Speaking to both a personal and collective loss, in Brother Bullet Casandra López confronts her relationships with violence, grief, guilt, and ultimately, endurance. Revisiting the memory and lasting consequences of her brother’s murder, López traces the course of the bullet—its trajectory, impact, wreckage—in lyrical narrative poems that are haunting and raw with emotion, yet tender and alive in revelations of light. Drawing on migratory experiences, López transports the reader to the Inland Empire, Baja California, New Mexico, and Arizona to create a frame for memory, filled with imagery, through the cyclical but changing essence of sorrow. This is paralleled with surrounding environments, our sense of belonging—on her family’s porch, or in her grandfather’s orange grove, or in the darkest desert. López’s landscapes are geographical markers and borders, connecting shared experiences and memories. Brother Bullet tugs and pulls, drawing us into a consciousness—a story—we all bear.

Speaking to both a personal and collective loss, in Brother Bullet Casandra López confronts her relationships with violence, grief, guilt, and ultimately, endurance. Revisiting the memory and lasting consequences of her brother’s murder, López traces the course of the bullet—its trajectory, impact, wreckage—in lyrical narrative poems that are haunting and raw with emotion, yet tender and alive in revelations of light. Drawing on migratory experiences, López transports the reader to the Inland Empire, Baja California, New Mexico, and Arizona to create a frame for memory, filled with imagery, through the cyclical but changing essence of sorrow. This is paralleled with surrounding environments, our sense of belonging—on her family’s porch, or in her grandfather’s orange grove, or in the darkest desert. López’s landscapes are geographical markers and borders, connecting shared experiences and memories. Brother Bullet tugs and pulls, drawing us into a consciousness—a story—we all bear.

Enemies to lovers, second chance, MC romance I love hard, deep, and fast. My heart's been broken by club women more times than I want to remember. So, when Honey is hired as the new bartender for the club, I do everything I can to push her away. Despite my feelings, though, she's still under the protection of the club. Which means when she's taken, I go after her. I'm almost too late. Winding up in the hospital with drugs in her system is a violation of her probation, and they're threatening to send her back to jail for something I should have protected her from. I'll throw away my freedom for her. I just hope when I get out, I can right the wrongs of the past. And maybe she won't hate me forever. **Please read the "note from the author" located at the front of the book before reading.

In a personal memoir, the author describes her relationships with the two men closest to her--her father and his brother, Joseph, a charismatic pastor with whom she lived after her parents emigrated from Haiti to the United States.

"100 Bullets: Brother Lono: The Deluxe Edition collects the complete eight-issue series in oversized hardcover for the first time ever, with a brand-new eight-page 100 Bullets story by Azzarello and Risso exclusive to this collection, an introduction by acclaimed author Matz (The Killer), a connecting cover by Dave Johnson that continues the prior 100 Bullets Deluxe Edition covers, and more!"--

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

A bracingly immediate memoir by a young man coming of age during the Syrian war, an intimate lens on the century’s bloodiest conflict, and a profound meditation on kinship, home, and freedom. A NEW YORK TIMES NOTABLE BOOK • LONGLISTED FOR THE NATIONAL BOOK AWARD • “This powerful memoir, illuminated with Molly Crabapple’s extraordinary art, provides a rare lens through which we can see a region in deadly conflict.”—Bryan Stevenson, author of Just Mercy In 2011, Marwan Hisham and his two friends—fellow working-class college students Nael and Tareq—joined the first protests of the Arab Spring in Syria, in response to a recent massacre. Arm-in-arm they marched, poured Coca-Cola into one another’s eyes to blunt the effects of tear gas, ran from the security forces, and cursed the country’s president, Bashar al-Assad. It was ecstasy. A long-bottled revolution was finally erupting, and freedom from a brutal dictator seemed, at last, imminent. Five years later, the three young friends were scattered: one now an Islamist revolutionary, another dead at the hands of government soldiers, and the last, Marwan, now a journalist in Turkish exile, trying to find a way back to a homeland reduced to rubble. Marwan was there to witness and document firsthand the Syrian war, from its inception to the present. He watched from the rooftops as regime warplanes bombed soldiers; as revolutionary activist groups, for a few dreamy days, spray-painted hope on Raqqa; as his friends died or threw in their lot with Islamist fighters. He became a journalist by courageously tweeting out news from a city under siege by ISIS, the Russians, and the Americans all at once. He saw the country that ran through his veins—the country that held his hopes, dreams, and fears—be destroyed in front of him, and eventually joined the relentless stream of refugees risking their lives to escape. Illustrated with more than eighty ink drawings by Molly Crabapple that bring to life the beauty and chaos, Brothers of the Gun offers a ground-level reflection on the Syrian revolution—and how it bled into international catastrophe and global war. This is a story of pragmatism and idealism, impossible violence and repression, and, even in the midst of war, profound acts of courage, creativity, and hope. “A book of startling emotional power and intellectual depth.”—Pankaj Mishra, author of Age of Anger and From the Ruins of Empire “A revelatory and necessary read on one of the most destructive wars of our time.”—Angela Davis

A coming-of-age tale reimagined as a searing Western epic. In the small town of Sand, populated by gunslingers and surrounded by endless desert, Imma washes dishes and grieves for a life she never had. She and her brother, Nikko, dreamed of escaping to become bullet catchers, a legendary band of outlaws who can deflect bullets with their hands. But they were wiped out years ago, Nikko with them. And leaving is impossible when walking into the desert means certain death. When she sees a stranger catch a man's bullet and turn it back on him, Imma knows it can only mean one thing: the bullet catchers live on, and this is her way out. Determined to follow him, Imma starts a journey that will take her to her physical extremes and force her to question just what family means and who she really is: bullet catcher or gunslinger; hero or monster.

When the eldest son of an attractive family kills a security guard and promptly takes flight, the brother and mother he leaves behind are not ostracized. They become media darlings and when the second murder occurs they are fully-fledged stars.

JOHNSTONE COUNTRY—WATCH YOUR BACK. Red Ryan is one of the fastest guns in the West. But this time, he’s in for the longest, hardest ride of his life. Where danger lurks around every turn—and all roads lead to hell . . . 700 MILES OF MAYHEM Gold. Silver. Cold hard cash. Stagecoach guard Red Ryan and his driver Buttons Muldoon have ridden shotgun on some pretty valuable cargo in their day. But they’re about to learn—the hard way—that the most dangerous cargo of all is human. They’ve been hired to escort a cowardly traitor facing an army court martial in New Orleans. Every hired killer in Texas wants him dead, including gun-handy Hannah Huckabee, a woman with a mysterious past and an agenda of her own. But she’s just one of the dangers they’ll face along the way. There are cutthroat gangs bent on slaughtering anything on two legs. And 700 miles of the deadliest terrain Red Ryan has ever had to shoot his way out of . . . Live Free. Read Hard.