An oasis of art and nature, Brookgreen Gardens is America's first public sculpture garden and largest collection of American figurative sculpture. Founded in 1931 by Archer Milton Huntington and Anna Hyatt Huntington, its lush South Carolina coastal location is an exquisite setting for the more than two thousand works by four hundred twenty-five artists--including more than one hundred sculptures and other works by Anna Huntington, many placed in the gardens she designed. In 1984, Brookgreen was designated as a National Historic Landmark, highlighting the number of women sculptors whose work is presented in the collection, as well as the significance of the work of Anna Huntington. Today, Brookgreen has become a cultural institution unlike any other, blending sculpture, historic sites, botanical gardens, and the Lowcountry Zoo. As Brookgreen begins its ninetieth year, this volume celebrates the art, nature, and history ensconced in its 9,127 acres. More than one hundred color photographs; an introduction by president and CEO, Page Hayhurst Kiniry; and a foreword by its chairman of the board, Dick Rosen, bring Brookgreen Gardens to life on the page.

In Gullah Spirituals musicologist Eric Crawford traces Gullah Geechee songs from their beginnings in West Africa to their height as songs for social change and Black identity in the twentieth century American South. While much has been done to study, preserve, and interpret Gullah culture in the lowcountry and sea islands of South Carolina and Georgia, some traditions like the shouting and rowing songs have been all but forgotten. This work, which focuses primarily on South Carolina's St. Helena Island, illuminates the remarkable history, survival, and influence of spirituals since the earliest recordings in the 1860s. Grounded in an oral tradition with a dynamic and evolving character, spirituals proved equally adaptable for use during social and political unrest and in unlikely circumstances. Most notably, the island's songs were used at the turn of the century to help rally support for the United States' involvement in World War I and to calm racial tensions between black and white soldiers. In the 1960s, civil rights activists adopted spirituals as freedom songs, though many were unaware of their connection to the island. Gullah Spirituals uses fieldwork, personal recordings, and oral interviews to build upon earlier studies and includes an appendix with more than fifty transcriptions of St. Helena spirituals, many no longer performed and more than half derived from Crawford's own transcriptions. Through this work, Crawford hopes to restore the cultural memory lost to time while tracing the long arc and historical significance of the St. Helena spirituals.

Born in 1928 in the small coastal town of Murrells Inlet, South Carolina, Genevieve "Sister" Peterkin grew up with World War II bombing practice in her front yard, deep-sea fishing expeditions, and youthful rambles through the lowcountry. She shared her bedroom with a famous ghost and an impatient older sister. But most of all she listened. She absorbed the tales of her talented mother and her beloved friend, listened to the stories of the region's older residents, some of them former slaves, who were her friends, neighbors, and teachers. In this new edition she once again shares with readers her insider's knowledge of the lowcountry plantations, gardens, and beaches that today draw so many visitors. Beneath the humor, hauntings, and treasures of local history, she tells another, deeper story—one that deals with the struggle for racial equality in the South, with the sometimes painful adventures of marriage and parenthood, and with inner struggles for faith and acceptance. This edition includes a new foreword by coastal writer and researcher Lee G. Brockington and a new afterword by coauthor and lowcountry novelist William P. Baldwin.

Brookgreen Gardens evolved into the cultural attraction it is today from its beginning in 1930 as a winter home for philanthropist Archer Milton Huntington and his wife, sculptor Anna Hyatt Huntington. The 9,000-acre tract had been four rice plantations as early as the 18th century. Home to rice planters, sportsmen, statesmen, industrialists, horticulturists, soldiers, novelists, artists, and poets, Brookgreen has entertained the great and the humble throughout its 300-year history. This book provides photographic glimpses of the men, women, and places connected with the land that became Brookgreen Gardens and documents Brookgreen's emergence as America's first public sculpture garden. A National Historic Landmark, Brookgreen's significance rests in its history and in its future service to visitors.

Brookgreen Gardens expansive property exhibits the finest outdoor collection of American figurative sculpture in the world. It began in 1930 as a winter home for philanthropist Archer Milton Huntington and his wife, sculptor Anna Hyatt Huntington. When the Huntingtons founded Brookgreen Gardens in the following year, they initially placed artworks from their own collection. By 1932, they had begun to actively purchase sculpture and to commission prominent sculptors to create works for the gardens. This volume portrays Brookgreens beginning as the first public sculpture garden in America and its rise as a respected museum of American sculpture. In 1992, it was designated a National Historic Landmark, recognizing Anna Hyatt Huntingtons status as an important sculptor and patron of the arts and Brookgreens significance as a site for womens history in America.

Insiders' Guide to St. Myrtle Beach and the Grand Strand is the essential source for in-depth travel and relocation information to this popular South Carolina vacation destination. Written by a local (and true insider), it offers a personal and practical perspective of Myrtle Beach and environs. Fully revised and updated, the 10th edition also features a new interior layout and a new cover treatment.

Two for the Road: The Romance and Adventure of RVing in Retirement By: Suzette M. Nadeau After raising a daughter and four sons, John and Suzette Nadeau spend their retirement years on the road in their RV. Join the Nadeau’s as they travel across the country, and make it to all fifty states. The sights, people, and new experiences are highlighted by the beautiful relationship of a couple who love each other—where they’ve been, and where they go in their RV.

Using minimal tools and a simple technique of bending, interweaving, and fastening together sticks, artist Patrick Dougherty creates works of art inseparable with nature and the landscape. With a dazzling variety of forms seamlessly intertwined with their context, his sculptures evoke fantastical images of nests, cocoons, cones, castles, and beehives. Over the last twenty-five years, Dougherty has built more than two hundred works throughout the United States, Europe, and Asia that range from stand-alone structures to a kind of modern primitive architecture--every piece mesmerizing in its ability to fly through trees, overtake buildings, and virtually defy gravity. Stickwork, Dougherty's first monograph, features thirty-eight of his organic, dynamic works that twist the line between architecture, landscape, and art. Constructed on-site using locally sourced materials and local volunteer labor, Dougherty's sculptures are tangles of twigs and branches that have been transformed into something unexpected and wild, elegant and artful, and often humorous. Sometimes freestanding, and other times wrapping around trees, buildings, railings, and rooms, they are constructed indoors and in nature. As organic matter, the stick sculptures eventually disintegrate and fade back into the landscape. Featuring a wealth of photographs and drawings documenting the construction process of each remarkable structure, Stickwork preserves the legend of the man who weaves the simplest of materials into a singular artistic triumph.

Inspired by Roger Tory Peterson and James Fisher’s book Wild America, recent high school graduate M. Ralph Browning embarked on a tightly budgeted, year-long trip in the US looking for birds. The year was 1962. His 1955 VW Beetle broke after nine months, which forced a premature end to the journey. In 2005, after matters of military duty, college, a family, and a career in birds at Smithsonian’s National Museum of Natural History, the author resumed the interrupted trip. This time, he was with the girl he’d left behind in 1962, and they birded Texas, the Southwest, and California. The author chronicles the trip with observations on birds while touching on history, geology, and conservation. The cost of keeping alive includes periodic notes on the price of gasoline (about $0.33/gallon in 1962) and food. The author had earlier written to numerous birders for information about birding particular locations, and many of those individuals across the country showed him birds and invited him into their homes for a gratefully appreciated warm bed and home cooking. The 2005 leg of the journey was assisted by bird finding guides and the help of the legendary Jon Dunn and numerous motels.