Come in and visit a Log Cabin Bakery that made a little beaver's dream come true.

BUCKY BEAVER. Beautifully illustrated, with Bible verses throughout, Bucky Beaver is a delightful book that teaches biblical lessons of obedience and diligence while working with a cheerful heart. Bucky Beaver is an adorable charaacter that children are sure to love. Complete with a section for parents that offers many ideas for training children in diligence, this book is helpful for both parent and child. 8.5x8.5 fromat, soft cover

The perfect children's book for anyone struggling with sugar! Bucky the beaver was perfectly happy working at his construction job and eating his bark and grass. But that was before a crate marked "CANDY" rolled up to his door. Now it's up to Bucky and his best friend Bert to kick his sugar habit before the rainy season begins. A story full of warmth, adventure and humor, Bucky the Sweet-Toothed Beaver is a tale about friendship and self-control that is sure to delight children, parents and children alike.

Legends are made from what most people thought could never be done. Someone did the impossible. Something happened that no one thought would ever happen. Sheer determination wins out over the unthinkable task. And so it is with the legend of Bucky the beaver. His story is carved in trees all over the world and passed on by father to child throughout time. His story is one of remarkable determination and willpower in spite of his handicap—his buckteeth—and the tremendous teasing from all the other beavers. He alone would set the example for all that would give an ear to the story. No one could believe that a little bucktoothed beaver could change the world for the better and set the bar so high for us all to aspire to. Never give up!

Television Brandcasting examines U. S. television’s utility as a medium for branded storytelling. It investigates the current and historical role that television content, promotion, and hybrids of the two have played in disseminating brand messaging and influencing consumer decision-making. Juxtaposing the current period of transition with that of the 1950s-1960s, Jennifer Gillan outlines how in each era new technologies unsettled entrenched business models, an emergent viewing platform threatened to undermine an established one, and content providers worried over the behavior of once-dependable audiences. The anxieties led to storytelling, promotion, and advertising experiments, including the Disneyland series, embedded rock music videos in Ozzie & Harriet, credit sequence brand integration, Modern Family’s parent company promotion episodes, second screen initiatives, and social TV experiments. Offering contemporary and classic examples from the American Broadcasting Company, Disney Channel, ABC Family, and Showtime, alongside series such as Bewitched, Leave it to Beaver, Laverne & Shirley, and Pretty Little Liars, individual chapters focus on brandcasting at the level of the television series, network schedule, "Blu-ray/DVD/Digital" combo pack, the promotional short, the cause marketing campaign, and across social media. In this follow-up to her successful previous book, Television and New Media: Must-Click TV, Gillan provides vital insights into television’s role in the expansion of a brand-centric U.S. culture.

The Walt's People series, edited by Didier Ghez, is a collection of the best interviews ever conducted with Disney artists. Contributors to the series include noted Disney experts Robin Allan, Paul F. Anderson, Mike Barrier, Albert Becattini, John Canemaker, John Culhane, Pete Docter, Christopher Finch, J.B. Kaufman, Jim Korkis, Christian Renaut, Linda Rosenkrantz, Dave Smith, and Charles Solomon. Walt's People - Volume 9 features in-depth interviews with Ken Anderson, Art Babbitt, Jack Bradbury and Mary Jim Carp, Paul Carlson, Les Clark, Jack Cutting, Jack Ferges, Bob Foster, Joe and Jennie Grant, Victor Haboush, Thurston Harper, Fred Joerger, Ollie Johnston, Bob Jones, Margaret Kerry, Burny Mattinson, Frank McSavage, Bill Melendez, Ken O’Connor, Walt Peregoy, Thor Putman, Fanny Rabin about Art Babbitt, Art Scott, Tom Sito, Julie Svendsen, and Berny Wolf. It contains hundreds of new stories about the Studio and its artists and should delight even the most serious historians and enthusiasts. Walt's People is a notable new source of historical treasures and should give new energy to the world of Disney research! This book is neither authorized, sponsored nor endorsed by the Walt Disney Company and its subsidiaries. It is an unofficial and unauthorized book. The mention of names and places associated with the Walt Disney Company and its businesses are not intended to infringe on any existing copyrights or trademarks of the Walt Disney Company, but are used in context for educational purposes. The opinions and statements expressed in these interviews are solely the opinions and perspectives of the authors and the interviewees and do not necessarily reflect the opinions and policy of the Walt Disney Company and its businesses.

A legend in the car industry reveals the philosophy that's starting to turn General Motors around. In 2001, General Motors hired Bob Lutz out of retirement with a mandate to save the company by making great cars again. He launched a war against penny pinching, office politics, turf wars, and risk avoidance. After declaring bankruptcy during the recession of 2008, GM is back on track thanks to its embrace of Lutz's philosophy. When Lutz got into the auto business in the early sixties, CEOs knew that if you captured the public's imagination with great cars, the money would follow. The car guys held sway, and GM dominated with bold, creative leadership and iconic brands like Cadillac, Buick, Pontiac, Oldsmobile, GMC, and Chevrolet. But then GM's leadership began to put their faith in analysis, determined to eliminate the "waste" and "personality worship" of the bygone creative leaders. Management got too smart for its own good. With the bean counters firmly in charge, carmakers (and much of American industry) lost their single-minded focus on product excellence. Decline followed. Lutz's commonsense lessons (with a generous helping of fascinating anecdotes) will inspire readers at any company facing the bean counter analysis-paralysis menace.

Sumguyen has always had a thick mane of hair, in the summer of 2016 he decided to grow a beard. Deep into month three he started to look like an armpit with eyeballs.It was a sultry August night in Old Town Scottsdale as Bimisi and Sumguyen made their way from one bar to another. They took pause to to enjoy the rhythms of a homeless crooner who was soulfully picking his guitar. When Sumguyen threw a five into his tip jar the artist looked up, thanked him with a nod and said, "That is a beautiful beard. My friend Brenda has a beard just like that, but hers doesn't talk."A fair amount of beer sprayed from Bimisi's nose...and just like that they had their subject matter for the final book of season one. Brenda's Beaver Needs a Barber is the fifth of five books that make up Reach Around Books Season One.