Buenos Aires, Argentina, recognized for its European-style architecture and lively theater scene, is a truly special place. The second-largest city in South America, it has been the home of such renowned cultural and historical figures as Jorge Luis Borges and Astor Piazzola, Che Guevara and Eva Peron. Like every truly great city, New York, London and Prague; Buenos Aires is its own universe, with its own center of gravity, its own scents and flavors, its own architectural signature-in short, its own way of being. From San Telmo's oak-paneled restaurants and brightly tiled apothecaries from 1900, and the phantasmagoric Beaux Arts palaces along Avenida Alvear and Plaza San Martin, to the parks of Palermo and the bustling bars and cafes along Corrientes and LaValle, Buenos Aires is steeped in exotic culture and history. In Buenos Aires, Art and culture critic James Gardner offers a colorful biography of the "Paris of the South," from its origins and time as a colonial city, through its Golden age, the rise of Peron, and the Falklands War, to the present day. With entertaining asides about art, architecture, literature, food and dance, as well as local customs and colorful personalities, this is a rich and unique historical narrative of Buenos Aires.

A colorful and entertaining account of Buenos Aires—one of the most beautiful and culturally rich cities in the world, and a major tourist destination.

When night falls in Buenos Aires, the city comes alive. Artists flock to cafes and dives to exchange ideas, listen to music, watch outré performance art, pen poetry, fall in love. In these raucous, smoke-filled rooms, the bohemian heart and soul of this vibrant city, a conflagration of creative energy burns. With the improvisational pacing of a jazz performance, Beatnik Buenos Aires follows the lives of writers, painters, musicians, sculptors, and performers as they wind their way through these hubs of creative life, seeking out inspiration and grappling with their craft. Set in 1963, this graphic novel celebrates a time in Argentine history when its art scene blossomed.

VCU CABELL FIRST NOVELIST AWARD FINALIST CENTER FOR FICTION FIRST NOVEL PRIZE LONGLIST “A debut novel as impressive as they come. Tough, wily, dreamlike.” —Seattle Times A decade after fleeing for his life, a man is pulled back to Argentina by an undying love. In 1976, Tomás Orilla is a medical student in Buenos Aires, where he has moved in hopes of reuniting with Isabel, a childhood crush. But the reckless passion that has long drawn him is leading Isabel ever deeper into the ranks of the insurgency fighting an increasingly oppressive regime. Tomás has always been willing to follow her anywhere, to do anything to prove himself. Yet what exactly is he proving, and at what cost to them both? It will be years before a summons back arrives for Tomás, now living as Thomas Shore in New York. It isn’t a homecoming that awaits him, however, so much as an odyssey into the past, an encounter with the ghosts that lurk there, and a reckoning with the fatal gap between who he has become and who he once aspired to be. Raising profound questions about the sometimes impossible choices we make in the name of love, Hades, Argentina is a gripping, ingeniously narrated literary debut.

Whether for tango, football, or art, passions in Buenos Aires run high. The largest city in Argentina, it is chaotic and lively, dangerous and cosmopolitan, and presents seemingly unlimited attractions for tourists. This book provides a view into the city today, and into its past. Europeans colonized Buenos Aires in the 16th century, and from this modest start by the end of the nineteenth century it had boomed. Its history is one of excesses and swings between authoritarian and democratic governments. By examining Buenos Aires past, we can appreciate what remains as story, urban myth, or reality. "

The centuries-long history of the Louvre, from humble fortress to Royal palace to the world’s greatest art museum—with photos and building maps. Some ten million people from all over the world flock to the Louvre each year to enjoy its incomparable art collection. Yet few of them are aware of the remarkable history of the site and buildings themselves—a fascinating story that historian James Gardner elegantly chronicles in this authoritative history. More than seven thousand years ago, men and women camped on a spot called le Louvre for reasons unknown. Centuries later, King Philippe Auguste of France constructed a fortress there, just outside the walls of a nascent Paris. Intended to protect the capital against English soldiers stationed in Normandy, the fortress became a royal residence under Charles V two centuries later, and then the monarchy’s principal residence under the great Renaissance king François I. In 1682, when Louis XIV moved his court to Versailles, the Louvre languished until the French Revolution when, during the Reign of Terror in 1793, it first opened its doors to display the nation’s treasures. Ever since—through the Napoleonic era, the Commune, two World Wars, to the present—the Louvre has been a witness to French history, and expanded to become home to a legendary art collection that includes the Mona Lisa and Venus de Milo. Includes sixteen pages of full-color photos illustrating the history of the Louvre, a full-color map detailing its evolution from fortress to museum, and black-and-white images throughout the narrative.

