Buck 'Em! The Autobiography of Buck Owens is the life story of a country music legend. Born in Texas and raised in Arizona, Buck eventually found his way to Bakersfield, California. Unlike the vast majority of country singers, songwriters, and musicians who made their fortunes working and living in Nashville, the often rebellious and always independent Owens chose to create his own brand of country music some 2 000 miles away from Music City – racking up a remarkable twenty-one number one hits along the way. In the process he helped give birth to a new country sound and did more than any other individual to establish Bakersfield as a country music center. In the latter half of the 1990s, Buck began working on his autobiography. Over the next few years, he talked into the microphone of a cassette tape machine for nearly one hundred hours, recording the story of his life. With his near-photographic memory, Buck recalled everything from his early days wearing hand-me-down clothes in Texas to his glory years as the biggest country star of the 1960s; from his legendary Carnegie Hall concert to his multiple failed marriages; from his hilarious exploits on the road to the tragic loss of his musical partner and best friend, Don Rich; from his days as the host of a local TV show in Tacoma, Washington, to his co-hosting the network television show Hee Haw; and from his comeback hit, “Streets of Bakersfield ” to his induction into the Country Music Hall of Fame. In these pages, Buck also shows his astute business acumen, having been among the first country artists to create his own music publishing company. He also tells of negotiating the return of all of his Capitol master recordings, his acquisition of numerous radio stations, and of his conceiving and building the Crystal Palace, one of the most venerated musical venues in the country. Buck 'Em! is the fascinating story of the life of country superstar Buck Owens – from the back roads of Texas to the streets of Bakersfield.

Buck Owens was the top-selling country act of the 1960s, with 21 number-one hits and 35 consecutive top-ten hits, a total surpassed only by the Beatles. Inventor of the Bakersfield sound, he was hugely popular not only with country fans, but rock fans too. The Beatles covered his songs, Gram Parsons idolized him, the Grateful Dead loved him. At least five marriages, several TV shows, and a publishing and media empire followed. And a number of current country stars, ranging from Dwight Yoakam to Marty Stuart, owe their sound to him. Yet never before has there been a book about Buck Owens. And the man that emerges from its pages is the polar opposite of the aw-shucks image he cultivated on Hee-Haw. A tight-fisted control freak with an outsized appetite for sex, Owens could be ruthlessly cruel at one moment and as slippery as a snake the next. Buck Owens chronicles his rise from poverty as son of a sharecropper to one of the nation's best-loved entertainers, worth at least $100 million when he died. It is authoritative: it counts among its myriad sources five Buckaroos, the producer of Hee Haw, the former president of Capitol Nashville, numerous country singers, relatives, wives, lovers, and employees. This biography fully reveals, for the first time, not only one of country's biggest stars, but perhaps its biggest son of a bitch.

An immersive look at the country music sub-genre, from its 1950s origins to its heyday to the twenty-first century. In California’s Central Valley, two thousand miles away from Nashville’s country hit machine, the hard edge of the Bakersfield Sound transformed American music during the later half of the twentieth century. Fueled by the steel twang of electric guitars, explosive drumming, and powerfully aching lyrics, the Sound transformed hard times and desperation into chart-toppers. It vaulted displaced Oklahomans like Buck Owens and Merle Haggard to stardom, and even today the Sound’s influence on country music is still widely felt. In this fascinating book, veteran journalist Robert E. Prince traces the Bakersfield Sound’s roots from Dust Bowl and World War II migrations through the heyday of Owens, Haggard, and Hee Haw, and into the twenty-first century. Outlaw country demands good storytelling, and Price obliges; to fully understand the Sound and its musicians we dip into honky-tonks, dives, and radio stations playing the songs of sun-parched days spent on oil rigs and in cotton fields, the melodies of hardship and kinship, a soundtrack for dancing and brawling. In other words, The Bakersfield Sound immerses us in the unique cultural convergence that gave rise to a visceral and distinctly California country music. Praise for The Bakersfield Sound “A savvy blend of personal anecdotes and broader historical narrative.” —Kirkus Reviews “This book all but reads itself. Price’s sense of history, his command of facts, his sense of humor, his sensitivity to class and race, and a love of the music—it’s all here.” —Greil Marcus

