New Perspectives on Brücke Expressionism: Bridging History brings together highly-renowned international art historians in a scholarly work that offers the first full-length reassessment in English of the importance of the Brücke group to German modernism specifically and to international modernism more generally. It challenges, interrogates and updates existing orthodoxies in the field of Brücke studies by deploying new research combined with innovative interpretative approaches.

"“Based on impressive multi-archival work and a keen sense for a good narrative, the author introduces us to the complex, interlocking networks of the littleknown Atlantik-Brücke and the American Council on Germany. A fantastic addition to our understanding of the ‘Transnational Transatlantic’ in the 20th century” - Giles Scott-Smith, Roosevelt Chair in New Diplomatic History, Leiden University, The Netherlands "An original and insightful book exploring how two transatlantic networks worked to improve and solidify West Germany’s relationship with the United States in the aftermath of World War II- transnational history at its best.” - Deborah Barton, Assistant Professor of History, University of Montreal, Canada Revisiting the relationship between the USA and Germany following the Second World War, this book offers a new perspective and focuses on the influence of two organisations in accelerating West Germany’s integration into the Atlantic Alliance. Tracing the Atlantik-Brücke and the American Council on Germany’s (ACG) origins to the late 1940s and tracking their development and activities throughout the 1950s-70s, this book covers new ground in German-American historiography by bridging public and private relations and introducing central actors that have previously been hidden from academic debate. The author unveils and examines dense transatlantic elite networks that allowed Germany to re-join the ‘community of nations,’ regain sovereignty, and become a trusted member of the North Atlantic Treaty Organisation (NATO). Analysing transatlantic relations through the lens of the intertwined history of the Atlantik-Brücke and the ACG, this book explores public-private networks on a transnational level, providing valuable reading for those studying political history, European and American post-war relations and the Cold War.

What was it that fascinated the three painters? In an environment suppressed by provincial, deadlocked standards, Fränzi embodied the kind of freedom that was maintained only in distant archipelagos, a freedom that expressed uninhibited nudity and the joy of movement. A celebration, an inspiration for the painters.

Vivid colors, woodcut flatness, crude figures, and unsettling sexual scenes: This essential introduction to 20th-century artist group Die Brücke reveals a revolutionary movement which sliced up images with ragged lines and decimated the mores of the age.

The Br cke Museum in Berlin houses the world's largest collection of works by the early twentieth-century expressionist movement Die Br cke, or The Bridge. Formed in Dresden by Fritz Bleyl, Erich Heckel, Ernst Ludwig Kirchner, and Karl Schmidt-Rottluff, this group had a major impact on the evolution of modern art. But as Escape into Art? reveals, they were also affected by the rise of Germany's National Socialist party in the 1930s. Discussing in detail the everyday reality of the Br cke artists under National Socialism, this book takes a critical look at the fates and artistic practice of the movement's former members in the years after 1933. Explaining the measures carried out against Br cke members as a result of Nazi art policy, Escape into Art? describes how, in 1937, thousands of works by these artists were confiscated from German museums by National Socialist authorities and then shown in a traveling exhibition called "Degenerate Art." Using numerous sources that have never before been studied, the authors examine not only how these acts affected the creative work and self-image of the painters themselves, but also today's popular image of expressionism, its vilification as degenerate, and the creation of the Br cke artists' legend after the end of the Second World War. How much scope for action was there, the book asks, and how should we evaluate the narratives of inner emigration and the zero hour today? ​Including 180 color plates from the museum's collection, Escape into Art? offers an in-depth exploration of the effects of National Socialism on Br cke artists and beyond.

various manifestations: vivid renderings of rural life; candid studio portraits; and searing, critical depictions of the rapidly changing urban milieu. It demonstrates how this group of young firebrands invigorated and altered the art of their time." "Exhibition schedule: Neue Galerie, New York , February 26 - June 29, 2009." --Book Jacket.