Longlisted for the PEN Translation Prize From one of Argentina’s greatest contemporary storytellers, this collection gathers twenty-five of her most remarkable and incandescent short stories in English for the first time The Scent of Buenos Aires offers the first book-length English translation of Uhart’s work, drawing together her best vignettes of quotidian life: moments at the zoo, the hair salon, or a cacophonous homeowners association meeting. She writes in unconventional, understated syntax, constructing a delightfully specific perspective on life in South America. These stories are marked by sharp humor and wit: discreet and subtle—yet filled with eccentric and insightful characters. Uhart’s narrators pose endearing questions about their lives and environments—one asks “Bees—do you know how industrious they are?” while another inquires, “Are we perhaps going to hell in a hand basket?” “Uhart’s stories are concise and filled with both dry and conversational wit and flashes of poignant insight . . . slice-of-life writer . . . ” —Thrillist

This title is a celebration of Argentina, which chronicles the rise and fall of the British colony in the '20s and '30s through the imaginative biography of one of its charismatic representatives - a hard-drinking, womanising Scotsman, who cut his way through the bars and brothels of the city whilst trading with farmers up-country.

"In this delightful autofiction―the first book by Gainza, an Argentine art critic, to appear in English―a woman delivers pithy assessments of world–class painters along with glimpses of her life, braiding the two into an illuminating whole." ―The New York Times Book Review, Notable Book of the Year and Editors' Choice The narrator of Optic Nerve is an Argentinian woman whose obsession is art. The story of her life is the story of the paintings, and painters, who matter to her. Her intimate, digressive voice guides us through a gallery of moments that have touched her. In these pages, El Greco visits the Sistine Chapel and is appalled by Michelangelo’s bodies. The mystery of Rothko’s refusal to finish murals for the Seagram Building in New York is blended with the story of a hospital in which a prostitute walks the halls while the narrator’s husband receives chemotherapy. Alfred de Dreux visits Géricault’s workshop; Gustave Courbet’s devilish seascapes incite viewers “to have sex, or to eat an apple”; Picasso organizes a cruel banquet in Rousseau’s honor . . . All of these fascinating episodes in art history interact with the narrator’s life in Buenos Aires―her family and work; her loves and losses; her infatuations and disappointments. The effect is of a character refracted by environment, composed by the canvases she studies. Seductive and capricious, Optic Nerve marks the English–language debut of a major Argentinian writer. It is a book that captures, like no other, the mysterious connections between a work of art and the person who perceives it.

This biography recounting the Argentinean president’s rise, fall, and remarkable return to power is “a formidable achievement” (Kirkus Reviews, starred review). Latin America has produced no more remarkable or enduring political figure than Juan Perón. Born to modest circumstances in 1895 and trained in the military, he rose to power during a period of political uncertainty in Argentina. A shrewd opportunist who understood the needs and aspirations of the country’s workers, Perón rode their votes to the presidency and then increased their share of the nation’s wealth. But he also destroyed the independence of their unions and suppressed dissent. Ousted in a coup in 1955, Perón wandered about Latin America and finally settled in Spain, where he masterminded an astonishing political comeback that climaxed in his reelection as president in 1973. Joseph A. Page’s engrossing biography is based upon interviews, never-before-inspected Argentine and US government documents, and exhaustive research. It spans Perón’s formative years; his arrest and dramatic rescue by the descamisados in 1945; his relationship with the now mythic Evita; the violence and mysterious murders that punctuated his career; his tragic legacy, personified by his third wife, Isabel, who assumed the presidency after his death under the influence of a Rasputin-like astrologer; and the continuing appeal of Perónism in Argentina. In addition, Page’s study of Argentine-American relations is particularly penetrating—especially in its description of the struggle between Perón and US ambassador Spruille Braden. “It would probably take a novel stamped with the surrealistic genius of a Gabriel García Márquez to render all the madness, perverse magic and tragedy of Juan Domingo Perón and his Argentina. But Joseph A. Page has come up with the next best option. . . . A clearly written, definitive study.” —The New York Times Book Review