This unusual volume explores India s history of recurring communal violence through the feelings and emotions of poets and writers and of those who comment on society and politics. Poems, short stories, memoirs, essays and a panel discussion together probe how it feels when violence erupts, turning neighbours into enemies and home into an alien land. In a time when religious identities hardened in the public sphere (manifested in the form of communalism), and exploded time and again into riots, artists and writers sought to articulate the subtler truths of lived intercommunity experience. They also gave expression to the shock and outrage of the people at the barbarisms visited on the country. A plurality of voices, in different genres and languages, exists; this selection highlights some of the distinctive attempts to contend with the reality of modern-day communalism, juxtaposing translations with writings in English to allow a comparative perspective to emerge. In these writings, several ways of dealing with the communal predicament in imaginative terms become visible. Such literary efforts bear witness to the mutilation of our dreams, as well as to the struggle to keep the lamp of understanding and good sense burning. Secular India may be under siege, but, as these contributions indicate, it is certainly not yet dead. Contributors: Amitav Ghosh, Amlan Das Gupta, Anjan Sen, Ashis Nandy, Badiuzzaman, Bhisham Sahni, Bilquis Zafirul Hassan, D. R. Nagaraj, Deeba Zafir, Dileep Jhaveri, Dilip Simeon, Harish Trivedi, Hussain-ul-Haque, K. Satchidanandan, Ketaki Kushari Dyson, Mahasweta Devi, M. K. R. Nair, M. V. Narayanan, Nabaneeta Dev Sen, Naghma Zafir, Ranjit Hoskote, Ravikant, Shampa Roy, Shormishtha Panja, Sisir Kumar Das, Subha Dasgupta, T. P. Rajeevan, Vijay Dan Detha.

A rollicking, no-holds-barred memoir, "The Jokes Over" is the definitive inside story of Hunter S. Thompson and the Gonzo years.

This book interrogates representations – fiction, literary motifs and narratives – of the Partition of India. Delving into the writings of Khushwant Singh, Balachandra Rajan, Attia Hosain, Abdullah Hussein, Rahi Masoom Raza and Anita Desai, among many others, it highlights the modes of ‘fictive’ testimony that sought to articulate the inarticulate – the experiences of trauma and violence, of loss and longing, and of diaspora and displacement. The author discusses representational techniques and formal innovations in writing across three generations of twentieth-century writers in India and Pakistan, invoking theoretical debates on history, memory, witnessing and trauma. With a new afterword, the second edition of this volume draws attention to recent developments in Partition studies and sheds new light as regards ongoing debates about an event that still casts a shadow on contemporary South Asian society and culture. A key text, this is essential reading for scholars, researchers and students of literary criticism, South Asian studies, cultural studies and modern history.

"Since her parents died in an accident Daya Wijesinghe survived, bruises have become a way to keep her pain on the surface of her skin so she doesn't need to deal with the ache deep in her heart. When chance brings her to a roller derby bout, Daya is hooked. Yes, the rules are confusing and the sport seems to require the kind of teamwork and human interaction Daya generally avoids, but the opportunities to bruise are countless. As her rough-and-tumble teammates and their fans push her limits in ways she never imagined, Daya realizes some big truths about love, loss, strength, and healing"-- Adapted from jacket.

When Imogen, a sixteen-year-old black belt in Tae Kwon Do, freezes during a holdup at a local diner, the gunman is shot and killed by the police, and she blames herself for his death. Before the shooting, she believed that her black belt made her stronger than everyone else—more responsible, more capable. But now that her sense of self has been challenged, she must rebuild her life, a process that includes redefining her relationship with her family and navigating first love with the boy who was at the diner with her during the shoot-out. With action, romance, and a complex heroine, Bruised introduces a vibrant new voice to the young adult world—full of dark humor and hard truths. UPraise for Bruised/u STARRED REVIEW "Offering psychological drama and an introduction to martial-arts code of behavior, the book has a meaningful message about power, control, and the internal bruises carried by victims." —Publishers Weekly, starred review "Her story is compelling, and readers will stick with her as new insights bring about a believable shift in her behavior…This distinctive debut will be appreciated by fans of contemporary fiction." —Kirkus Reviews "This layered first novel explores the aftereffects of the trauma, convincingly depicting why Imogen blames herself for a situation over which she had no control. Skilton also sensitively depicts the bond and tentative romance that develops between Imogen and Ricky. The main story line about Imogen’s struggle to come to terms with what she did (and did not do) is nuanced and honest." —Horn Book "This is a useful exploration of the difference between fantasy-style omnipotence and the complexity of real-life human strength." —Bulletin of the Center for Children's Books "Skilton does a fine job capturing how a psychological process after trauma can take time and might manifest in unique, sometimes unexpected, ways." —VOYA Magazine "Poignant and emotionally raw at times and humorous at others, this debut novel adeptly portrays a shattered life in the wake of an unexpected act of violence and the road back to normalcy." —School Library Journal "Here is a writer to watch who handles complex issues with sensitivity in the vein of Deb Caletti and Sarah Dessen." —Booklist

