Over the past two decades, the exiled Russian artist Slava Mogutin has gained international acclaim for his gritty, candid portrayal of disaffected youth and documentation of alternative urban subcultures, as well as his writings, multimedia work, and political activism.Bros & Brosephinesis a survey of Mogutin's studio and fashion photography, commissioned portraits, and previously unpublished images. From his early raw analog snapshots to elaborate compositions, sets, and post-production, the book offers Mogutin's signature explosive blend of art, fashion, and fetish, transcending and dissecting the conventional notions of beauty and masculinity.The monograph also features Mogutin's collaborations with fellow artists, including Brian Kenny, Gio Black Peter, Andrey Bartenev, Asher Levine, Martin Elmasflaco, Sebastien Meunier, François Sagat, Jan Wandrag, and many more.

Dads is a journey into gay fatherhood in the United States. More than 40 families are portrayed by the Belgian photographer Bart Heynen. A very diverse group of dads who have one thing in common; they are gay and they have children. Ever since 2015, when same-sex marriage became legal in all states, we witness a baby boom in the gay community. From New York City to Utah all these fathers are at the very beginning of a new era for gay men. Dads sheds a light on the daily lives of these families.

Slava Mogutin - the notorious Russian dissident-turned-art-star and creator of the critically acclaimed Lost Boys - returns with his second monograph. A tribute to the golden age of New York City nightlife, NYC Go-Go is a visually stunning collection that takes readers behind the velvet ropes and into the seedier, seamier side of New York's still-pounding gay club life.

"Paul P. has become internationally known for his haunting paintings and drawings of the faces and figures of young men, all sourced from pre-AIDS gay magazines. Nonchaloir, the artist's first monograph, collects over 100 of his stunning portraits in a small, intimate volume. Paul P.'s subjects and their poses are imbued with references to famed painters James McNeil Whistler and John Singer Sargent. Even the title itself is referential: nonchaloir is a defunct French word suggesting repose and resignation, found in works by Mallarmé and Baudelaire. Introduction by Collier Schorr." -- from Art Metropole website (viewd 25 May 2018).

President Emerita of the Brooklyn Academy of Music (BAM) Karen Brooks Hopkins pens BAM…and Then It Hit Me, an inspiring memoir of her 36 years at the iconic cultural institution, America's oldest performing arts center. The book has a sharp focus on concepts such as leadership, innovation, urban revitalization (including the transformation of Brooklyn from Manhattan Outpost to the coolest neighborhood on the planet), as highly successful cultural fundraising played critical roles in the colorful evolution of this world-class cultural juggernaut in the performing arts.

Isabelle Storey's memoir of her 10-year marriage to Walker Evans. The story of an elegant young woman's infatuation with a great American artist - with the man himself, with what he stood for aesthetically and with his artistic and social circle and how her initial passion gradually cooled into disenchantment. In candid, poignant narrative, which draws on the couple's correspondence, Isabelle describes how their marriage grew more formal, cooler and eventually failed altogether as Isabelle felt compelled to move on.

Illustrated by the author, Food Chain is Slava Mogutin's first collection in English. Part memoir, part political satire, part magic realism, the book presents a scope of texts from his early teenage poems to his latest writings, dubbed by the recent Russian anti-gay law as "homosexual propaganda."

Writings from the 19th century to the present.

Twenty years in the making, this internationally acclaimed photographer's epic project features carefully selected young men - not big or overly built - who exemplify for Gorman a perfected state, allowing him to frame grace, beauty and elegance in the form of the male nude. Included amongst the 212 portraits are many of Gorman's friends and acquaintances, as well as professional models. The cumulative effect of As I See It is a pleasurable zone of contmeplation, allowing the viewer to reexamine the precepts of beauty within a refreshing framework of exalted maleness.

One writer is stranded by the Second World War. Another flees multiple revolutions to live the rest of his life in Rio de Janeiro. Two others, public about their sexuality at home, choose self-exile. In Lost and Found Voices Luc Beaudoin offers a critical engagement with these four displaced authors: Witold Gombrowicz, Valerii Pereleshin, Abdellah Taïa, and Slava Mogutin. Not quite fitting into their respective diasporas and sharing an urge to express their queer desires, it is in their published works of literature, film, and photography that these writers locate their shifting identities and emergent queer voices. Their artistry is the basis from which Beaudoin traces their expressions of desire in language, culture, and community, offering a contextual queer reading that navigates their linguistic, cultural, artistic, and sexual self-translations and self-portrayals. Their choices are determinative: Gombrowicz masked his attraction to men in his works, keeping the truth hidden in an intimate diary; Pereleshin explored his lust in Brazilian Portuguese after being shunned by the Russian diaspora; Taïa writes in French to destabilize both the language and his status as an immigrant in France; Mogutin becomes a hardcore gay rebel in word and image to rattle assumptions about gay life. Bringing authors generally not familiar to an English-speaking readership into one volume, and including Beaudoin's own experience of living between languages, Lost and Found Voices provides provocative insights into what it means to be gay in both the past and the present.