"These cautionary tales are provocative, highly instructive, occasionally brutal, and, from a safe distance, downright hilarious, making Second Act Trouble the perfect Broadway bedtime reader - unless you are prone to nightmares."--BOOK JACKET.

(Applause Books). A companion to the six-part PBS documentary series, Broadway: The American Musical is the first comprehensive history of the musical, from its roots at the turn of the 20th century through the smashing successes of the new millennium. The in-depth text is lavishly illustrated with a treasure trove of photographs, sheet-music covers, posters, scenic renderings, production stills, rehearsal shots and caricatures, many previously unpublished. Revised and updated, with a brand-new foreword by Julie Andrews and new material on all the Broadway musicals through the 2009-2010 season.

This book is written to accompany the many routine and etude books to teach what, when, and how to use those materials. Learn how to listen to your body and chops to practice most efficiently to get the quickest and greatest results. "Practice smarter not longer"

Broadway musicals of the 1900s saw the emergence of George M. Cohan and his quintessentially American musical comedies which featured contemporary American stories, ragtime-flavored songs, and a tongue-in-cheek approach to musical comedy conventions. But when the Austrian import The Merry Widow opened in 1907, waltz-driven operettas became all the rage. In The Complete Book of 1900s Broadway Musicals, Dan Dietz surveys every single book musical that opened during the decade. Each musical has its own entry which features the following: Plot summary Cast members Creative team Song lists Opening and closing dates Number of performances Critical commentary Film adaptations, recordings, and published scripts, when applicable Numerous appendixes include a chronology of book musicals by season; chronology of revues; chronology of revivals of Gilbert and Sullivan operettas; a selected discography; filmography; published scripts; Black musicals; long and short runs; and musicals based on comic strips. The most comprehensive reference work on Broadway musicals of the 1900s, this book is an invaluable and significant resource for all scholars, historians, and fans of Broadway musicals.

In two volumes spanning the era from the mid-19th century to the present, this encyclopedia offers nearly 200 entries on a variety of topics, including spotlights on 30 landmark productions. Also 30 extended thematic essays gauging the impact of theater on American life. There are also 110 profile entries on key persons and institutions whose unique careers and contributions impacted Broadway.

"This volume, essential for anyone who loves Broadway, includes a full introduction by Ben Brantley, chief theater critic of The Times, his selection of 25 of the influential Broadway plays that defined the twentieth century, and his choice of 100 other, memorable plays - right up through plays currently running on Broadway.".

The Broadway musical came of age in the 1950s, a period in which some of the greatest productions made their debuts. Shows produced on Broadway during this decade include such classics as Damn Yankees, Fiorello!, Guys and Dolls, The King and I, Kismet, The Most Happy Fella, My Fair Lady, The Pajama Game, Peter Pan, The Sound of Music, and West Side Story. Among the performers who made their marks were Julie Andrews, Bob Fosse, Carol Lawrence, and Gwen Verdon, while other talents who contributed to shows include Leonard Bernstein, Oscar Hammerstein II, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Stephen Sondheim. In The Complete Book of 1950s Broadway Musicals, Dan Dietz examines in detail every musical and revue which opened on Broadway during the 1950s. In addition to providing details on every hit and flop that debuted during the decade, this book includes revivals, and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendices, such as a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, and the New York City Opera Company. A treasure trove of information, The Complete Book of 1950s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.

Whether you're coming to Broadway fresh faced or are an old hand, you'll enjoy these 150+ profiles of the great musicals to hit the stage--including Hamilton!

(Vocal Collection). This is the perfect first collection for many voice students, whether they are teens or college singers or adults. Joan Boytim has selected songs appropriate for each voice type, and has chosen keys that suit the vocal needs of novice singers studying in traditional, generally classical lyric singing. The editions of the songs in these collections are short and straight-forward. Teachers have found these books invaluable. To make the collections even more useful, each volume is offered in a book/companion CD edition with piano accompaniments recorded by pianist Laura Ward. Contents: Comedy Tonight (from A FUNNY THING HAPPENED ON THE WAY TO THE FORUM) * Edelweiss (from THE SOUND OF MUSIC) * Get Me To The Church On Time (from MY FAIR LADY) * The Girl That I Marry (from the Stage Production ANNIE GET YOUR GUN) * Gonna Be Another Hot Day (from 110 IN THE SHADE) * How To Handle A Woman (from CAMELOT) * I Talk To The Trees (from PAINT YOUR WAGON) * I've Grown Accustomed To Her Face (from MY FAIR LADY) * If Ever I Would Leave You (from CAMELOT) * The Impossible Dream (The Quest) (from MAN OF LA MANCHA) * Just In Time (from BELLS ARE RINGING) * Leaning On A Lamp Post (from ME AND MY GIRL) * My Cup Runneth Over (from I DO! I DO!) * My Defenses Are Down (from the Stage Production ANNIE GET YOUR GUN) * Oklahoma (from OKLAHOMA!) * Some Enchanted Evening (from SOUTH PACIFIC) * Soon It's Gonna Rain (from THE FANTASTICKS) * The Surrey With The Fringe On Top (from OKLAHOMA!) * There Is Nothin' Like A Dame (from SOUTH PACIFIC) * They Call The Wind Maria (from PAINT YOUR WAGON) * This Nearly Was Mine (from SOUTH PACIFIC) * Try To Remember (from THE FANTASTICKS) * Wunderbar (from KISS ME, KATE)

A colorful tribute to the great Broadway shows of our time. 395 illustrations, 112 in full color.