Nestled at the southern end of California's San Joaquin Valley, the city of Bakersfield is best known for farming, oil fields, and a unique brand of country music called the "Bakersfield Sound." The term is generally used to describe a hard-edged honkytonk sensibility characterized by sharp, twanging Fender Telecaster guitars, crying pedal steel, and straight-ahead country vocals - a sound that thrived in Bakersfield clubs in the 1950s and '60s. The music emanating from these venues was by no means homogeneous. One need only compare Buck Owens's razor-sharp honky-tonk attack with Merle Haggard's western swing and blues-inflected recordings to recognize that there is no single Bakersfield Sound. The label is best understood as an umbrella term encompassing a number of strains developed by Haggard, Owens, and their West Coast contemporaries. The Bakersfield Sound is a full-color exploration of what social and economic factors led to this country music hotbed, as well as a look at the many stars who rose to fame with roots in Bakersfield. Country luminaries with ties to the area include Bob Willis, Leon Payne, Jean Shepherd, Dallas Frazier, Bonnie Owens, Barbara Mandrell, and Ferlin Husky. Written by the experts at the Country Music Hall of Fame, The Bakersfield Sound describes with rich words and classic photos how the deep roots of the Bakersfield Sound are so much more than just a reaction to the pop-oriented Nashville Sound.

Fuzzy Owen and Merle Haggard worked together for over 50 years, yet they never had a contract. Fuzzy was Merle's steel guitar player, recording engineer, producer, promoter, booking agent, accountant, bus driver, mechanic and always Merle's friend. Fuzzy, of course, did not write "Mama Tried" or sing "Silver Wings", but he was the man behind the music for one of the greatest county artists of all time. Fuzzy now tells his story of working with Merle Haggard in his new book "Merle Haggard, Bonnie and Me"

A friendly, funny, practical guide for creatives and entrepreneurs, written by a four-time Emmy award-winning and two-time Grammy-nominated composer-guitarist-producer who has worked with Paul Simon, Stevie Wonder, Jerry Garcia, Lana Del Rey, and Krishna Das, among many others. Also a beloved and highly regarded Buddhist teacher, David teaches readers how to integrate their creative process with their spiritual practice and livelihood. “How do I make a living doing what I love?” “Am I a sellout as an artist if I want to be successful?” “How do I integrate my spiritual principles with the art of running a business? And actually, um, how do I run a business?” Wondering how to reconcile your calling with your need to make a living wage, or what to do once your art starts selling, or how to achieve success in your field, or what it even means to be successful? David Nichtern offers his lived, learned experience as an entrepreneur, musician, and Buddhist teacher to first help you figure out what “success” means to you and then show you how to get there. He offers advice on the creative process and principles of business and ethics—everything from “listen to the muse!” to “protect your intellectual property!”—and provides mindfulness exercises to help you integrate inspiration and aspiration, vocation and avocation—to go from surviving to thriving. Whether you’re a baker trying to grow from the farmer’s market to a brick-and-mortar or a CEO exploring how taking care of your employees can be the same as taking care of your business—if you’re trying to align your spiritual, creative, and financial pursuits and discover what it means to truly live well, this book is for you.

Have you ever heard a smoke detector beeping after the battery dies? Buck Owens watched his gorgeous neighbor come and go, always polite, but keeping herself cool and distant. How was a guy to get her attention? Buck has found a way! A dying smoke detector! Now, he just needs to prove to her that she can trust him. He vowed that he wouldn’t demoralize her the way her ex had. And he was determined to show her that he could be trusted. Nina Landau knew that her hunky neighbor watched her like a dog watched a meaty bone. But Nina wasn’t interested. Okay, she was interested, but she needed to prove something to herself first. Once she’d recovered from her previous relationship, she might, maybe, perhaps…venture next door and get to know the guy that invaded her dreams almost nightly. First, she was going to find that dying smoke detector, put it under her car tired and drive over it a thousand times!

Strong and sober, George Jones looks back on his life with searing candor. From his roots in an impoverished East Texas family to his years of womanizing, boozing, brawling, and singing with the voice that made him a star, his story is a nonstop rollercoaster ride of the price of fame. It is also the story of how the love of a good woman, his wife Nancy, helped him clean up his act.

There was one station that would grow to become a ratings juggernaut. That station was KNIX-FM in Phoenix, Arizona. The station has quite a storied past. But its popularity with listeners did not happen overnight!

While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. The demimonde of the traditional Nashville venues (Tootsie’s Orchid Lounge, Robert’s Western World, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are shown coming into first contact, if not conflict, with a new wave of pop-influenced and business savvy country performers (Jeannie C. “Harper Valley PTA” Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the Grateful Dead) as they took the form well beyond Music City. Originally published in 1970, The Nashville Sound shows the resulting identity crisis as a fascinating, even poignant, moment in country music and entertainment history.