Fresh Fruit, Broken Bodies provides an intimate examination of the everyday lives, suffering, and resistance of Mexican migrants in our contemporary food system. Seth Holmes, an anthropologist and MD in the mold of Paul Farmer and Didier Fassin, shows how market forces, anti-immigrant sentiment, and racism undermine health and health care. Holmes was invited to trek with his companions clandestinely through the desert into Arizona and was jailed with them before they were deported. He lived with Indigenous families in the mountains of Oaxaca and in farm labor camps in the United States, planted and harvested corn, picked strawberries, and accompanied sick workers to clinics and hospitals. This “embodied anthropology” deepens our theoretical understanding of the ways in which social inequities come to be perceived as normal and natural in society and in health care. In a substantive new epilogue, Holmes and Indigenous Oaxacan scholar Jorge Ramirez-Lopez provide a current examination of the challenges facing farmworkers and the lives and resistance of the protagonists featured in the book.

Injury recidivism is a continuing health problem in the modern clinical setting and has been part of medical literature for some time. However, it has been largely absent from forensic and bioarchaeological scholarship, despite the fact that practitioners work closely with skeletal remains and, in many cases, skeletal trauma. The contributors to this edited collection seek to close this gap by exploring the role that injury recidivism and accumulative trauma plays in bioarchaeological and forensic contexts. Case examples from prehistoric, historic, and modern settings are included to highlight the avenues through which injury recidivism can be studied and analyzed in skeletal remains and to illustrate the limitations of studying injury recidivism in deceased populations.

Discusses the injuries of soldiers in Iraq and Afghanistan, the impact of these injuries on their lives when they return home from active duty, and the consequences of rising medical costs for their care on the healthcare system.

The Body of Christ is a traumatised body because it is constituted of traumatised bodies. This monograph explores the nature of that trauma and examines the implications of identifying the trauma of this body. Constructing new ways of thinking about the narratives at the heart of the Christian faith, 'Broken Bodies' offers a fresh perspective on Christian theology, in particular the Eucharist, and presents a call to love the body in all its guises. It offers new pathways for considering what it means to ‘be Christian’ and explores the impact that the experience of trauma has on Christian doctrine.

The Bodies That Remain is a collection of bodies and absences. Through biography, experimental essay and interview, fictional manifestation, and poetic extraction, The Bodies That Remain is a collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them. The Bodies That Remain looks back at how the identity of these bodies was shaped by the spaces around them, through the retelling of memory, through stories told by others; of how their work, processed by their body, made it possible for others to experience sensations - mourning, desire, or a nostalgia that could not belong to another, to another's body and in capturing this ability, their work confirms the body's urgency. Amongst others, The Bodies That Remain tells the story of Emily Dickinson's decay, the missing grave of Valeska Gert, the voice and sound of the body of Judee Sill, and the derailed body and its work of Jane Bowles. It questions the absent body but broken organs of JT Leroy as they find themselves scattered across texts, and also interrogates the loss of distinction of illness for Jules de Goncourt as syphilis riddled his nervous system. It retrieves the illusory body of Kathy Acker through dream and through horror, sees the morphing body of Michael Jackson in becoming all of the bodies he was asked to be, and looks toward Sylvia Plath and the language of her own body. Contributions include texts and images by: Lynne Tillman (on Jane Bowles), David Rule (on Michael Jackson), Mairead Case (on Judee Sill), Claire Potter (on the Lads of Aran), Jeremy Millar (on Emily Dickinson), Chloé Griffin (on Valeska Gert), Phoebe Blatton (on Brigid Brophy), Susanna Davies-Crook (on Sarah Kane), Travis Jeppensen (on Gary Sullivan), Karen Di Franco (on Mary Butts), Tai Shani (on Mnemesoid), Philip Hoare (on Denton Welch), Heather Phillipson (on a dead dog), Uma Breakdown (on Guage Fanfic), Linda Stuppart (on Kathy Acker), Sharon Kivland (on Jacques Lacan), Harman Bains (on Wilhelm Reich), Pil & Galia Kollectiv (JT Leroy), Kevin Breathnach (on Jules de Goncourt), and Emily LaBarge (on Sylvia Plath).

