Focusing on the monuments on either side of the Nile, the author describes Egyptians, their writing, religion and gods, plus historic locales and objects: Alexandria, Cairo, the Rosetta Stone, the pyramids, the Sphinx; the statue of Rameses II, the temples at Luxor and Karnak, major sites where royal mummies were discovered, and more.

Nile monuments, Alexandria, Cairo, Heliopolis, Suez, Cleopatra's Needle, the Rosetta Stone, the pyramids, the Sphinx, the temples at Luxor and Karnak, and much more.

A collection of ancient Egyptian magic spells and road maps to assist individuals through the underworld and into the afterlife.

This is a new release of the original 1929 edition.

Egyptian magic dates from the time when the predynastic and prehistoric dwellers in Egypt believed that the earth, and the underworld, and the air, and the sky were peopled with countless beings, visible and invisible, which were held to be friendly or unfriendly to man according as the operations of nature, which they were supposed to direct, were favourable or unfavourable to him. In -nature and attributes these beings were thought by primitive man to closely resemble himself and to possess all human passions, and emotions, and weaknesses, and defects; and the chief object of magic was to give man the pre-eminence over such beings. The favour of the beings who were placable and friendly to man might be obtained by means of gifts and offerings, but the cessation of hostilities on the part of those that were implacable and unfriendly could only be obtained by wheedling, and cajolery, and flattery, or by making use of an amulet, or secret name, or magical formula, or figure, or picture which had the effect of bringing to the aid of the mortal who possessed it the power of a being that was mightier than the foe who threatened to do evil to him. The magic of most early nations aimed at causing the transference of power from a supernatural being to man, whereby he was to be enabled to obtain superhuman results and to become for a time as mighty as the original possessor of the power; but the object of Egyptian magic was to endow man with the means of compelling both friendly and hostile powers, nay, at a later time, even God Himself, to do what he wished, whether the were willing or not. The belief in magic, the word being used in its best sense, is older in Egypt than the belief in God, and it is certain that a very large number of the Egyptian religious ceremonies, which were performed in later times as an integral part of a highly spiritual worship, had their origin in superstitious customs which date from a period when God, under any name or in any form, was unconceived in the minds of the Egyptians. Indeed it is probable that even the use of the sign which represents an axe, and which stands the hieroglyphic character both for God and "god," indicates that this weapon and. tool was employed in the performance of some ceremony connected with religious magic in prehistoric, or at any rate in predynastic times, when it in some mysterious way symbolized the presence of a supreme Power. But be this as it may, it is quite certain that magic and religion developed and flourished side by side in Egypt throughout all periods of her history, and that any investigation which we may make of the one necessarily includes an examination of the other.

Rich, detailed survey of Egyptian conception of "God" and gods, magic, cult of animals, Osiris, more. Also, superb English translations of hymns and legends. 240 illustrations.

DIVInvaluable reference contains every word of vital repository of ancient Egyptian religious doctrine, grouped according to hieroglyphic symbols in standard scholarly system of Roman alphabetization. Phonetic version, definition, index of English equivalents. Second, revised edition. /div

Provides definitive coverage of the ancient Egyptian gods, mythological figures, religious cults, priesthoods, and esoteric practices and beliefs

For the first time in 3,300 years, The Egyptian Book of the Dead: The Book of Going Forth by Day: The Papyrus of Ani is showcased in its entirety in seventy-four magnificent color pages. Maybe the most stunning presentation of this book in 3300 years: Upon death, it was the practice for some Egyptians to produce a papyrus manuscript called the Book of Going Forth by Day or the Book of the Dead. A Book of the Dead included declarations and spells to help the deceased in the afterlife. The Papyrus of Ani is the manuscript compiled for Ani, the royal scribe of Thebes. Written and illustrated almost 3,300 years ago, The Papyrus of Ani is a papyrus manuscript with cursive hieroglyphs and color illustrations. It is the most beautiful, best-preserved, and complete example of ancient Egyptian philosophical and religious thought known to exist. The Egyptian Book of the Dead is an integral part of the world's spiritual heritage. It is an artistic rendering of the mysteries of life and death. For the first time since its creation, this ancient papyrus is now available in full color with an integrated English translation directly below each image. This twentieth-anniversary edition of The Egyptian Book of the Dead has been revised and expanded to include: Significant improvements to the display of the images of the Papyrus. A survey of the continuing importance of ancient Egypt in modern culture. A detailed history of Egyptian translation and philology since the discovery of the Rosetta Stone in 1799. And, a state-of-the-art Annotated Bibliography and Study Guide for Ancient Egyptian studies. As the third revised edition, the entire corpus of this critical work is given its most accessible and lavish presentation ever. Includes a detailed history of Egyptian scholarship, an annotated bibliography and study guide, and several improvements to the color plates. Makes an excellent gift for people interested in world history and ancient religions.

Fascinating account of great linguistic detective story — discovery of Stone, history of the decipherment of Egyptian hieroglyphics; work of Young, Champollion, other scholars; much more. 23 photographs. Bibliography.