Twelve-year-old Joey MacTagert's dad wants his son to carry on the family tradition of hunting. But Joey has "buck fever"—he can't pull the trigger on a deer, and hates the idea of killing animals. He's more interested in art and hockey, two activities that his dad barely acknowledges. Joey's dad wants him to use his special skill in tracking to hunt down the big antlered buck that roams the woods near their home. Joey knows how to track Old Buck, but has kept secret from his father the reason he's gained the deer's trust. When trouble between his parents seems to escalate, Joey and his older sister, Philly, find themselves in the middle of tensions they don't fully understand. Joey wants to keep the peace, and if conquering his buck fever will do it, he has to try. Buck Fever is a nominee for the 2003 Edgar Award for Best First Novel.

Every fall close to one million hunters enter Pennsylvania's forests and mountains in quest of the white-tailed deer. Some are seeking sport and companionship; others are stocking their larders for winter; many are conservationists who regard hunting as the most humane way of reducing overpopulated deer herds. They all face the increasing activism of animal rights advocates who are opposed to hunting in principle and who frequently picket and harass hunters. This controversial subject is explored in depth by Mike Sajna, the outdoors columnist for Pittsburgh Magazine and a twenty-year veteran of Pennsylvania's "pumpkin army," the orange-clad throng that invades the woods every season. To explain the ethos and traditions of hunting he takes the reader to a typical deer camp in Warren County, in the rugged terrain of the Allegheny High Plateau. Starting with the trek north from their homes around Pittsburgh, he captures the sights and sounds, thoughts and feelings of three generations of hunters. With humor, affection, and insight he recounts the hunting lore, the camaraderie, the physical testing that make deer camp a unique experience.

Blanco County, Texas. It's one week before the start of deer hunting season, and everyone in town has come down with a case of... Buck Fever The fury begins with Red O'Brien and Billy Don Craddock, two drunken poachers who fire a shot in the direction of Blanco County's most important resident: a wide-eyed, white-tailed deer named Buck who lives on the Circle S ranch. Now Buck is on the loose, and no one knows where to find him: not Trey Sweeney, the man who took the bullet meant for Buck, albeit right in the flank of his own deer costume; not Tim Gray, the veterinarian who can't function very long without popping a few canine tranquilizers; and especially not Roy Swank, owner of the Circle S, who wants desperately to find Buck for reasons no one can quite understand. Navigating all this turmoil is Blanco County Game Warden John Marlin, with a little help from his best friend Phil and a beautiful nurse named Becky who seems too good to be true. But when a dead body turns up, the real mystery in madcap Blanco County soon boils down to a single question: Just who is hunting whom?

Bizarre behavior of deer near West Branch, a busy hunting and tourist stop in northern Michigan, is causing hunter concern and links to several deaths. Two rookie reporters and a seasoned veteran from the Detroit Times newspaper, pursuing the sensational scoop of a lifetime, encounter humans and deer strangely influenced by an apparent brain-bending disease leading to a horrific conclusion of murderous intent. A further look into human history provides uncanny references to similar strange occurrences possibly linked to a mysterious grain fungus toxin, existing throughout the world. Be prepared to accept the heart-pounding impossible, as Katie Kottle, Jeb Porter and Louis Dingman investigate and unravel this baffling age-old cause of peculiar human and animal behavior. Katie and Jeb, romantically involved, find themselves in a cozy thriller that brings them closer together and resolves a mystery in Katie's past. Let the story take you on a captivating journey through hunting woods, but be warned, you might get Buck Fever and not return. “A smart, creepy, can’t-stop-reading trek through a could-happen series of deadly events and mind-altering consequences with lots of twists and turns.” "Interesting epilogue references to pyramid building, Salem witch trials, Jack the Ripper, and ancient writings--make it seem very real."

For the Renaissance, all the world may have been a stage and all its people players, but Shakespeare was also an actor on the literal stage. Meredith Anne Skura asks what it meant to be an actor in Shakespeare's England and shows why a knowledge of actual theatrical practices is essential for understanding both Shakespeare's plays and the theatricality of everyday life in early modern England. Despite the obvious differences between our theater and Shakespeare's, sixteenth-century testimony suggests that the experience of acting has not changed much over the centuries. Beginning with a psychoanalytically informed account of acting today, Skura shows how this intense and ambivalent experience appears not only in literal references to acting in Shakespearean drama but also in recurring narrative concerns, details of language, and dramatic strategies used to engage the audience. Looking at the plays in the context of both public and private worlds outside the theater, Skura rereads the canon to identify new configurations in the plays and new ways of understanding theatrical self-consciousness in Renaissance England. Rich in theatrical, psychoanalytic, biographical, and historical insight, this book will be invaluable to students of Shakespeare and instructive to all readers interested in the dynamics of performance.

In the first comprehensive study of plays written for male characters only, Robert Vorlicky offers a new theory that links cultural codes governing gender and the conventions determining dramatic form. Act Like a Manlooks at a range of plays, including those by O'Neill, Albee, Mamet, Baraka, and Rabe as well as new works by Philip Kan Gotanda, Alonzo Lamont, and Robin Swados, to examine how dialogue within these works reflects the social codes of male behavior and inhibits individualization among men. Plays in which women are absent are often characterized by the location of a male "other"—a female presence who distances himself from the dominant, impersonal masculine ethos and thereby becomes a facilitator of personal communication. The potential authority of this figure is so powerful that its presence becomes the primary determinant of the quality of men's interaction and of the range of male subjectivities possible. This formulation becomes the basis of an alternative theory of American dramatic construction, one that challenges traditional dramaturgical notions of realism. The book will appeal to scholars and students interested in drama, gender, race, sexuality, and American culture, as well as playwrights, teachers of playwrights, and artistic directors. It includes an extensive bibliography of more than four hundred male-cast plays and monodramas, the first such compilation and one that points to further research into a previously unexplored area.

Did you ever need to spell “dogie” (as in, get-along-little), or need to know what a “sakey” is? This is the book that can tell you how to spell, pronounce, and define over 5,000 terms relative to the American West. Want to know what a “breachy” cow is? Turn to page 43 to learn that it’s an adjective used to describe a cow that has a tendency to find her way through fences where she isn’t supposed to be. Describes some teenagers we know… Spend hours perusing the dictionary at random, or read straight through to give you a flavor of the West from its beginnings to contemporary days. Laced with photographs and maps, the Dictionary of the American West will make you sound like an expert on all things Western, even if you don’t know your dingus from a dinner plate. Compiled of words brought into English from Native Americans, emigrants, Mormons, Hispanics, migrant workers, loggers, and fur trappers, the dictionary opens up history and culture in an enchanting way. From “Aarigaa!” to “zopilote,” the Dictionary of the American West is a “valuable book, a treasure for any literate American’s library.” (Tony Hillerman)