extraordinaire Ursula K. Le Guin explores the magic of animals. Her animal characters -- from the irreverent trickster Coyote to the wise matriarch Grandmother Spider -- seem like people to us, just as they do to the little girl who finds herself living among them. We learn, with the girl, that these "Old People" once lived freely on the earth but now must maintain their lifeways carefully alongside the "New People" -- humans. Susan Seddon Boulet chose this tale to illustrate, completing twenty works for its publication. They are extremely effective in bringing Le Guin's characters to life, imbuing them, of course, with Boulet's singular vision of the otherworldly realms occupied by animal spirits. This book is a must for any serious collector of Boulet art.

Fifteen-year-old Amanda's refined life in early twentieth-century San Francisco is disrupted when she grudgingly accompanies her mother to the Oklahoma Territory on a crusade to save the buffalo.

The title story portrays the birth of democracy in Eastern Europe, Standing Ground is set in an abortion clinic and features a teenage girl, and the story, Poacher, offers a new twist on Sleeping Beauty.

A strange old woman caked in Montana mud pens a letter to her darling daughter back East—the writer's name is Martha Jane, but her friends call her Calamity... I am the Wild West, no show about it. I was one of the people who kept it wild. Larry McMurtry returns to the territory of his Pulitzer Prize–winning masterwork, Lonesome Dove, to sing the song of Calamity Jane's last ride. In a letter to her daughter back East, Martha Jane is not shy about her own importance. Martha Jane—better known as Calamity—is just one of the handful of aging legends who travel to London as part of Buffalo Bill Cody's Wild West Show in Buffalo Girls. As he describes the insatiable curiosity of Calamity's Indian friend No Ears, Annie Oakley's shooting match with Lord Windhouveren, and other highlights of the tour, McMurtry turns the story of a band of hardy, irrepressible survivors into an unforgettable portrait of love, fellowship, dreams, and heartbreak.

The first book devoted entirely to women in bluegrass, Pretty Good for a Girl documents the lives of more than seventy women whose vibrant contributions to the development of bluegrass have been, for the most part, overlooked. Accessibly written and organized by decade, the book begins with Sally Ann Forrester, who played accordion and sang with Bill Monroe's Blue Grass Boys from 1943 to 1946, and continues into the present with artists such as Alison Krauss, Rhonda Vincent, and the Dixie Chicks. Drawing from extensive interviews, well-known banjoist Murphy Hicks Henry gives voice to women performers and innovators throughout bluegrass's history, including such pioneers as Bessie Lee Mauldin, Wilma Lee Cooper, and Roni and Donna Stoneman; family bands including the Lewises, Whites, and McLains; and later pathbreaking performers such as the Buffalo Gals and other all-girl bands, Laurie Lewis, Lynn Morris, Missy Raines, and many others.

Profiles a number of women sharpshooters, bronco riders, and dancers who were part of Buffalo Bill Cody's Wild West Shows including Lillian Smith, Lulu Parr, and Annie Oakley, and chronicles their achievements.

Collection of all her stories on animal themes. The title story won both the Hugo Award and the World Fantasy Award in 1988.

'I couldn't put this book down. Malcolm inspired us to make art out of our boredom and anger. He set us free' Bobby Gillespie, Primal Scream Included in the Guardian 10 best music biographies 'Excellent . . . With this book, Gorman convincingly moves away from the ossified image of McLaren as a great rock'n'roll swindler, a morally bankrupt punk Mephistopheles, and closer towards his art-school roots, his love of ideas. Tiresome, unpleasant, even cruel - he was, this book underlines, never boring' Sunday Times 'Exhaustive . . . compelling' Observer 'Definitive . . . epic' The Times 'Gobsmacker of a biography' Telegraph 'This masterful and painstaking biography opens its doorway to an era of fluorescent disenchantment and outlandish possibility' Alan Moore Malcolm McLaren was one of the most culturally significant but misunderstood figures of the modern era. Ten years after his life was cruelly cut short by cancer, The Life & Times of Malcolm McLaren sheds fascinating new light on the public achievements and private life of this cultural iconoclast and architect of punk, whose championing of street culture movements including hip-hop and Voguing reverberates to this day. With exclusive contributions from friends and intimates and access to private papers and family documents, this biography uncovers the true story behind this complicated figure. McLaren first achieved public prominence as a rebellious art student by making the news in 1966 after being arrested for burning the US flag in front of the American Embassy in London. He maintained this incendiary reputation by fast-tracking vanguard and left-field ideas to the centre of the media glare, via his creation and stewardship of the Sex Pistols and work with Adam Ant, Boy George and Bow Wow Wow. Meanwhile McLaren's ground-breaking design partnership with Vivienne Westwood and his creation of their visionary series of boutiques in the 1970s and early '80s sent shockwaves through the fashion industry. The Life & Times of Malcolm McLaren also essays McLaren's exasperating Hollywood years when he broke bread with the likes of Steven Spielberg though his slate of projects, which included the controversial Heavy Metal Surf Nazis and Wilde West, in which Oscar Wilde introduced rock'n'roll to the American mid-west in the 1880s, proved too rich for the play-it-safe film business. With a preface by Alan Moore, who collaborated with McLaren on the unrealised film project Fashion Beast, and an essay by Lou Stoppard casting a twenty-first-century perspective over his achievements, The Life & Times Of Malcolm McLaren is the explosive and definitive account of the man dubbed by Melvyn Bragg 'the Diaghilev of punk'.

Experience the wonderful world of storytelling and unique humor of traditional folk music with this collection of classics songs passed down from generation to generation.

Growing up in frigid Buffalo, New York, Laura Pederson's family feared rising gas prices and energy costs. But by high school graduation, she was prepared to seek her fortune on Wall Street--a became a millionaire by age 21. Combining laugh-out-loud humor with a slice of social history, Pederson paints a vivid portrait of her journey.