The professionals meet the amateurs in this first–ever anthology of Indian detective fiction. Volume 1 An elite squad detective from the future travels back in time to hunt down a time escapee. Across the city of Tokyo, liquids are turning blue, and elsewhere a Tamil actress is kidnapped. The gruesome murder of an adult industry star spirals into a web of deceit and leads to a bizarre revelation. A journalist races against time to find the missing link between the deaths of a daily soap actress, a classical vocalist and a famous painter. And more... Volume 2 A detective delves into a cold case; a ship that disappeared in the Bay of Bengal in the year 1913. A man is bludgeoned to death in an apartment and a piece of paper with the word 'STOP!' is nailed to his forehead. Six deaths under mysterious circumstances and the only common link is a box of arsenic–laced sweets. A soldier's homecoming dredges up memories of a murder that took place a decade ago in the family. And more... The first–ever anthology of its kind, The Hachette Book of Indian Detective Fiction compiles more than 30 compelling whodunits, supernatural mysteries, serial murders and absurd crimes spread across two volumes. Through hybrid, self–reflexive and experimental forms of writing (including translations from Bengali and Tamil), this collection invites readers to unravel mysteries with every turn of the page, masterfully showcasing distinctive instances of the genre. Red herrings simmered in blood gravy, served up with family feuds, ancient curses, long–haired lady sleuths and many other typical subcontinental chutneys provide a rare feast for the avid reader of crime fiction! Featuring the works of: Volume 1 Satyajit Ray * Gopa Majumdar * Saradindu Bandopadhyay * Gopa Majumdar * Ambai * Gita Subramanian * Ankush Saikia * Meeti Shroff Shah * Suchitra Bhattacharya * Radha Chakravarty * Sujan DasGupta * Chandana Dutta * Anirudh Kala * Tamilvanan * Rabindranath Tagore * Shampa Roy * Anil Menon * Tanuj Solanki * Timeri Murari * Navin Weeraratne * Kehkashan Khalid * Sumit Bardhan * Kiran Manral * Shweta Taneja * Saad Z. Hossain Volume 2 Rajarshi Das Bhowmik * Arunava Sinha * Vikram Chandra * Giti Chandra * Swati Kaushal * Ajay Chowdhury * Shirshendu Mukhopadhyay * Debaditya Mukhopadhyay * Vish Dhamija * Salil Desai * Mahendra Jakhar * Sharatchandra Sarkar * Shampa Roy * Vaseem Khan * Nev March * Anuradha Kumar * Madhulika Liddle * Arjun Raj Gaind * Shashi Warrier * Avtar Singh For detailed content, please look inside the book. * Illustration continuity across covers and spine * 2–volume collectible (Royal 8vo hardback set) * A magnetic clasp box–wrap * Detective–element themed sprayed edges * Endpaper artwork by Manjula Padmanabhan

From sinister plans of xenocide to speciesists who have taken it upon themselves to Off-World those unlike them; from simulations that memorialize stories obliterated by a book-burning world to the Master Pain Merchant who is always at hand to administer a dose of long-forgotten sensations; from genetically modified Glow Girls who can kill with a touch to a droid detective actively seeking out justice - this stellar volume of cutting-edge science fiction showcases, in prose and verse, 32 of the most powerful voices in the genre from the Indian Subcontinent. Taking forward the formidable task achieved to critical acclaim by the first volume of The Gollancz Book of South Asian Science Fiction, the present collection masterfully transports readers to worlds strangely familiar, raises crucial questions about the place of humans in the universe, and testifies to the astonishing range and power of the imaginative mind.

The book is an anthology of creative and critical responses to the many partitions of India within and across borders. By widening and reframing the question of partition in the subcontinent from one event in 1947 to a larger series of partitions, the book presents a deeper perspective both on the concept of partition in understanding South Asia, and understanding the implications from survivors, victims and others. The imagery of the barbed wire in the title is used precisely to confront the jaggedness of experiencing and surviving partition that still haunts the national, literary, religious and political matrices of India. The volume is a compilation of short stories, poems, articles, news reports and memoirs, with each contributor bringing forth their perception of partition and its effects on their life and identity. The many narratives amplify the human cost of partitions, examining the complexities of a bruised nation at the social, psychological and religious levels of consciousness. The book will appeal to anyone interested in literary studies, history, politics, sociology, cultural studies, and comparative literature.

Shyam Benegal is an Indian director and screenwriter whose work is considered central to New Indian cinema. By closely analysing several of Benegal’s films, this book provides an understanding of India’s post-independence history. The book examines the filmmaker’s focus on women by highlighting his subtle and critical engagement with a truism of Indian nationalism: women’s centrality to the (nation-) state’s negotiation with modernity. It looks at the importance Benegal accords to history – its little known, contested, or iconic events and figures – in crafting national culture and identities, and goes on to discuss the filmmaker’s nuanced representation of the developmental agendas of the nation-state. The book presents an account of the relationship of historical film and fiction to official history, and provides a fuller understanding of Indian cinema, and how it is shaped by as well as itself shapes national imperatives. Filling a gap in the literature, the book offers an analysis of cinematic treatment of post-independence narratives and gives important insights into the imagination of the time. It is a useful contribution for students and scholars of Film Studies, South Asian History and South Asian Culture.