'A great alternative to Martina Cole' - Amazon review A WIDOW RETURNS HOME INTENT ON REVENGE . . . Daisy Lane is back home after a short spell abroad, having lost both her husband Kenny and her lover Eddie to violent deaths. But in the months away from home Daisy has not been idle. Not only has she given birth to a baby boy, she's also been plotting her revenge on Roy Kemp, the man who killed her lover. Roy's dealings are not confined to London - his reach extends south, right down to the coast. And as well as murdering Daisy's man, is he also behind the recent slaying of prostitutes? The man responsible for finding out is policeman DS Vinnie Endersby, pulled back to Gosport from London. But is he there to investigate the grisly crimes, or to get closer to Daisy? If you like crime thrillers by Jessie Keane, Kimberley Chambers and Martina Cole, you'll love Broken Bodies, the second novel in the Daisy Lane thriller series. Why readers love June Hampson's thrillers: 'A cracking story' - THE BOOKSELLER 'As good as Martina Cole and Jessie Keane' - Amazon review 'If you like gritty, hard hitting drama then I would highly recommend this' - Amazon reviewer 'This book is an emotional rollercoaster full of grit, violence, sadness, warmth, emotion and love' - Goodreads reviewer

Bodies mangled, limbs broken, skin flayed, blood spilled: the art of the late medieval and early modern periods contains myriad examples of spectacular unmaking. The martyrdoms of saints, stories of justice, and reports of the atrocities of war provided fertile ground for scenes of bodily desecration. Contributors to this volume explore the larger social functions that pain, suffering, and the desecration of the human form played in European society.

A tense, romantic thriller about stolen art treasures and precarious passion, this gripping story confirms Sally Emerson’s status as a preeminent novelist of the mysterious, erotic and dramatic. Patrick Browning first sees Anne Fitzgerald in the British Museum in front of the Elgin Marbles; both young historians are fighting to uncover the secrets of Mary Nisbet, the notorious wife of Lord Elgin. Anne thinks the present is frightening, but finds the past compelling, while Patrick lives life at one remove, preferring the women in books to those in real life. Before long, their research spills over into an all-too-real rivalry, a rivalry charged with tension and attraction – a rivalry which twists their own scarred love affairs to breaking point...

Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, Arts of Living on a Damaged Planet puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent “arts of living.” Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication’s two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste—in short, the wonders and terrors of an unintended epoch. Contributors: Karen Barad, U of California, Santa Cruz; Kate Brown, U of Maryland, Baltimore; Carla Freccero, U of California, Santa Cruz; Peter Funch, Aarhus U; Scott F. Gilbert, Swarthmore College; Deborah M. Gordon, Stanford U; Donna J. Haraway, U of California, Santa Cruz; Andreas Hejnol, U of Bergen, Norway; Ursula K. Le Guin; Marianne Elisabeth Lien, U of Oslo; Andrew Mathews, U of California, Santa Cruz; Margaret McFall-Ngai, U of Hawaii, Manoa; Ingrid M. Parker, U of California, Santa Cruz; Mary Louise Pratt, NYU; Anne Pringle, U of Wisconsin, Madison; Deborah Bird Rose, U of New South Wales, Sydney; Dorion Sagan; Lesley Stern, U of California, San Diego; Jens-Christian Svenning, Aarhus U.

"Sam Lansky has such a wondrous way with words."—Taylor Swift ONE OF THE MOST ANTICIPATED BOOKS OF THE YEAR Vogue, O, The Oprah Magazine, Parade, Library Journal, Harper’s Bazaar and more “Profound and affecting.”—Chloe Benjamin A groundbreaking, incandescent debut novel about coming to grips with the past and ourselves, for fans of Sally Rooney, Hanya Yanagihara and Garth Greenwell “He fixes everything that’s wrong with you in three days.” This is what hooks Sam when he first overhears it at a fancy dinner party in the Hollywood hills: the story of a globe-trotting shaman who claims to perform “open-soul surgery” on emotionally damaged people. For neurotic, depressed Sam, new to Los Angeles after his life in New York imploded, the possibility of total transformation is utterly tantalizing. He’s desperate for something to believe in, and the shaman—who promises ancient rituals, plant medicine and encounters with the divine—seems convincing, enough for Sam to sign up for a weekend under his care. But are the great spirits the shaman says he’s summoning real at all? Or are the ghosts in Sam’s memory more powerful than any magic? At turns tender and acid, funny and wise, Broken People is a journey into the nature of truth and fiction—a story of discovering hope amid cynicism, intimacy within chaos and peace in our own skin.